News tagged with "micro-four-thirds"
Olympus has released a firmware update for its OM-D E-M5 high-end Micro Four Thirds camera. Firmware 1.5 allows the use of the camera's in-body stabilization during video recording when using non-native lenses on the camera once the focal length has been specified. The firmware also promises to reduce the humming noise generated by the camera's stabilization system when keeping the sensor in its neutral position. The update can be downloaded and installed via the Olympus Camera Updater software. The update also includes the changes promised for the suspended firmware v1.2.
Just Posted: Our Panasonic Lumix DMC-GH3 preview. The GH3 builds on the success Panasonic had with its GH2. With more rugged magnesium alloy construction and a new 16MP sensor, it offers plenty for stills photographers but it's the video specifications that make it a stand-out. Panasonic has been asking video professionals what they wanted out of a camera. Is the GH3 the camera they've been asking for? Read our hands-on preview to find out.
Just Posted: Our hands-on preview of the Olympus PEN E-PL5 and PEN E-PM2. The two baby PENs, the Lite and Mini have done a good job of offering some of the least exensive mirrorless cameras on the market but have, until now, relied on an ageing 12MP sensor. Now the OM-D's 16MP sensor makes its way into both the latest PEN Lite (the E-PL5) and the PEN Mini (the E-PM2). They also gain touch screens and a series of other updates. Read our preview to find out more, which includes a small gallery of real-world samples from the E-PL5.
Photokina 2012: Panasonic has unveiled the DMC-GH3, its most movie-orientated Micro Four Thirds camera yet. The GH3 is built around a new 16MP sensor, which the company promises will offer improved image quality. In addition the camera, which now features a larger and weather-sealed magnesium alloy body, is packed with videographer-friendly features. These include 3.5mm mic and headphone sockets, 60p/60i/30p/24p output, All-I or IPB compression options (at up to 80 or 50 Mbps respectively) and timecode support. There will also be the option of a battery grip to allow shooting for longer periods.
Photokina 2012: Olympus has refreshed its PEN series with the PEN Lite E-PL5 and PEN Mini E-PM2 16MP touch-screen mirrorless cameras. Both models feature the 16MP sensor and TruePic VI image processor first seen in the OM-D E-M5. Both cameras also gain 460,000 dot, touch-sensitive rear LCDs, with the ability to focus and shoot by touching the screen. They can also shoot at 8 frames per second. The E-PL5 offers a mode dial, an extra button, flip-up LCD and E-P3-style screw-on front grip over the PEN Mini. The E-PL5 will cost $699 with the 14-42mm retractable zoom, while the E-PM2 will cost $599 with the same lens.
Photokina 2012: Olympus has launched two lenses for the Micro Four Thirds system, including the M.Zuiko Digital ED 60mm 1:2.8 Macro, and announced it is developing a 17mm F1.8 fast prime. It has also made an unusual 15mm F8 'body cap lens' that's just 9mm thick. The final lens is a special edition black version of its existing high-end 12mm F2.0 prime. The 60mm Macro will cost around $499/£429, and the black 12mm F2.0 will be $1099/£849.
Photokina 2012: Hong Kong lens maker SLR Magic will be showing four prototype lenses for mirrorless cameras at Photokina - 25mm T0.95, 35mm T0.95, 35mm T1.4, and 23mm F1.7 designs. The SLR Magic HyperPrime 23mm F1.7 has been completely redesigned from the previous version, and will be introduced in February 2013 at an MSRP of US$399 in Micro Four Thirds, Sony E and Fujifilm X mounts. The SLR Magic CINE 35mm T1.4 will be made in the same mounts, and go on sale in December 2012 for US$279. Meanwhile the 25mm T0.95 and 35mm T0.95 are based on the existing 50mm T0.95 design, and will cost US $649 and US $1,249 respectively. All will feature manual focus and aperture control.
Panasonic has formally unveiled the LUMIX DMC-G5, a mid-level mirrorless interchangable lens camera. The G5 is built around a 16MP LiveMOS sensor that the company implies hasn't been used in a G-series camera before. This, combined with the company's latest 'Venus Engine' allows the capture of 1080p video at 60 frames per second (50p in European examples). It also gains an additional control lever, higher-resolution 920,000 dot rear LCD and regains the eye-sensor to automatically switch between LCD and electronic viewfinder. In principle the G5 will sit above the existing G3 in the company's lineup. For more information, read our hands-on preview.
Panasonic has announced the LUMIX G VARIO 45-150mm F4.0-5.6 ASPH Mega OIS, a compact entry-level telephoto zoom for Micro Four Thirds cameras. At just 73mm/2.9" in length and weighing a mere 200g/7.1oz, it's the smallest lens in its class. It features a metal-clad barrel reminiscent of Sony's NEX lenses, includes optical image stabilization and Panasonic's Nano-Surface Coating to minimise flare, and will be available in either silver or black.
