News tagged with "micro-four-thirds"
Update: Consumer electronics maker JVC Kenwood has joined the Micro Four Thirds standard and said it will develop products for the system. The company is showing two prototype 4K-capable cameras, including a compact, handheld model at NAB in Las Vegas. We stopped by the JVC Kenwood booth and got a first glimpse of the cameras on display. Interestingly, the company says both cameras will have Super 35 sensors (around 21 x 12mm), which is wider than the original Four Thirds sensor format which the standard was designed around. Learn more
Kodak famously failed to adapt to the transition from film to digital photography, and finally stopped making digital cameras in early 2012. Now the famous old brand has been resurrected by JK Imaging Ltd, which is producing cameras in partnership with Asia Optical. We got a quick look at some of the 2014 product portfolio earlier this year at CES but this week we had a more detailed briefing at a European press event. Click through to take a closer look.
Panasonic has announced pricing and availability for its flagship 4K video-recording mirrorless camera, the Lumix DMC-GH4. It'll go on sale in the UK on 5th May for £1299.99 body only, £1749.99 with 14-140mm zoom, or £2499.99 with the specialist DMW-YAGHE video interface unit. Meanwhile in the US the camera body will cost $1699.99, and the video interface unit will be $1999.99.
Japanese optical company Kowa - best known for its spotting scopes and binoculars - has revealed that it plans to make three lenses for Micro Four Thirds cameras. The Kowa Prominar 8.5mm F2.8 MFT, 12mm F1.8 MFT and 25mm F1.8 MFT will all feature manual focus and aperture control, and use low-dispersion XD glass and aspheric elements to minimise distortion and aberrations. They're due to be released in summer 2014.
We were visited recently by Panasonic product experts and got some time to handle Panasonic's latest still/video hybrid camera - the Lumix DMC-GH4. We've dug through its feature set to get a feel for what it offers and have summarized what's new and improved. And, although it's the 4K-capability that will grab all the initial attention, there's also plenty for 1080p shooters and even still photographers to take notice of. Click through to read more...
Panasonic has announced its latest flagship Micro Four Thirds camera, the Lumix DMC-GH4. It's designed as a 'hybrid camera' that can shoot both stills and videos, and the emphasis of the improvements is clearly on the latter. Its revised 16MP Live MOS sensor and Venus Engine IX processor allow for 4K video, 12 fps continuous shooting and 1080p shooting at bitrates as high as 200Mbps. An optional 'interface unit' adds five SDI and two XLR terminals, and permits 10-bit 4:2:2 output with time code.
CES 2014: Panasonic has formally announced the Leica DG Nocticron 42.5mm F1.2 ASPH OIS fast portrait prime for Micro Four Thirds. The lens, first revealed in prototype form back at the Photokina trade show in September 2012, offers an 85mm equivalent field of view, optical image stabilisation, and the brightest aperture of any autofocus lens on the system. It's The lens will be available during the first quarter of 2014 at suggested prices of $1,599/€1,499/£1,299.
Hong Kong-based lens maker SLR Magic has announced an addition to its family of video-oriented manual focus fast primes for Micro Four Thirds. The 17mm T1.6 offers an angle of view equivalent to 34mm on full frame, and has geared focus and aperture rings. It will be available at the end of December 2013.
Forget the Zeiss Otus 55mm F1.4, Sony Alpha 7R and RX10, Nikon 58mm F1.4 or the tiny Panasonic GM1 - last week's real news was Lomography's introduction of an 'Experimental Lens Kit' for Micro Four Thirds. Comprising a 24mm F8 standard lens, a 12mm F8 wideangle and a 160° F8 fisheye, the kit costs £79 / €89. Each of the lenses even has a built-in shutter with speeds of 1/100sec and Bulb, allowing in-camera multiple exposures, plus a T mode to hold the shutter open for normal live view. In addition all three have a slot for colour gel filters. Click through for full details.
