News tagged with "panasonic"
CES 2013: Panasonic has introduced the DMC-LZ30, a 35x superzoom offering a 25-875mm equivalent zoom range, based around a 16MP sensor. The LZ30 features a large, 3.0", 460k dot LCD and uses a CCD sensor, restricting it to 720p HD video output. In common with most of the cameras being launched at CES, it features a resolution-boosting extra zoom mode, HDR, panorama function and a choice of pre- and post-shot creative effects.
CES 2013: Panasonic has announced the lifestyle-oriented HX-A100 'wearable' camcorder. The video camera includes an 'Earthhook' which allows for hands-free video recording. HD video can be captured at 1920 x 1080 at 60 fps. Wi-Fi connectivity allows for live streaming on Ustream and you can use a smartphone or tablet to start and stop recording. The HX-A100 is also waterproof up to 1.5m (5 feet). Pricing and availability are yet to be announced.
We've just published a review of Panasonic's flagship super-zoom camera, the Lumix DMC-FZ200. The FZ200 goes back to its roots, offering a constant-aperture zoom range, like the FZs of old, but in most other respects it's similar to its well-regarded predecessor the FZ150. Features include a 12MP MOS sensor with a maximum ISO sensitivity of 6400, Raw shooting, and automatic panorama and HDR modes. We collaborated with Jeff Keller of the Digital Camera Resource Page to bring you this review of the FZ200 - click through to find out what we thought.
DCWatch has provided more details of Panasonic's DMW-FL360L - the company's first wirelessly controllable flashgun. The feature is designed to work with the company's recently-announced range-topping DMC-GH3. The bounceable flash has a guide number of 36 (m at ISO 100) and includes a flip-down wide-angle converter to provide coverage for an 8mm (16mm equivalent) lens' field of view. It also features an LED continuous lamp for video work. US pricing isn't available but is expected to cost around £250 in the UK and ¥30,000 ($376) in Japan. (via DCWatch)
Just Posted: Our Panasonic Lumix DMC-LX7 review. The latest of our collaborative reviews with Jeff Keller of The Digital Camera Resource Page is of Panasonic's enthusiast compact. The LX7 retains the bright lens and small body that have become the hallmarks of the series but adds more direct control than its forebears, including a dedicated aperture ring. Underpinning it all is a new 10MP CMOS sensor - moving on from the CCDs used in the LX5 and 3. Do all these changes help restore the Lumix to the top of the enthusiast compact pile? Read our review to find out.
DxO Labs has announced Optics Pro v7.5.5, with support for the Canon EOS-1D X and the Nikon D600. The latest version of the company's raw processing and optical correction software also adds support for the Panasonic Lumix DMC-G5 and DMC-LX7. Support for the two full-frame DSLRs comes only in the 'Elite' edition of the software, while the Panasonic support is also included in the standard edition, that costs around half as much. As usual, the upgrade is free to existing Optics Pro 7 users and recent purchasers of Pro 6.
Just Posted: our preview of the Panasonic Lumix G X Vario 35-100mm F2.8 OIS. The 35-100mm F2.8 is Panasonic's second constant aperture zoom for Micro Four Thirds and is designed to cover the classic 70-200mm equivalent range. It does so in a relatively compact lens that matches the company's existing 12-35mm F2.8 bright standard zoom. The lens we have isn't ready for the rigors of studio testing, so isn't part of the relaunch of lens reviews just yet, but is 'final' enough for us to be allowed to publish a full-resolution samples gallery.
Just Posted: Our Panasonic Lumix DMC-GH3 preview. The GH3 builds on the success Panasonic had with its GH2. With more rugged magnesium alloy construction and a new 16MP sensor, it offers plenty for stills photographers but it's the video specifications that make it a stand-out. Panasonic has been asking video professionals what they wanted out of a camera. Is the GH3 the camera they've been asking for? Read our hands-on preview to find out.
Photokina 2012: Panasonic has unveiled the DMC-GH3, its most movie-orientated Micro Four Thirds camera yet. The GH3 is built around a new 16MP sensor, which the company promises will offer improved image quality. In addition the camera, which now features a larger and weather-sealed magnesium alloy body, is packed with videographer-friendly features. These include 3.5mm mic and headphone sockets, 60p/60i/30p/24p output, All-I or IPB compression options (at up to 80 or 50 Mbps respectively) and timecode support. There will also be the option of a battery grip to allow shooting for longer periods.
Photokina 2012: Panasonic has formally announced the Lumix G X 35-100mm F2.8 lens, a fast telephoto zoom for Micro Four Thirds cameras such as the co-announced DMC-GH3. The metal body is dust- and splash-proof to match the GH3, and both zoom and focus are internal. The lens also features 'Power OIS' optical image stabilization, and uses Panasonic's Nano Surface Coating to minimize flare and ghosting.
