News tagged with "review"

Just posted: Our review of the Nikon Coolpix A. With a 28mm-equivalent wideangle lens, and the same 16MP DX format sensor as used by the D7000 SLR, the Coolpix A is designed as a serious compact camera capable of professional-quality results. But it's up against stiff competition, in the shape of the similarly-specified but cheaper Ricoh GR that was announced a month later. In our 16-page comparative review, we take a detailed at how the Coolpix A measures up to the challenge posed by its close rival.

The HTC One smartphone made headlines with its claims about 'ultrapixel technology,' which the company used to describe the device's 4MP CMOS sensor. While current competitors boast 8-13MP cameras, HTC is betting on fewer, larger pixels a same-sized sensor to offer better image quality. But does the innovative approach work? We've put the HTC One and its ultrapixels through our rigorous real life and studio testing trials to find out. See how it fared at connect.dpreview.com.

We just posted a review of the Pentax K-5 II, which also covers its near-twin the K-5 IIS, a version of the camera that lacks an AA filter for higher resolution (in theory). Offering 16MP CMOS sensors, a unique shake reduction system, and a rugged weatherproof body, the Pentax K-5 II and K-5 IIS are compelling little cameras and in this review we'll explore their various standout features, as well as look at the difference in image quality between the two models. Click through for a link to the full review.

The Tamrac 5592 Big Wheels SpeedRoller 2X is a serious camera bag, featuring an industrial strength telescoping handle, oversized wheels fortified with ball bearings, and of course loads of space for camera equipment plus a 17-inch laptop. Despite an impressive capacity the SpeedRoller 2X is small enough to carry on to airplanes. It's not cheap though, at a street price of around $400. Do you get what you pay for? Read our review to find out. 

We've just posted our head-to-head review of the Canon PowerShot G15 and Nikon Coolpix P7700. These two 12MP zoom compacts have comparable designs and share a lot of similar features, but which one is best for you? We've run them through a series of studio and real-world tests to find out. Click through for links to our head-to-head review.

The Phottix BG-5DIII battery grip is a budget-friendly alternative to Canon's BG-E11 battery grip for the EOS 5D Mark III, allowing you to double the battery life and enhance handling when shooting vertical format images. Can it do the same job for less cash, or should you save up for the Canon-branded accessory? Find out in our review. 

We've just posted our review of the The Olympus PEN Mini E-PM2. The E-PM2 is an entry-level Micro Four Thirds system camera, with a 16MP CMOS sensor and full 1080 HD video. It's one of the smallest mirrorless cameras on the market and boasts 8 frames per second continuous shooting. This second generation 'Mini' is effectively the image quality 'guts' of the OM-D in a compact, lightweight, novice-friendly form. Click through to find out what we think of it.

Just posted: Our review of the Tamron SP 24-70mm F/2.8 Di VC USD. In our latest lens review produced in collaboration with DxOMark, we look at Tamron's fast standard zoom for full frame cameras - the first in its class to include optical stabilisation. With its Ultrasonic Drive focus motor and drip-proof construction, it looks like a very tempting option for full frame shooters, especially as it costs rather less than its counterparts from Canon, Nikon or Sony. But is this all too good to be true? Click through to read our review and find out.

We've just posted our 20-page review of the Nikon D5200. Nikon's 'advanced beginner' APS-C DSLR offers several features that should also appeal to enthusiasts, such as a 24MP CMOS sensor, a 39-point AF system inherited from the D7000 and an Auto ISO system linked to the focal length of the lens. Add an articulated rear LCD and the ability to output uncompressed video and you've got the makings of a very promising camera. Does the D5200 live up to its potential in real-world use? Click through to read our in-depth review.

We've just published our 25-page, in-depth review of the Nikon D7100. Sitting atop Nikon's APS-C DSLR lineup, the D7100 offers a 24MP CMOS sensor sans AA filter and a 51-point AF system that borrows heavily from the D4. In terms of ergonomics and handling the D7100 will feel familiar to D7000 users looking to upgrade, but it also inherits recent changes we've seen from Nikon in the D600 and D800 models. Is the D7100 a compelling option for enthusiasts tempted by the recent wave of affordable full frame DSLRs? Click through to find out.

