News tagged with "micro-four-thirds"
Photokina 2012: Hong Kong lens maker SLR Magic will be showing four prototype lenses for mirrorless cameras at Photokina - 25mm T0.95, 35mm T0.95, 35mm T1.4, and 23mm F1.7 designs. The SLR Magic HyperPrime 23mm F1.7 has been completely redesigned from the previous version, and will be introduced in February 2013 at an MSRP of US$399 in Micro Four Thirds, Sony E and Fujifilm X mounts. The SLR Magic CINE 35mm T1.4 will be made in the same mounts, and go on sale in December 2012 for US$279. Meanwhile the 25mm T0.95 and 35mm T0.95 are based on the existing 50mm T0.95 design, and will cost US $649 and US $1,249 respectively. All will feature manual focus and aperture control.
Panasonic has formally unveiled the LUMIX DMC-G5, a mid-level mirrorless interchangable lens camera. The G5 is built around a 16MP LiveMOS sensor that the company implies hasn't been used in a G-series camera before. This, combined with the company's latest 'Venus Engine' allows the capture of 1080p video at 60 frames per second (50p in European examples). It also gains an additional control lever, higher-resolution 920,000 dot rear LCD and regains the eye-sensor to automatically switch between LCD and electronic viewfinder. In principle the G5 will sit above the existing G3 in the company's lineup. For more information, read our hands-on preview.
Panasonic has announced the LUMIX G VARIO 45-150mm F4.0-5.6 ASPH Mega OIS, a compact entry-level telephoto zoom for Micro Four Thirds cameras. At just 73mm/2.9" in length and weighing a mere 200g/7.1oz, it's the smallest lens in its class. It features a metal-clad barrel reminiscent of Sony's NEX lenses, includes optical image stabilization and Panasonic's Nano-Surface Coating to minimise flare, and will be available in either silver or black.
Schneider Kreuznach has said it will begin making lenses for mirrorless systems, and has shown renderings of a 14mm F2.0 lens for the Micro Four Thirds system. The move will make Schneider one of the few independent lens makers building autofocus lenses for mirrorless systems, following the launches of lenses for Micro Four Thirds and Sony NEX from Sigma and a NEX 18-200mm from Tamron. As part of its annual review, Schneider says it will introduce a range of lenses for mirrorless cameras 'this fall,' which we're expecting to mean around the Photokina show in Cologne, this September. (via Photoscala)
Olympus has acknowledged the banding that can appear in high ISO OM-D E-M5 images shot with the Panasonic 20mm F1.7 lens and says it is working on a fix. In the meantime, the only solution is to avoid high ISO settings when using that lens, for now. It says that it has tried 'every possible combination of body and lens,' and has not found the problem with other lenses.
Panasonic is finalizing a substantial investment in troubled medical and camera company Olympus, according to reports from Japan. The Kyodo news agency is saying that Panasonic will invest around ¥500bn ($630m) in the business - making it the company's largest shareholder. Panasonic has little presence in the medical market, so it seems likely the move is as much about ensuring the continuation of its partner in the Micro Four Thirds collaboration, which could have been jeopardized if the much-needed tie-up had been with a rival camera maker. Update: Panasonic denies plans.
Olympus has released more details about the M.Zuiko Digital ED 75mm F1.8 lens it announced alongside the E-M5, back in January 2012. The relatively compact large-aperture lens offers a 150mm-equivalent field-of-view and a fast internal-focus design. The 75mm will be available from 'Summer 2012' at an expected selling price of around $899.99.
Just Posted: our hands-on preview of the Panasonic 12-35mm F2.8 fast standard zoom for Micro Four Thirds. It's the first constant-aperture standard zoom for a mirrorless system - helping strengthen the position of the system developed by Panasonic and Olympus. We've been using a pre-production version of the lens on both makers' cameras, and have prepared a hands-on preview and a small gallery of sample images.
Panasonic has formally announced a 12-35mm F2.8 lens for the Micro Four Thirds system. The LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S offers a traditional 24-70mm equivalent field-of-view, and is the first constant-aperture standard zoom for a mirrorless system. The lens is the latest in Panasonic's premium 'X'-branded range and uses the company's latest Power O.I.S optical stabilization system. It will be available in August, pricing details are not yet available.
