The EOS 100D is built around version II of Canon's 'Hybrid CMOS' sensor, which has pixels dedicated to providing phase detection autofocus in live view and video mode. On the 100D this focus capability extends to cover 80% of the sensor's imaging area.
The sensor is paired with Canon's DIGIC 5 processing engine.
The 100D's pop-up flash has a guide number of 9.4m, the same as the EOS 1100D but less powerful than the unit found on the 700D. Unlike the 700D's unit, this flash cannot wirelessly trigger external Speedlites. You can set flash exposure compensation of +/- 2 EV. Flash sync can be set at up to 1/200 sec. and when attaching an external Speedlite to the camera's hotshoe, flash settings can be adjusted via the rear LCD screen.
Openings for both a monaural microphone (top) and speaker are located on the far left of the camera's top plate.
The on/off switch has a third position which enables video record mode. The mode dial has icons evenly spaced around its perimeter and spins 360 degrees without the hard stop found on earlier Rebel-series models. Six scene modes are housed under the SCN icon.
On the 100D, Canon's familiar AF point and AF/AE lock buttons are vertically arranged, sitting along the far right edge of the camera body. The buttons also serve as image magnification controls during playback mode.
The movie record button is placed on the camera's shoulder for easy operation by your thumb. It only initiates recording when the power switch is set to video; in stills mode it's used to enter and exit live view.
The Q menu and 'Set' functionality share the same button, which is surrounded by a 4-way controller that can be used to navigate onscreen menus and options.
The delete button has a concave design that helps prevent accidental operation. To the right of this button you can see the card access lamp which indicates data being written to the SD card.
The top corner of the camera has a self-timer lamp, that's also used used to reduce the red-eye effect in flash shots.
The little black rectangle directly below the hotshoe is a proximity sensor that automatically switches off the rear screen when you're using the viewfinder.
Located along the side of the lens throat is the lens release and below it the depth of field preview button.
An infrared sensor is positioned on the hand grip so that the camera can be triggered remotely using the optional Remote Controller RC-6 unit.
The camera's inputs are housed behind a rubber flap on the left side of the camera. HDMI and USB ports sit beneath a 3.5mm stereo mic input and a jack for a cabled remote release.
The battery and SD card go into a compartment on the base of the camera. The 100D uses the same 7.2V 825mAH LP-E12 battery introduced with the EOS M.
The tripod socket is placed in-line with the centre of the lens. The camera's small size means it's fairly close to the base compartment door, so don't expect to be able to change either card or battery with the camera on a full-size tripod plate.
The EOS 100D takes all Canon mount EF and EF-S lenses. No problem!
One do not need an expensive or high-end model to take excellent photos. Having some excellent lenses is more important. Most important, one must learn the art of photography. Some take years of practical experience to acquire. Some go for a degree course in photography, like the one provided by Southampton Solent University in England or the Royal Melbourne Institute on Technology in Australia.
Finally, a good understanding of lighting, composition and ability to capture the right moment will help towards getting the better photograph.
Camera equipment are just tools to get the job done.
def true! just tools. also just finished my university degree. that amounts to little though if one isn't applying the info and shooting. i've concentrated on working with film in a variety of formats, and a variety of printing methods, the past few years, but now need to invest in a digital body for other projects. no more access to school equipment.
The Canon EOS100D is a very capable camera and is perfect for street photography. For the budget conscious, having the EF 10-22 f/3.5-4.5 and the EF 40mm f/2.8 pancake lenses would be adequite for most situation.
If you can stretch your budget, getting the Zeiss 25mm f/2.0, 35mm f/2.0 and the 50mm f/2.0 macro would be ideal. Never mind the manual focus. If you know what you are doing, manual focus is never a problem. If you need some auto focus for street photography, go for the Canon EF 24mm f/1.4 L MkII. Also, consider the EF 135mm f/2.0L if you are interested in some portraits or model shoot.