We've just posted a 6-page review of the Canon Pro-10 printer. The Pro-10 sits in the middle of Canon's professional inkjet lineup below the Pro-1, which we were very impressed by when we reviewed it last year. The Pro-10 can print up to 13 x 19 inches, has built-in Ethernet connectivity, offers a maximum print resolution of 4800 x 2400 dpi, and features a ten-cartridge LUCIA pigment inkset with three monochrome inks and a chrome optimizer. Click through for a link to our full review.

Continuing the move toward cameras without optical low-pass filters, Pentax last year released two versions of its flagship digital SLR, the K-5 II and K-5 II S, the latter with no OLPF. Both cameras retain the same body and 16MP resolution, but get an upgraded autofocus sensor and a new air-gapless LCD. We've started our review, but wanted to put up a quick look exploring whether there's a difference between the two in terms of image quality. 

Just Posted: Our Panasonic Lumix DMC-GH3 review. The GH3 is the latest model in Panasonic's range-topping series of Micro Four Thirds cameras that aims to offer a tool as suited to keen film makers as enthusiast photographers. The GH3 has added a host of video industry-requested features as well as promising the best-yet stills image quality from a GH camera. However, the last year or so has seen other camera makers take an interest in movie shooting, so has Panasonic done enough to stay ahead? Read our review to find out.

Just posted: Our review of the Fujinon XF 14mm 1:2.8 R lens. Fujifilm has been steadily building up its X-system of rangefinder-inspired mirrorless cameras since its launch in January last year, and the 14mm F2.8 is the fifth lens in the family. It's a 21mm-equivalent ultra-wide prime that's designed to match the full field of view offered by the X-Pro1's optical viewfinder. Like the other XF primes it has an aperture ring on the lens barrel, but it also includes an improved manual focus ring with distance and depth of field scales. Fujifilm makes some grand claims for its optical performance; click through to see if it lives up to them in our detailed review.

Since the quest for the perfect camera bag will likely never end, we continue ours with a look at the Tamrac Evolution 9, a larger bag that can be used as a backpack or slingpack. Capable of holding a pro digital SLR with a long zoom, a 17-inch notebook, plus several lenses and accessories, the Evolution 9 seemed durable and well designed. Click through for our review to learn how it held up in the field.

We've just posted our review of Sony's NEX-6 mirrorless interchangeable lens camera. The NEX-6 brings a much-requested mode dial and ISO standard hot shoe to Sony's mirrorless lineup, and also adds a Hybrid AF system, Wi-Fi, and downloadable 'apps'. The NEX-6 also features a 16MP CMOS sensor, articulating LCD, XGA OLED electronic viewfinder, and fun point-and-shoot features like Sweep Panorama and various automatic modes. Click through to read our full review of what may be the most rounded NEX yet.

We've just posted our review of the Samsung Galaxy Note II on connect.dpreview.com. The Note II comes with a large 5.5-inch screen but is it just a phone for users who like it big or can it offer advantages over its smaller-sized siblings in the mobile imaging context? We did some finger stretches and then put the Note II to work as both an image capture and editing tool. Click through to go to the full review.

Video accessories maker Cinetics has announced the CineVise camera mount. Similar to its Cine System, it is built around Joby's popular Gorillapod Focus flexible tripod. The CineVise includes clamps around its feet, allowing you to firmly mount a DSLR or small video camera to any surface. It can be purchased from the Cinetics store as a complete system, including the GorillaPod Focus and Ballhead X for $295. You can also purchase just the CineVise grips for $165.

The Cinetics Cine System is a low-cost kit which enables videographers to achieve smooth panning and zoom shots as well as window and vehicle mounted footage. The system is built around Joby's popular Gorillapod Focus flexible tripod, and includes wheeled feet and the 'CineSquid' attachment allowing you to firmly mount a DSLR or small video camera to windows. We covered the Cine System last year in an article about interesting photography-related Kickstarter projects, and were really intrigued by its potential. Click through for a link to our review. 

Just posted: Our review of Canon's top-end standard zoom, the EF 24-70mm f/2.8L II USM. Launched a year ago to replace its 10-year old predecessor, it's designed as a workhorse for professional photographers, and features a completely new optical design and improved, weathersealed build. In the latest of our lens reviews produced in collaboration with DxOMark, we take a look both lab and real-world performance. As usual, you can also compare it to a wide range of similar lenses using our unique lens data widget. Click through to see what we thought.