Panasonic has formally announced the much-discussed DMC-GF5. We've had a pre-production GF5 for a couple of days, so we've had a look at what's changed and what the diminutive Micro Four Thirds camera offers to compact camera users looking for better image quality but still wanting the option to simply point and shoot. The 12MP camera is a subtle revision over the GF3, but a higher-res screen, refined user interface and the inclusion of Panasonic's retractable 14-42mm power zoom lens for a list price of $749.99/£579 makes it worth looking at.
Olympus has announced a firmware update for its M.Zuiko Digital ED 12-50mm F3.5-6.3 EZ power-zoom macro lens. Firmware v1.1 improves image stabilization performance in Macro mode, when shooting with the Olympus E-M5. It also adds support for the 'Zoom Resume' function when used with Panasonic cameras - meaning the zoom returns to the previously-used focal length when the camera is switched on.
Olympus has issued firmware v1.3 for its E-5 DSLR, along with the PEN E-P3, E-PL3, E-PL2 and E-PM1. The updates provide all five cameras with improved stability when using SDXC cards larger than 48Gb. Meanwhile, the E-PL3 and E-PM1 are also tweaked for improved operation when using external flashes in RC mode. The latest versions can be downloaded via the Olympus Camera Updater software.
Just published: studio test samples from the Olympus OM-D E-M5. We've just received a production-standard E-M5 so have rushed it into the studio to shoot our standard test scene. These shots have been added to our preview, but can also be accessed from other camera reviews or from the standalone comparison tool. Have a look to see how it stacks up against its rivals, or download the Raw files to subject them to your favored workflow.
We've just received an Olympus OM-D E-M5 that we can use to publish sample images and have shot an ISO sequence. We aim to bring you a real-world samples gallery in a few days time, but to whet your appetite we've prepared a quick series of studio-based shots showing how the camera behaves under the challenge of low-level tungsten lighting at all ISOs. Olympus describes our sample as 'initial production' and it's running firmware version 1.0, so these should give a pretty good idea of what you'll be able to expect from the camera when it hits the shops.
At the opposite end of the spectrum from its forthcoming 50mm T0.95 lens, SLR Magic has launched three Toy lenses across several mirrorless camera systems. They include a glass-covered 24mm equivalent Pinhole lens for Micro Four Thirds, a 60mm equivalent f/1.4 for the Pentax Q and a 'Bokehmorphic' lens with shaped filters for the Sony E-mount. The 42mm equivalent E-mount lens comes with seven aperture inserts that give differently-shaped bokeh. All three lenses will be available from April 2012.
The European press event for the Olympus OM-D E-M5 gave us a chance to get some proper shooting time in with one of the most discussed cameras of 2012. Our preview already looks over the features and custom options but this trip gave us a chance to really use the camera. Andy Westlake hit the streets of Amsterdam with an E-M5, determined to find out how its features work in real-world use and looks at how well the Art Filters and processing options work.
Just posted: Our in-depth review of the Panasonic Lumix DMC-GX1. As the long-awaited spiritual successor to the highly-regarded Lumix GF1, this enthusiast-oriented offering from Panasonic combines its 16MP sensor and latest touchscreen interface with a rangefinder-inspired design. The wealth of external dials and buttons speaks to the photographer who prefers to take control over camera operation and exposure settings. Is this the camera GF1 owners have been waiting for? Read our in-depth review to find out.
The E-M5 is the first of Olympus' OM-D range of Micro Four Thirds cameras and is styled to look like the its classic OM series SLRs. We've had a chance to use one of the most rumored and speculated-about cameras of recent years and have prepared a full, hands-on preview. We take a look at the camera's features and explain its levels of customization. Click here to find out more about what goes on behind the E-M5's pretty exterior.
Cosina has announced the Voigtländer Nokton 17.5mm F0.95 manual focus prime lens for the Micro Four Thirds system. The lens gives a 35mm equivalent field-of-view on the system and has been designed with silent, stepless aperture control for videography. The lens offers a wider-angle alternative to the company's Nokton 25mm F0.95. The Japanese price translates as around $1500. (via DCWatch)
Olympus has finally announced the long-rumored E-M5, the first of its OM-D range of Micro Four Thirds cameras. The E-M5 is built around a 16MP sensor and features the company's latest 5-axis image stabilization system that works for both stills and movies. It can shoot 1080i60 movies in MOV format (h.264 compression) and includes a 1.44M dot EVF in its weather-sealed magnesium alloy body.