The Canon EOS100 will be an excellent body if you want something easy to carry around.
If you are interested in night photography, don't forget to get a steady tripod.
Hello, I just had my EOS Rebel T1i stolen. I was going directly to the T4i, when i heard about this SL1. It's smaller size may be perfect to me. Reading the posts here, one thing i did'nt understand is about the lenses that would fit on the SL1. I have a Canon EF 50mm f/1.4 USM Autofocus, and i love it. Will the SL1 use it as well as th T4i, or will i have any problem? Like i said, i'm not professional. So, thanks for any help!
I'm strongly considering purchasing this camera based on the info from the review above and the comments. I need to purchase a not so expensive DSLR that can take quality photos and this seems to fit that category. But what should I consider for lenses? I shoot mostly street photography (day and night) and some portraits (indoors and outdoors). Any suggestions would be greatly appreciated.
If you need an articulated screen, go for the EOS 700D. It has almost the same or slightly better internal performance. The EOS 100D is for those who want the smallest body possible. Great if they can even squeeze in a full frame sensor and make it weather proof. That would be the ultimate mini DSLR.
Another important aspect. One can shoot up to ISO 3200 with very little noise. If one has a f/1.4 or a f2.0 lens, one can almost shoot without flash unless the subject is backlighted. Its a very handy DSLR to have.
The next time I get hold of this baby, I will test it with my EF 135 f/2.0 to shoot some catwalk models. I believe if one set the ISO at 1250 at f/2.0 or f2.8, one can get some reasonable shots. Will see!
Don't underestimate this baby as just another entry level camera. Tested it about a week ago with my EF 24mm f/1.4 L Mk II, my Zeiss 35mm f/2.0 and my Zeiss 50mm f/2.0 Macro. It handled extremely well and gave top quality performance. Sometimes in photograpghy that's all we need. A very capable little package when one is taking photos while travelling. So, the Canon 5D MkII can stay at home. If one knows what he is doing, he does not need an expensive and heavy body.
However, it may be necessary to carry a spare battery for extented shooting.
Now, that's a close competitor to the Micro 4/3 system.
This is an important release by Canon. It does not look like their attempt at mirrorless has gone too well. But since the SL1 is just a hair bigger, yet still lets one use all the EF and EFS lenses, it is definitely worth considering as either a first DSLR or a spare camera that can be carried when light-weight is a factor. I actually love the concept, so I wrote more about it here: http://www.squidoo.com/canon-rebel-sl12
I thought this model just creating another confused to the users. It looks as a DSLR but actually just mimic the shape only. They should bring a expression of new development of technology in digital photography, not just nostalgia of glories of the past on design.
This should be a fantastic second camera for Canon shooters. The only reason I didn't buy mirrorless camera is that I already invested in many Canon lenses. I was not about to buy more incompatible lenses. This solves this problem.
Really Right Stuff ( info@reallyrightstuff.com ) thinks there may not be enough demand to make an L-bracket for the 100D/SL1. If you are interested, please email them and let your voice be heard!
It may have the same dimensions to other cameras but it has the picture quality of a DSLR. It is also perfect for those who are always going to different places. There's a great review at http://www.squidoo.com/canon-eos-rebel-sl1-review
I'm always bugged by mono microphones.. We're living in 2013 for god's sake, this shouldn't be even a question... We developed this psychoacoustic effect called "stereo' in the 19th century, and popularized it in 30's..
It's a shame... There's simply no excuse.. By the early 90's, there wasn't a single device that recorded sound in mono (except for dictaphones). And yet, here we are in the "future" with stereo so standardized that most people don't even know what it is, yet we have devices that can't record simple directional cues.
Now, where is a FF version of this camera to make proper use of the 40mm pancake?
Please, enlighten me why it's so hard for manufacturers today to reproduce the form and size factor of the film cameras from the 80's and 90's?? Kudos to Oly for OM-5 but it's not FF.
