News tagged with "panasonic"
Panasonic has announced that Getty Images sports photographer Dean Mouhtaropoulos will be covering the London 2012 Olympic Games exclusively using its recently-announced Lumix DMC-G5. His images will be displayed both at the Getty Gallery next to London's Olympic Park, and on Panasonic UK's homepage. With sports photography traditionally the preserve of large SLR cameras, the company is hoping to showcase the capabilities of its mirrorless model in this notoriously-demanding field. We suspect the press release has more to do with making the most of its Olympic sponsorship than swaying other pros, but it should be interesting to see the results.
We've had a chance to use Panasonic's latest models, and have prepared previews of the DMC-LX7, DMC-G5 and DMC-FZ200. The LX7 is the company's latest pocketable enthusiast model, featuring an impressive F1.4-2.3 lens covering a 24-90mm equivalent range. We've included a real-world samples gallery, to show how it performs. We've also taken a detailed look at the G5, seeing how it compares to the G3 and what its more comprehensive feature set offers for photographers. Finally we look at the most interesting superzoom we've seen in quite some time - the DMX-FZ200 - a camera that puts lens brightness (and hence usability) ahead of offering the biggest possible zoom number. Click here for links to our previews
Panasonic has announced the Lumix DMC-LX7 - the long-awaited update of its pocketable enthusiast compact camera. The LX7 features a slightly smaller sensor than the LX5, allowing it to offer the brightest lens of any compact camera with a really impressive F1.4-2.3 24-90mm equivalent range. The LX7 is based around a 10.1MP MOS sensor, rather than its predecessor's CCD, allowing it to offer 10 fps continuous shooting and 1080p60 movies (50p for European examples) in AVCHD Progressive format, or half that rate in MP4. It also gains an aperture ring around the lens, a 920k dot LCD, and finds room for stereo mics and a larger accessory port, allowing use with an optional high-res electronic viewfinder.
Panasonic has formally unveiled the LUMIX DMC-G5, a mid-level mirrorless interchangable lens camera. The G5 is built around a 16MP LiveMOS sensor that the company implies hasn't been used in a G-series camera before. This, combined with the company's latest 'Venus Engine' allows the capture of 1080p video at 60 frames per second (50p in European examples). It also gains an additional control lever, higher-resolution 920,000 dot rear LCD and regains the eye-sensor to automatically switch between LCD and electronic viewfinder. In principle the G5 will sit above the existing G3 in the company's lineup. For more information, read our hands-on preview.
Panasonic has revealed the Lumix DMC-FZ200 - a 24X superzoom with an impressive constant-F2.8 lens and high-resolution electronic viewfinder. That fast lens means that it should be easier to capture high-quality images at the full extent of the zoom, without having to use high ISO settings. It also has a 1.3m dot equivalent electronic viewfinder, as featured in the company's more expensive mirrorless cameras. It also has the ability to shoot at 12 frames per second and can capture 1080p video at 60fps or 720p at up to 120fps. The camera's 25-600mmm equivalent lens features an improved version of the company's highest-grade Power OIS stabilization system and 'Nano Surface Coating' to minimize lens flare. We've prepared a hands-on preview of the FZ200, which looks at what these features mean in the real world.
Panasonic has announced the LUMIX G VARIO 45-150mm F4.0-5.6 ASPH Mega OIS, a compact entry-level telephoto zoom for Micro Four Thirds cameras. At just 73mm/2.9" in length and weighing a mere 200g/7.1oz, it's the smallest lens in its class. It features a metal-clad barrel reminiscent of Sony's NEX lenses, includes optical image stabilization and Panasonic's Nano-Surface Coating to minimise flare, and will be available in either silver or black.
Panasonic is to offer the Lumix DMC-FZ60, a mid-priced 24X superzoom with MOS sensor. The FZ60 doesn't retain the FZ200's constant-F2.8 lens or high-res viewfinder but its sensor allows it to capture full-resolution images at 10 frames per second and shoot 1080i60 movies (from 30p sensor output). European versions (called DMC-FZ62) will offer 1080i50 recording from 25p capture. The camera promises 450 shots per charge and features 'Nano Surface Coating' to minimize internal reflections in its 25-600mm equivalent lens.
Panasonic has created the Lumix DMC-SZ5, a budget-conscious Wi-Fi compatible compact superzoom. The SZ5 is built around a 14MP CCD and a 10X, 25-250mm equivalent stabilized zoom, with the aim of offering the kind of zooming flexibility that a mobile phone can't match. The CCD means it can only produce 720p video at up to 30 frames per second. The SZ5 also features USB charging.
Panasonic has announced the Lumix DMC-LZ20, a 21x superzoom camera offering a 25-525mm equivalent lens range. The camera is based around a 16MP CCD sensor, limiting its video capabilities to 720p video at 30 frames per second. This, combined with a mid-resolution 460k dot rear screen suggest Panasonic is aiming for the more modestly-priced end of the market (though prices haven't yet been announced).