Panasonic has announced that Getty Images sports photographer Dean Mouhtaropoulos will be covering the London 2012 Olympic Games exclusively using its recently-announced Lumix DMC-G5. His images will be displayed both at the Getty Gallery next to London's Olympic Park, and on Panasonic UK's homepage. With sports photography traditionally the preserve of large SLR cameras, the company is hoping to showcase the capabilities of its mirrorless model in this notoriously-demanding field. We suspect the press release has more to do with making the most of its Olympic sponsorship than swaying other pros, but it should be interesting to see the results.
We've had a chance to use Panasonic's latest models, and have prepared previews of the DMC-LX7, DMC-G5 and DMC-FZ200. The LX7 is the company's latest pocketable enthusiast model, featuring an impressive F1.4-2.3 lens covering a 24-90mm equivalent range. We've included a real-world samples gallery, to show how it performs. We've also taken a detailed look at the G5, seeing how it compares to the G3 and what its more comprehensive feature set offers for photographers. Finally we look at the most interesting superzoom we've seen in quite some time - the DMX-FZ200 - a camera that puts lens brightness (and hence usability) ahead of offering the biggest possible zoom number. Click here for links to our previews
Panasonic has announced the Lumix DMC-LX7 - the long-awaited update of its pocketable enthusiast compact camera. The LX7 features a slightly smaller sensor than the LX5, allowing it to offer the brightest lens of any compact camera with a really impressive F1.4-2.3 24-90mm equivalent range. The LX7 is based around a 10.1MP MOS sensor, rather than its predecessor's CCD, allowing it to offer 10 fps continuous shooting and 1080p60 movies (50p for European examples) in AVCHD Progressive format, or half that rate in MP4. It also gains an aperture ring around the lens, a 920k dot LCD, and finds room for stereo mics and a larger accessory port, allowing use with an optional high-res electronic viewfinder.
Panasonic has formally unveiled the LUMIX DMC-G5, a mid-level mirrorless interchangable lens camera. The G5 is built around a 16MP LiveMOS sensor that the company implies hasn't been used in a G-series camera before. This, combined with the company's latest 'Venus Engine' allows the capture of 1080p video at 60 frames per second (50p in European examples). It also gains an additional control lever, higher-resolution 920,000 dot rear LCD and regains the eye-sensor to automatically switch between LCD and electronic viewfinder. In principle the G5 will sit above the existing G3 in the company's lineup. For more information, read our hands-on preview.
Panasonic has revealed the Lumix DMC-FZ200 - a 24X superzoom with an impressive constant-F2.8 lens and high-resolution electronic viewfinder. That fast lens means that it should be easier to capture high-quality images at the full extent of the zoom, without having to use high ISO settings. It also has a 1.3m dot equivalent electronic viewfinder, as featured in the company's more expensive mirrorless cameras. It also has the ability to shoot at 12 frames per second and can capture 1080p video at 60fps or 720p at up to 120fps. The camera's 25-600mmm equivalent lens features an improved version of the company's highest-grade Power OIS stabilization system and 'Nano Surface Coating' to minimize lens flare. We've prepared a hands-on preview of the FZ200, which looks at what these features mean in the real world.
Panasonic has announced the LUMIX G VARIO 45-150mm F4.0-5.6 ASPH Mega OIS, a compact entry-level telephoto zoom for Micro Four Thirds cameras. At just 73mm/2.9" in length and weighing a mere 200g/7.1oz, it's the smallest lens in its class. It features a metal-clad barrel reminiscent of Sony's NEX lenses, includes optical image stabilization and Panasonic's Nano-Surface Coating to minimise flare, and will be available in either silver or black.
Panasonic is to offer the Lumix DMC-FZ60, a mid-priced 24X superzoom with MOS sensor. The FZ60 doesn't retain the FZ200's constant-F2.8 lens or high-res viewfinder but its sensor allows it to capture full-resolution images at 10 frames per second and shoot 1080i60 movies (from 30p sensor output). European versions (called DMC-FZ62) will offer 1080i50 recording from 25p capture. The camera promises 450 shots per charge and features 'Nano Surface Coating' to minimize internal reflections in its 25-600mm equivalent lens.
Panasonic has created the Lumix DMC-SZ5, a budget-conscious Wi-Fi compatible compact superzoom. The SZ5 is built around a 14MP CCD and a 10X, 25-250mm equivalent stabilized zoom, with the aim of offering the kind of zooming flexibility that a mobile phone can't match. The CCD means it can only produce 720p video at up to 30 frames per second. The SZ5 also features USB charging.
Panasonic has announced the Lumix DMC-LZ20, a 21x superzoom camera offering a 25-525mm equivalent lens range. The camera is based around a 16MP CCD sensor, limiting its video capabilities to 720p video at 30 frames per second. This, combined with a mid-resolution 460k dot rear screen suggest Panasonic is aiming for the more modestly-priced end of the market (though prices haven't yet been announced).