News tagged with "preview"
We've just updated our preview of the Sigma 18-35mm F1.8 DC HSM with lens test data, courtesy of DxOMark. This lens has generated a lot of excitement as the fastest zoom ever made for SLRs, but the big question is whether its speed comes at the cost of optical quality. We've looked into this by comparing the 18-35mm to some current benchmark designs - and the results may surprise you. Click through to read all about it.
We've been shooting with the Olympus PEN E-P5 for the past few weeks, in preparation for our review. Using a selection of lenses, we've put together a real-world samples gallery showing what the latest big PEN can do. In addition to shooting at the default settings, we've also tried adjusting the noise reduction and sharpening settings, and have included both out-of-camera JPEGs and Adobe Camera Raw conversions to give an idea for the choices you're offered. Click through for a link to the gallery.
We've just published our first impressions of shooting with the Sigma 18-35mm F1.8 DC HSM | Art lens. We've tried to express just why we're so excited about this lens, which offers APS-C DSLR users access to some of the depth-of-field and low-light capabilities that full-frame shooters get from their F2.8 zooms. We're hoping to hear about pricing and availability soon so, in the meantime and in the light of our first impressions, what would you expect to pay for this lens? Click through for a link to the article and for your chance to comment.
We've been lucky enough to get our hands on an early pre-production sample of one of the most anticipated lenses of the year, the Sigma 18-35mm F1.8 DC HSM, and bring you a gallery of full-resolution sample images shot with it. This lens is the fastest zoom ever made for SLRs and, in principle, should provide the depth-of-field control and low-light image quality on an APS-C DSLR that you'd get using an F2.8 zoom on 35mm full-frame. We've shot a samples gallery including a variety of subjects, using a range of apertures, focal lengths and subject distances, to try to give an initial flavor of how the lens performs.
We've had a chance to take another look at an 'initial production' Olympus PEN E-P5, and have updated our preview with some more first impressions and image samples. Olympus has only allowed us to publish downsampled images, but we've still been able to get more of an idea of how well the camera works. We hope to get our hands on a production E-P5 that we can use to shoot full size images towards the middle of June, but until then click through for our updated preview to whet your appetite.
We've just added three studio comparison pages to our previously-published preview of the Pentax MX-1. The MX-1 is Pentax's flagship compact camera, and something of a departure for the manufacturer, offering a fast F1.8-2.5 zoom lens, full manual control and a high-class, metal body, to compete with more established peers like Panasonic's LX7. Click through to go to the new pages in our preview, and see for yourself how the MX-1 compares to its rivals.
Just Posted: Our detailed, hands-on Olympus PEN E-P5 preview. We've been using a pre-production E-P5 for the last few days and have had a dig beyond the specifications to discover how the latest range-topping PEN behaves. We investigate the camera's latest features, including its easy-connect Wi-Fi, its degree of customization and its '2x2' dial behavior. We also take a look at how it compares to the E-P3 and OM-D E-M5, and how the high resolution VF-4 handles on the E-P5 and existing models.
We've just posted a gallery of real-world samples from the MX-1 - Pentax's flagship compact camera. Announced earlier this year the MX-1 offers a 12MP backlit CMOS sensor, and a fast F1.8-2.5 lens which spans an equivalent focal range of 28-112mm. We wrote a detailed hands-on preview back in January and we're working on putting the camera through our usual gamut of studio and real-world testing. For now, we hope you enjoy this small gallery of samples which - if nothing else - proves that the sun does occasionally come out in Seattle.
We've just posted our Panasonic Lumix DMC-G6 preview, covering Panasonic's newest Micro Four Thirds mirrorless interchangeable lens camera. The G6 comes barely a year after the G5, and offers several updates, including a 1.44 million-dot OLED electronic viewfinder and the same sensor as the GH2. Its body has also been restyled and the touch-sensitive technology of its fully-articulated screen has been upgraded. Like its little brother the GF6, the G6 also includes built-in Wi-Fi connectivity with Near Field Communication (NFC). Click through for our hands-on preview.
We've extended our Ricoh GR Preview with additional comparisons, studio shots, a larger gallery and more details on the camera's behavior. We've shot our standard test scene with both the Ricoh and Sigma's DP1 Merrill, and added the DP1M to the comparison using our forthcoming test scene. Furthermore we've shot the GR next to the Coolpix A in a real-world setting. Click here for all this and more.