Why don't we see more FF small primes like Pentax Limiteds?
Why don't we see on FF the super fast and accurate AF of the m4/3 system?
Today's mainstream cameras are ugly, bulky and ineffcient.
It will probably happen due to the 100D. They want to erase the mistake that was the EOS-M. They willk definately make more money on the 100D and faster than with the EOS-M. Hell, even I want one! If they had been more innovative, if they had really studied the market and the competition and not come out with a me-too kind of product, the EOS-M would have made sense and probably be more successful. But it didn't bring anything special to the table and what they brought was late too. I would have expected better from Canon but hey that's what happens when you rest on your laurels for way too long.
Question for Canon users. I'm interested in this camera, but in the picture of the model @ ISO 400 with the 40mm pancake, her hair has that smeared, compact-camera type look. Her face looks great, and I liked the picture of the fish shot with the pancacke lens.
Is the smeared hair a result of heavy-handed noise reduction? Can these sensors do better in raw?
The photo was shot with the aperature wide open, and it is apparent with close inspection of the photo that only at a few select points is the picture in sharp focus. Before identifying processing factors such as noise reduction, compression, and anti-aliasing filters as the cause of picture softness, it is necessary to first rule out focusing issues, and in this case it is not difficult to see that the focus is soft for almost all of the picture. If you look closely at the white shirt in the area just above the large V formed by the red garment, you can easily make out the detail in the weave of the fabric. Much more often than not, picture softness is directly attributable to focusing issues. If the picture had been shot at f 5.6 or f8, it would look very different.
You may be right, but I'm pretty sure we're talking about two different things. The out-of-focus areas from this camera are pleasing. I'm talking about what looks like artifacts from noise reduction. Again, I may be wrong.
If the noise reduction on the camera smears detail, it's not a deal-breaker for me. A lot of good cameras, including the ones I shoot, do that. I was just curious.
I studied the picture very closely and the soft look of the model's hair is fully consistent with soft focus. Moreover, as i attempted to explain, if you examine how the focus sharpness is different at different parts of the picture, the evidence is strongly compelling that the softness of the hair is due purely to focus softness. If noise reduction were the cause of softness there, you would not see the sharpness in the area that i identified. You have not given a meaningful definition of the effect that you are talking about, and have not identifed the evidence of that effect. The lack of detail in the hair is enitrely attributable to focus softness, narrow depth of field, wide open aperture. It is not my intent to be intentionally rude, but this is plainly apparent, and when someone starts by talking about an ill-defined effect (compact camera look), it annoys to start with.
If you feel the need to state that maybe you're not trying hard enough. Especially when Bob asked very politely.
Only reason I comment is it detracts from such a good resource. I've been reluctant to ask some questions on this site in case it's hit with snarky self-righteous replies.
Simple, if you do step outside with your camera and look around what others are using, how many EOS-Ms do you see? If you go to photographic retailers, how many do you see pushing the EOS-M? What has the EOS-M bring to the CSC table? Nothing.Which the reviews have clearly indicated that. They were underwhelming and Canon just brought out a CSC because everyone else was doing it. Then Canon comes out with an SLR with virtually the same specs and virtually the same size ase their CSC. I don't think you need to use more than 2 brain cells to see it.
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Regarding the EOS-M, I'm pretty sure a personal letter of apology from Canon's designers is on its way to you, hopefully giving some closure. For everybody else, buying or not buying an EOS-M will have to suffice.
I kind of agree but I don't think this is the solution to the mirrorless and m4/3 market. Canon is appearing unsure and is innovating slowly. First thing they need to do is to redesign their aging APSC sensor and catch up to Nikon. Not with Mp but with controlling (or rather not having) noise.
ISO 200 looks slightly mottled already (see borders in lighthouse sample). Mid-ISO shots of low contrast subjects are missing again. Canon fail. DPR fail.
