News tagged with "tamron"
Tamron has announced the development of a 150-600mm F5-6.3 zoom lens for full-frame and APS-C sensor cameras. It will feature 20 elements in 13 groups and have a minimum focus distance of 2.7m. Tamron will also include VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive) technologies. The lens will be developed for Canon, Nikon, and Sony mounts.
Just posted: Our review of the Tamron SP 24-70mm F/2.8 Di VC USD. In our latest lens review produced in collaboration with DxOMark, we look at Tamron's fast standard zoom for full frame cameras - the first in its class to include optical stabilisation. With its Ultrasonic Drive focus motor and drip-proof construction, it looks like a very tempting option for full frame shooters, especially as it costs rather less than its counterparts from Canon, Nikon or Sony. But is this all too good to be true? Click through to read our review and find out.
CP+ 2013: Tamron is showing off its newly-announced 14-150mm F3.5-5.8 Di III VC stabilized superzoom lens for Micro Four Thirds, while Olympus has a revised version of its 75-300mm F4.8-6.7. Though Tamron hasn't yet announced the price or availability of the 14-150mm, the prototype it has on display is working and the company gave us a hint about how much it will charge.
LensRentals' Roger Cicala has published an interesting article comparing 24-70mm F2.8 lenses from Canon, Nikon and Tamron, using both an optical test bench and Imatest results from Canon EOS 5D Mark III and Nikon D800E bodies. This provides some insights about the interaction between the sharpness of the lens and resolution of the camera's sensor, and under what practical circumstances you might see any difference. It's worth reading for anyone interested in the long-running question: what provides more detail, a higher resolution sensor with a good lens, or a lower resolution sensor with a great lens?
Tamron has announced that it's developing an image stabilised superzoom lens for Micro Four Thirds cameras. The 14-150mm F/3.5-5.8 Di III VC (Model C001) is poised to become the first third-party zoom for the system, and will offer a 28-300mm equivalent focal length range. It uses the company's Vibration Control (VC) system to counteract hand-shake, and a stepper motor for fast and silent autofocus. The lens will also feature a metal barrel and be available in a black or silver finish. Price and availibility are still to be confirmed.
Just Posted: Our review of the Tamron 18-270mm F/3.5-6.3 Di II VC PZD, prepared in partnership with DxOMark. In the last of our mini-series examining superzoom lenses for SLRs, we take a look at how Tamron's contender compares to its Sigma and Nikon counterparts that we reviewed recently. This type of all-in-one travel and 'walkaround' lens is enduringly popular, but how does this two-year-old design stand up against its brand-new competitors?
Just Posted: Our samples gallery from the Tamron SP 24-70mm F/2.8 Di VC USD. The company's latest fast maximum aperture, stabilized standard zoom was announced back in February, but really comes into its own with the recent announcements of more affordable full-frame bodies from Canon and Nikon. We've put together a gallery of images shot in a variety of situations with the Canon EOS 5D Mark III to give a taste for what it can do.
Photokina 2012: Tamron has announced the SP 70-200mm F/2.8 Di VC USD, a fast telephoto zoom lens that features optical image stabilization and an ultrasonic-type autofocus motor. Designed for both full frame and APS-C cameras, it's billed as the smallest in its class. It features moisture-resistant construction, and has a circular aperture diaphragm for pleasing rendition of out-of-focus backgrounds. It'll be available in Canon, Nikon and Sony mounts towards the end of 2012, but pricing is not yet available.
Tamron USA has announced pricing and availability of its SP 24-70mm F/2.8 Di VC USD image-stabilized fast zoom lens. Canon and Nikon mount versions of the lens will be available from April 26th 2012, at a MSRP of $1299. The Sony version, without image stabilization, will follow at a later, unspecified date. The lens is compatible with both full-frame and APS-C cameras, includes a moisture-resistant body, and a rounded aperture for attractive background blur.
Tamron has announced a 24-70mm F2.8 zoom for full frame cameras that features inbuilt optical stabilisation - a first in this class of lens. The SP 24-70mm F/2.8 Di VC USD, to give it its full name, also incorporates an Ultrasonic Silent Drive motor for autofocus, which allows full-time manual focus. The lens is moisture-resistant and features a circular aperture diaphragm for the attractive rendition of background blur. It will be produced in Canon, Nikon and Sony mounts, with price and availability to be confirmed at a later date.
Tamron and Tokina have joined the Micro Four Thirds group, meaning all three major third-party lens makers are likely to produce optics for the system. No further details of their intentions have been given. The announcement comes just after Sigma announced its first lenses for both Sony's E-mount and Micro Four Thirds - both lenses that we think make more sense on APS-C than the Micro Four Thirds format. It will be interesting to see whether Tamron and Kenko Tokina develop lenses specifically for the smaller format. Meanwhile high-end video manufacturer Astrodesign has also joined the consortium, and released a Micro Four Thirds mount 4K video camera head.
Tamron has announced the 18-200mm F/3.5-6.3 Di III VC superzoom for the E-mount used on Sony's NEX cameras. The lens, which comes in two colors, makes it the first third-party manufacturer to offer an autofocus lens for any mirrorless camera system. Unlike the existing, DSLR version, the E-mount lens uses a stepping motor designed specifically for working with contrast-detection AF. The lens offers an image-stabilized 27-300mm equivalent field-of-view on the NEX and comes as an alternative to the Sony 18-200mm. Sales will start in Japan on December 15th.
We've published our roundup of ten of the most interesting third-party lenses for enthusiast photographers. There are a huge number of lenses available from third-party manufacturers that at least match, and sometimes exceed the quality of more expensive models from camera manufacturers. In this four-page roundup, Matt Golowczynski highlights ten stand-out lenses by category.