DxO Labs has released DxO Optics Pro v7.5.2, with this latest update adding support for the Olympus OM-D E-M5 and Panasonic DMC-GF5. The addition means the software can now process files from all Panasonic's Micro Four Thirds cameras. In addition, v7.5.2 brings support for Panasonic's CMOS-based DMC-FZ150 superzoom. As usual, a 30-day free trial is available and the update is free for all Optics Pro 7 customers and anyone who bought Optics Pro 6 after September 1st 2011.
Just Posted: Panasonic Lumix DMC-ZS15/TZ25 review. We've collaborated with Jeff Keller of the Digital Camera Resource Page to bring you a 9-page review of the 'little brother' to Panasonic's top-end ZS20 travelzoom, the more affordable ZS15. The 12MP ZS15 features a 16X optical zoom range that spans 24-383mm (equivalent) but lacks the built-in GPS of its more expensive sibling. So how does it perform overall? Read our 9-page review to find out.
Panasonic is finalizing a substantial investment in troubled medical and camera company Olympus, according to reports from Japan. The Kyodo news agency is saying that Panasonic will invest around ¥500bn ($630m) in the business - making it the company's largest shareholder. Panasonic has little presence in the medical market, so it seems likely the move is as much about ensuring the continuation of its partner in the Micro Four Thirds collaboration, which could have been jeopardized if the much-needed tie-up had been with a rival camera maker. Update: Panasonic denies plans.
Panasonic has release firmware v2.0 for its DMC-FX90 Wi-Fi compact, adding a series of features to allow its use with smartphones. The FX90, launched in August 2011 featured the ability to upload images to smartphones, but the latest firmware adds the option to remotely view the camera's live view, zoom the lens and trigger the shutter. These features, which can be used with the associated iOS and Android smartphone apps, bring it into line with the latest 'smart cameras' from Samsung.
Apple has issued Digital Camera Raw Compatibility Update 3.13, adding compatibility for six extra cameras, allowing their Raw files to be opened by software on the Mac, including Aperture and iPhoto. The latest update brings support for the Canon EOS-1D X, Nikon D800E, Nikon D3200, Olympus OM-D E-M5, Panasonic Lumix DMC-GF5 and Sony SLT-A57. The update means Apple is the first major software maker to support some of these models.
Just Posted: our hands-on preview of the Panasonic 12-35mm F2.8 fast standard zoom for Micro Four Thirds. It's the first constant-aperture standard zoom for a mirrorless system - helping strengthen the position of the system developed by Panasonic and Olympus. We've been using a pre-production version of the lens on both makers' cameras, and have prepared a hands-on preview and a small gallery of sample images.
Panasonic has formally announced a 12-35mm F2.8 lens for the Micro Four Thirds system. The LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S offers a traditional 24-70mm equivalent field-of-view, and is the first constant-aperture standard zoom for a mirrorless system. The lens is the latest in Panasonic's premium 'X'-branded range and uses the company's latest Power O.I.S optical stabilization system. It will be available in August, pricing details are not yet available.
Just published: Jeff Keller's in-depth review of the Panasonic Lumix DMC-ZS20 (TZ30 outside the US). The ZS20 is the slimmest 20x zoom camera on the market, with a lens covering a 24-480mm equivalent range and featuring the company's latest Power O.I.S stabilization. The 14MP high-speed MOS sensor allows the ZS20 to autofocus in as little as 0.1 seconds, and shoot at up to 10 frames per second (5fps with AF-tracking). It also has GPS and an updated mapping function to show photos on a map with greater detail. The ZS20 can capture 1080p60 movies in AVCHD or, in an interesting step for one of the creators of AVCHD, it can shoot 1080p30 in MP4 format.
We've just published our review of the Panasonic DMC-FZ150 24x superzoom. Successor to the slightly underwhelming FZ100, the Raw-shooting CMOS-powered FZ150 incorporates a lower-resolution 12MP sensor that the company says will outperform its predecessor's 14MP chip. The camera's 25-600mm equivalent lens incorporates 'Nano Surface Coating' to mitigate the effects of internal reflections. It can also shoot 1080p60 HD movies in the recently-created AVCHD Progressive standard. Is this the serious superzoom that enthusiasts have been waiting for? Read our review to find out.
Panasonic has formally announced the much-discussed DMC-GF5. We've had a pre-production GF5 for a couple of days, so we've had a look at what's changed and what the diminutive Micro Four Thirds camera offers to compact camera users looking for better image quality but still wanting the option to simply point and shoot. The 12MP camera is a subtle revision over the GF3, but a higher-res screen, refined user interface and the inclusion of Panasonic's retractable 14-42mm power zoom lens for a list price of $749.99/£579 makes it worth looking at.
Images of a Panasonic GF5 have begun to appear on various websites. First an Instagram image of a camera, looking a lot like a GF3 refresh, appeared on the site of an Hong Kong actress/model Angelababy, who just happens to have promoted Panasonic products in the past. Plausible manufacturer product shots (consistent with the Instagram image), have also appeared. We won't speculate about specifications, but it seems reasonable to assume there's another GF on its way. (via 43 Rumors)