Thank you for passing judgment on something you have never seen or used and is apparently a pre-production unit. Of course it's pointless to show examples from anything that isn't "finished" but this has become commonplace for DPR.
I think it is unacceptable, if not downright ridiculous, to release a DSLR in 2013, in the midst of super-fast dead-on accurate CDAF DSLM camera era, without AF micro adjustment. So, what, every time a 100D owner buys a lens should pray to 'match' with the body in terms of AF accuracy? Even Pentax K-r has this essential feature. Canon's marketing dept monolithic heads, wake up!
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I shot 3 rushy jpgs with it at 800iso yesterday at Photovision show, in Athens. It had a EF-S15-85mm f/3.5-5.6 IS USM lens on, as I see in Photoshop now. This camera is a joy to use, snappy, lovely lcd, great white balance (seemed much better than the new Nikons I tried before it). The images look fine for 800iso but not excellent since they are on the soft side, the striking sharpness I go for, is not there. They have the typical Canon look but honestly, too many pixels on a sensor don't help either in this regard. This is a camera to fall in love, if it had 6 or 10 mpix I'd buy it without any hesitation for an even higher price to be honest.
This is an interesting twist on small interchangeable lens cameras. It gives most of the benefits of the compact 4/3 systems, with the availability of real lenses.
I'm a little bias because I have never really understood the fascination of the 4/3 system. Its image quality is more compromised than APC, it uses a completely different lens mount, and the lenses for 4/3 seem to be limited in availability and expensive. From what I can tell, the 4/3 system is there simply for people to say "That superzoom is expensive because I can buy a Nikon 1 for five bucks more," because they have not bothered to check the price of a 24-600 zoom for that camera.
Your comment is like many others that i see here, that just does not make any sense so far as i can tell. You say that this camera gives all the benefits of the compact 4/3 system, but you made no genuine effort to indentify those benefits and explain why they are obviated by this camera. Those benefits are several, and among them, only the compact size is rendered partially moot by this camera, but not even this advantage is rendered fully moot, or even close. This is a nice camera to be sure, but comments such as yours are not putting anything into a truthful perspective.
m43s have this: small bodies (much smaller than this Canon btw) AND much smaller lenses. to those who will buy some lenses, especially zooms or telefoto, the difference is huge. The body is only a part of the story, but the combo is what atracts most. Another point is that people prefer the 4/3 ratio to 3/2. Not all, but it is a point. Then there are quite a few who prefer EVF, because of all the info you can directly see in the EVF. Zooming in movie is superior to anything DSLR can give. Especially GH3. So that is about it. A combination of things. Not for you, but for me after using a Canon DSLR, it is a most welcome change. Currently, the topline m43 sensors have somwhat better performance too. With Canons new fab this will hopefully change. Competition is good and I wish Canon users all the best.
All lens families use different lens mounts (nothing unique to m43's). And you've just disqualified yourself by stating: "I have never really understood the fascination of the 4/3 system"; if you don't understand it, why you are you talking smack about it?
What is the news here? The older Canon Rebel XT was about the same size. The XT is still a great camera and you can buy a good one used for around $100. Sure, the XT has 8 mega pixels and the 100D has 18 but more is not always better. Higher MP sensors = more noise, camera shake issues, and show faults in lower quality lenses. Folks are selling this new EOS 100D in kits that include the non IS 75-300 lens, which is a sad joke. The XT is tried and true, trusted and reliable. Anything over 6 MP is going to deliver very good image quality for consumer photos. If a person wants a camera that will take video they might not be too pleased with the video quality of a DSLR not to mention how cumbersome it is to haul around a big camera and lens to shoot video with. I would rather use real dedicated video camer to shoot movies! With the money I save buying a good XT I can buy a super lens and a compact video recorder and still have money left over to go on a trip and actually use them.
One thing you didn't mention is that the XT only goes to ISO 1600, where as the 100D goes past that. It can do ISO 3200, 6400 and 12800 (apparently native) and be pushed to ISO 25600.