Just posted: Our hands-on preview of the Ricoh GR. The GR is the spiritual successor to the GR Digital series and features a 16MP APS-C sensor behind its 28mm equivalent, F2.8 lens. It's the first product to show signs of post-merger integration at Pentax-Ricoh, gaining the Pentax TAv exposure mode but retaining a host of traditional Ricoh features. We've been shooting with a production GR alongside the Nikon Coolpix A, click to find out more.
Just posted: Our hands-on preview of Fujifilm's latest telephoto zoom lens, the Fujinon 55-200mm F3.5-4.8 R LM OIS. Designed for the company's X-system mirrorless cameras, it offers an 83-300mm equivalent angle of view, and a relatively fast maximum aperture. It also includes optical image stabilisation and two linear stepper motors for quiet focusing. Click through to read our detailed preview for more information.
Just posted: Our Canon EOS 100D (Rebel SL1) preview samples gallery. We've been lucky enough to get our hands on a pre-production sample of Canon's latest miniaturised SLR, and have assembled a quick samples gallery to give an idea of how it performs. We've shot using the EF-S 18-135mm f/3.5-5.6 IS STM and EF 40mm f/2.8 STM pancake lenses, and aimed to cover a variety of subjects and lighting conditions. The pre-production camera used offers 'Beta' standard image quality, so may not fully reflect the final image quality (although it's unlikely to be radically different).
Just Posted: Our hands-on Panasonic Lumix DMC-GF6 preview. The GF6 expands the capabilities of Panasonic's GF series away from the point-and-shoot focus that it had increasingly pursued. The latest model adds a more sophisticated touch-screen and additional control points that will benefit a range of users but it's the NFC-mediated Wi-Fi system that we found really interesting. Add this on top of the 16MP sensor from the GX1 and you have a compelling combination of features. Click through to find out more.
We've just updated our preview of the Nikon Coolpix A with a full set of studio shots, showing image quality in both JPEG and RAW capture modes. This is in addition to a gallery of real-world samples, and first impressions of our initial findings from shooting with the camera both in and out of the studio. The Nikon Coolpix A features a 16MP CMOS sensor, and a fixed, 28mm equivalent F2.8 lens. Click through for a link to our preview, which now includes our studio comparison pages.
In the course of preparing our in-depth review of the Nikon D7100, we're exploring the potential image quality advantages of Nikon's decision to forgo an optical low pass filter (OLPF). As part of this process, we compared the D7100 alongside the Nikon D5200, which also uses a 24MP APS-C sensor, but includes an OLPF and have just added the results to our hands-on preview. Does the D7100's lack of OLPF really make a difference? Click through to read what we've found.
We've just added three pages of studio test data to our preview of the Fujifilm X100S, following the publication of a gallery of real-world samples, last week. The X100S is the successor to the popular X100, and offers a fixed 35mm (equiv.) F2 lens, and a version of Fujifilm's APS-C format X-Trans sensor with hybrid phase-detection AF. A host of other, smaller improvements should make the X100S a considerably more appealing camera than its predecessor. Click through for a link to the updated preview to see for yourself how it compares to its peers in our studio.
We've just posted a hands-on preview of the Canon EOS 100D/Rebel SL1. Distinguished by its impressively small form factor, the 100D's 18MP CMOS sensor, 3" touchscreen LCD and 1080p30 video resolution will be familiar to followers of the Rebel series. Canon's hybrid phase/contrast detect AF system has been tweaked, however, to provide much greater scene coverage. Has Canon managed to maintain its customary handling experience in the smallest DSLR it has ever made? Click through to read our preview and find out.
We've just posted a hands-on preview of the Canon EOS 700D/Rebel T5i. Remarkably similar to its predecessor, the Canon 700D's new model number seems intended more to showcase the new 18-55mm STM lens than to highlight the new camera's few minor changes. Does the 700D remain a good choice for first-time SLR buyers? Click through to read our hands-on preview.
We've just added more pages of content to our hands-on preview of the 16MP Panasonic GH3, Panasonic's flagship GH-series Micro Four Thirds camera. These pages represent our progress so far towards the completion of a full review. We've added our full complement of studio tests, including resolution, noise and dynamic range, a small gallery of 'real world' samples and updated first impressions. Click through for a link to the 12-page preview.