Schneider Kreuznach has said it will begin making lenses for mirrorless systems, and has shown renderings of a 14mm F2.0 lens for the Micro Four Thirds system. The move will make Schneider one of the few independent lens makers building autofocus lenses for mirrorless systems, following the launches of lenses for Micro Four Thirds and Sony NEX from Sigma and a NEX 18-200mm from Tamron. As part of its annual review, Schneider says it will introduce a range of lenses for mirrorless cameras 'this fall,' which we're expecting to mean around the Photokina show in Cologne, this September. (via Photoscala)
Olympus has acknowledged the banding that can appear in high ISO OM-D E-M5 images shot with the Panasonic 20mm F1.7 lens and says it is working on a fix. In the meantime, the only solution is to avoid high ISO settings when using that lens, for now. It says that it has tried 'every possible combination of body and lens,' and has not found the problem with other lenses.
Panasonic is finalizing a substantial investment in troubled medical and camera company Olympus, according to reports from Japan. The Kyodo news agency is saying that Panasonic will invest around ¥500bn ($630m) in the business - making it the company's largest shareholder. Panasonic has little presence in the medical market, so it seems likely the move is as much about ensuring the continuation of its partner in the Micro Four Thirds collaboration, which could have been jeopardized if the much-needed tie-up had been with a rival camera maker. Update: Panasonic denies plans.
Olympus has released more details about the M.Zuiko Digital ED 75mm F1.8 lens it announced alongside the E-M5, back in January 2012. The relatively compact large-aperture lens offers a 150mm-equivalent field-of-view and a fast internal-focus design. The 75mm will be available from 'Summer 2012' at an expected selling price of around $899.99.
Just Posted: our hands-on preview of the Panasonic 12-35mm F2.8 fast standard zoom for Micro Four Thirds. It's the first constant-aperture standard zoom for a mirrorless system - helping strengthen the position of the system developed by Panasonic and Olympus. We've been using a pre-production version of the lens on both makers' cameras, and have prepared a hands-on preview and a small gallery of sample images.
Panasonic has formally announced a 12-35mm F2.8 lens for the Micro Four Thirds system. The LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S offers a traditional 24-70mm equivalent field-of-view, and is the first constant-aperture standard zoom for a mirrorless system. The lens is the latest in Panasonic's premium 'X'-branded range and uses the company's latest Power O.I.S optical stabilization system. It will be available in August, pricing details are not yet available.
Panasonic has formally announced the much-discussed DMC-GF5. We've had a pre-production GF5 for a couple of days, so we've had a look at what's changed and what the diminutive Micro Four Thirds camera offers to compact camera users looking for better image quality but still wanting the option to simply point and shoot. The 12MP camera is a subtle revision over the GF3, but a higher-res screen, refined user interface and the inclusion of Panasonic's retractable 14-42mm power zoom lens for a list price of $749.99/£579 makes it worth looking at.
Olympus has announced a firmware update for its M.Zuiko Digital ED 12-50mm F3.5-6.3 EZ power-zoom macro lens. Firmware v1.1 improves image stabilization performance in Macro mode, when shooting with the Olympus E-M5. It also adds support for the 'Zoom Resume' function when used with Panasonic cameras - meaning the zoom returns to the previously-used focal length when the camera is switched on.
Olympus has issued firmware v1.3 for its E-5 DSLR, along with the PEN E-P3, E-PL3, E-PL2 and E-PM1. The updates provide all five cameras with improved stability when using SDXC cards larger than 48Gb. Meanwhile, the E-PL3 and E-PM1 are also tweaked for improved operation when using external flashes in RC mode. The latest versions can be downloaded via the Olympus Camera Updater software.
Just published: studio test samples from the Olympus OM-D E-M5. We've just received a production-standard E-M5 so have rushed it into the studio to shoot our standard test scene. These shots have been added to our preview, but can also be accessed from other camera reviews or from the standalone comparison tool. Have a look to see how it stacks up against its rivals, or download the Raw files to subject them to your favored workflow.
We've just received an Olympus OM-D E-M5 that we can use to publish sample images and have shot an ISO sequence. We aim to bring you a real-world samples gallery in a few days time, but to whet your appetite we've prepared a quick series of studio-based shots showing how the camera behaves under the challenge of low-level tungsten lighting at all ISOs. Olympus describes our sample as 'initial production' and it's running firmware version 1.0, so these should give a pretty good idea of what you'll be able to expect from the camera when it hits the shops.