Personally, I find that expands what you can do with a camera. Especially if you like shooting without the flash all the time. Yes. The pictures will show some noise, but I'll take that if I can preserve some of the ambient light.
Don't get me wrong. I like the XT (and XTi). My buddies had the XT and XTi cameras and I always thought they were a nice size and potent.
But the 100D is a nice size and extra potent with higher ISO (for me at least.)
The XT may be old, but still a fun camera. Besides . . . its not just about the camera . . . its about what you do with it that counts. Happy Shooting! :)
Plus the XT has a 600-shot battery life. Not that ridiculous 380 shots for the 100D. But my prefered one is the 1100D with 700 shots, the best of all Canon entry-level DSLRs in terms of battery life and far ahead of many other DSLRs and ALL the MILC.
This product would be much more appealing if Canon had shown more dedication to EF-S glass over the past decade or so. Why buy a super small DSLR and then slap on FF glass which wastes weight and volume for image area you can't use? The selection of EF-S only lenses in the f1.4-f2.8 aperture range is depressingly short. Even with those, we're supposed to be sold on the new hybrid AF system which further limits us... to three lenses. This is the company with the greatest selection of glass on the market? That's supposed to want to sell me on it's system rather than just its' camera?
With a fast pancake prime lens, say eq. 35/1.8, I can see how it could appeal to streetshooters. Or hang it around your neck on a strap and you are all set to painlessly explore tourist sights. There are many people out there who insist on small, but do not care for the usual limitations of "lesser" products, shutter lag or slow AF being the most notorious...
After EOS M just further proof that Canon has totally missed the train... they don't realize that in order to compete in the small scale csc market they need to concentrate first and foremost on new lens designs. Small body cameras that force the cutomer to use large body lenses make no sense at all!
This will be one of Canon's best selling DSLR's over the next year or two,, so they haven't 'missed' Jack. Canon is in this to make money,, not to make a few hundred anally-retentive, pixel-peping hobbits like you happy.
Frodo made a valid point. A smaller DSLR that still uses the same lens as the other, larger DSLR cameras is inherently less able to shrink the size of the photographer's bag, or even the bulk and mass of the camera held in hand, as compared to a compact format. Whether this justifies saying that Canon "missed the train" could be debated, but the reponse by Juck is entirely inappropriate. It is patently rude, and not the least bit warranted.
I agree re. big lenses on small bodies. However, Canon did produce the 40mm pancake a little while ago. A couple more such lenses and they'll be in the game. A 100D with 22m and 40mm pancakes sounds interesting.
Juck - that remark is not acceptable, it's an insult.
Nothing more than a 550D. Smaller will be only nice in kids hands.
Or go to a compact or, if ever you need a serious DSLR, look (and try before in hands) an old 550d and maybe the 650D now deprecated so cheaper but which will enjoy you much more.
From what little I have been able to read this is similar to what is in the 650/700d, but resized to be more compact, still time will deliver more detail...
Hey Oussouye, Yeah this camera is a kid joke, because it's not designed for professional. Maybe canon built 100D for newbies, and people who wants lightweight DSLR when travelling, with easy to use features. Please look at the body type, it's compact :D
Perhaps a more interesting comparison, from a dimensional point of view, is with the Powershot SX50HS. This body is almost identical in size (within a few mm) of this bridge camera. It opens up some interesting questions about who might be interested in this unit. Admittedly the lens on the bridge camera offers a far wider focal length range, but some people just want as small camera that behaves like a DSLR... and this unit has the larger sensor of the two...
The things this camera has going for it, in spite of competition with smaller bodies that have equal or better IQ and smaller lenses, are the Canon brand name and the Canon marketing department.
It's always nice to have a decrease in size and weight anywhere in the camera set-up. For example, over the years Canon has slimmed down the size and weight of their hotshoe flashes. I still have a Canon 550EX flash, which is noticeably larger and heavier than the newer 580EX that replaced it: http://www.the-digital-picture.com/Reviews/Canon-580EX-E-TTL-2-Speedlite-Flash-Review.aspx
But I didn't hear people complain, "What's the point of reducing the size and weight of the hotshoe flash if you still have to attach it to a big DSLR!?!" A reduction in size and weight is still a reduction in size and weight, regardless of whether other components of your camera system remain the same.
There are times when I don't feel like lugging around a larger camera, but I still want manual control; low-light sensitivity, no shutter lag, and the ability to pop on a polarizing filter. That leaves me the choice between a mirrorless camera or an small DSLR. I bought the SL1 because I can use the Tamron 18-270 on it and have an extremely versatile walking-around camera. Although EOS-M is a bit smaller, the limited lens options were a deal-breaker.
This is a sweet second camera for traveling. On the other hand, if I were recommending an entry level camera, I would suggest stepping up to the T4.
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For me, small size is not an advantage, as long as this is not a pocketable compact. Even for my medium-sized man hands, I would prefer rather 5D over 700D (price aside:). A second camera for a miniature woman-pro? Non-pros, I guess, would prefer a mirrorless system or a compact.
I think that Canon do not expect high sales, but the cost of redesign is very small, and they simply want to sell a little more old chips. Just the same as with 700D.
I think small size is an advantage for most people and I'm sure we can have a 35mm format sensor in 100D's body. the only issue is fast frame rate because the mirror is much bigger.
I shoot with a 5D and 60D. I'd gladly add an SL1. There are plenty of times where having a smaller, less-conspicuous camera is advantageous. That's why I use Canon EF lenses on a tiny Oly E-PM1 mirrorless body, using an EF-to-m4/3 adapter. The overall rig draws less attention, looks less intimidating, and is lighter. But, of course, there's no AF, and there's a 2x multiplier. Now, I can replace that with an SL1 and get full lens functionality.
Also, these days I think people look like idiots walking around with big DSLRs for casual shooting. I have no problem carrying around my big, heavy gear for when I'm working, but I don't want to do that for casual around-town shooting, and I think non-pros lugging around a big DSLR to the mall or at a restaurant to shoot family and friends look rather silly. More compact is definitely the way to go. That's why I think this camera will be a big seller for Canon.
Canon sensors do not perform as good as Sony at low ISOs because they have totally different readout. at high ISOs they are about the same so currentlly the sensor/camera does not affect lowlight performance, not much.
it's the lens that decides the lowlight output, and even sensor size is irrelevant you can get better result (lower noise) if the lens' aperture is larger (area in sqm or equiv. f-number).
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Actually DXOmark Lab tests claim Sony's sensor is a stop better in Signal to noise ratios (Canon's 3200 noise levels being slightly worse than Sony's 6400 noise levels) but then again neither will be "good" after ISO 1600.
all the makers cook the raw a bit or bite off some noise. it's about ISO1600-6400 for full-frame and 800-1600 for APS-C, about at the same place that analog ISO stops and digital ISO starts.
Nikon have been doing simple NR of color noise for long time and Sony and Nikon have been openly cooking raw since 2007 (when they got better sensors than Canon, why they had to do it?). Pentax and Olympus do it to extreme while it's part of m4/3" design from Pana.
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Hey sgoldswo, I think bigger sensor can adsorb more light in low-light condition than smaller one. So, the bigger sensor can be used in high iso s mode
this is a major shortcoming of an SLR, especially with small sensors that if's very difficult to make fast wide angles. 28/2.8 is merely 45/4.5 on APS-C.
one of the reasons why the SLR type of 4/3" gone to toilet. it was a totally failure design.
this camera would make sense if they launch a 28mm pancake prime or a collapsible zoom. Otherwise, the size advantages will not be so evident in use. But, this thing will sell well, cos for people this is still "world's smallest aps.c Dslr".
A little, plastic, light duty SLR that's fractionally smaller than dozens of other choices? No, thanks. But they'll sell to people with a bunch of Canon lenses and to the uninformed masses who think it's a cute little camera. I think the extended warranty might be a good option on this camera.
it looks that the new Canon mini is guaranteed to have not as good image quality as new Sony or Nikon sensors. but do those who bought m4/3" cared about image quality? Canon 100D is significantly smaller than GH3 and is comparable to G5, while using a shame old sensor from the stone age, the image quality is still half stops better than Olympus E-M5 and not like m4/3" cameras, 100D can use all the EF lenses. while loosing ground to Nikkor EF lenses are still the strongest army on the Earth.
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> You'll have to explain that part about it having better image quality than the E-M5.
sorry I don't know E-M5's image quality is good. may be you do.
but I do know that E-M5 reports ISO values one stop higher. that when some compare at the same advertised ISO, they compare E-M5 with images taken at about 2/3+ stops higher ISOs (average Canon or Nikon cameras inflate ISO values up to +0.2-0.3 stops).
adding to that, Olympus followed Pentax to heavily cook images which is not punished by DxOMark test. that explains why they can get so better SNR using the same Pana or Sony sensor as others. this may be handy for some casual shooters but by doing this, E-M5 disqualifies itself for serious photographers.
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First, even with the overly optimistic iso rating of the OMD, the sensor has lower noise at a measured iso number. Check DxO. Then you say the the jpegs are overcooked...ok that's your opinion, but how would it disqualify the OMD for serious photographers? Those shoot Raw anyway. And again, serious photographers are probably not interested in a camera like this 100D, with only one mode dial, plastic construction, and poor burst mode.
did I say JPEG? there is no raw output from OMD. they are "well done."
> at a measured iso number
you don't have to measure ISO and don't have to read it. all you need is to get the same exposure. and if different ISO settings give you different image qualities at a certain exposure, just use the best one you can have.
"no raw output from OMD." What are you talking about?
But beyond that, you know there's a reason why this little camera from the little camera company has so many fanboys; and no, it has little to do with its retro looks. This is a crucial point for Canon to realize here. m4/3 has evolved beyond being the great "in-your-pocket" cameras which they started out as--they have become serious photographic tools, capable of producing professional grade images in all but the most trying situations, just like the best APS-C DSLRs. If Canon wants to launch a beach head in the compact semi-pro war, it needs to offer something significantly better than its rivals already have out in the market. This camera falls short of that meager goal.
What Canon does have is a strong branding and distribution presence--that counts for a lot. But even Nikon's forays into CSC's have failed to produce impressive sales figures in this emerging market segment. Canon needs to do better than this model.
What is all the fuss about with this camera body- without small primes what is the point? Pentax is a better small camera option, surely?
I would take any K 5 and Ltds. over this plastic fantastic wonder, and have indeed done so over a year ago!
I admire the 5D3 and the 6D but this latest Canon offering is not quite right for me - small yes, but specs no. I would prefer something like the K 5 with a Canon mount plus the APSC primes to match. Never gonna happen, so I am happy with Pentax for cropped sensor and Canon for full frame.
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Pentax have some good primes in the standard of half a century ago and they are over priced (well much cheaper than Zeiss or Leica, and better, but not as good many other Japanese).
Of course it can. Even the largest, heaviest lenses without a tripod collar would never be large or heavy enough to create any problems with mounting this camera to a tripod. Besides, the tripod mounting thread socket mounts directly to the central core of the camera, typically made of stiff high strength engineering plastic and tough stainless steel, and it's this central core that is responsible for the tripod-mounting stability of any camera. Even the lens mounting ring is mounted directly to this central core structure (not to the outer body shell, as many people falsely believe). Whether the rest of the body surrounding this central core substructure is bigger or heavier, smaller or lighter, is irrelevant.
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