We've been shooting with the Olympus PEN E-P5 for some months now and have just completed our review. The arrival of the E-M1 may have grabbed the limelight in recent weeks but the latest PEN deserves its share of the attention. Although it continues the classic PEN look, it shares most of its specifications with the E-M5, which should make it pretty special - but what's it like to use? Read our review to find out.
We've had more time to shoot with the Olympus E-M1 and have extended our coverage of its AF performance. In addition to incorporating real-world Continuous Autofocus examples and commentary, we've also spent more time shooting with it alongside an E-5, to see exactly how the two compare, and amended our impressions accordingly.
The O-MD E-M1 has just been announced and takes its place as both Olympus' flagship Micro Four Thirds camera and the successor to the E-5 DSLR. We've been spending some time with a production unit, taking the new 16.3 megapixel Live MOS sensor for a spin in a variety of conditions. Follow the link to learn more about this high-end mirrorless interchangeable lens camera.
Olympus has announced the OM-D E-M1, now the flagship of its Micro Four Thirds lineup. Rather than calling it the follow-up to the E-M5, Olympus says that the E-M1 is actually the 'successor' to the E-5, the Four Thirds camera introduced back in 2010. The E-M1's standout feature is its new 16.3MP Live MOS sensor with on-chip phase-detection autofocus, designed to work with legacy Four Thirds lenses.
Olympus has unveiled a high-end standard zoom to match the E-M1: the M.Zuiko Digital ED 12-40mm F2.8 PRO. It offers a 24-80mm equivalent range and is dust, splash and, freezeproof, and uses a manual focus clutch design similar to the 12mm F2 and 17mm F2.8 primes. Olympus has also announced the development of a matching 40-150mm F2.8 telezoom, which is scheduled for release next year. Click through for more details.
It's an open secret that many compact cameras are produced by OEMs - companies that produce large numbers of products that are then sold under other brand names. There are also consumer-grade zooms from big name manufacturers that look much alike (we know for a fact that third-party makers commonly create lenses for the bigger brands). But we were still surprised to read about Sigma's latest patent for a 75mm F1.8 prime lens...
Panasonic has announced the Lumix DMC-GX7 - the follow-up to the DMC-GX1 - which is its first mirrorless interchangeable lens camera to include in-body image stabilization. This 16MP, rangefinder-style camera also includes a high-resolution, widescreen EVF that can be tilted upwards 90 degrees. Panasonic claims that their newly designed Live MOS sensor improves both detail and color saturation by 10%. Other features of note include a tilting LCD, a 'silent shooting' mode, focus peaking, 1080/60p videos, and Wi-Fi with NFC capability.
Alongside the enthusiast-oriented DMC-GX7, Panasonic has announced the Leica DG Nocticron 42.5mm F1.2 - the fastest autofocus lens ever created for the Micro Four Thirds system. If you're getting a sense of deja vu that's because Panasonic actually announced this lens already (sort of) at last year's Photokina tradeshow in Cologne, Germany. But what was then a dummy lens behind glass now appears to be a real product, albeit one without any firm availability date or pricing information.
Just posted: Our review of the Olympus Body Cap Lens 15mm F8. In essence this is a tiny three element optic hidden inside a body cap, and probably the cheapest lens of any description made by any camera manufacturer. But is it any good? In the latest of our lens reviews in collaboration with DxOMark, we take a look both at how well it performs in studio testing, and in real-world use. Does it have any place in the Micro Four Thirds user's camera bag? Click through to find out.
Metabones has introduced Nikon G-type versions of its Speed Booster lens adapter for Micro Four Thirds and Sony NEX cameras, which include a control ring for aperture setting with lenses that don't have aperture rings of their own. The Speed Booster itself is a lens adapter that that reduces the focal length by a factor of 0.71x, and increases the maximum aperture by 1 stop, effectively allowing lenses to give very similar angle of view and depth of field control on APS-C mirrorless cameras as they do on full frame. The Nikon G-type adapters are available to buy now for $429 from Metabones' website.
Just Posted: Our detailed, hands-on Olympus PEN E-P5 preview. We've been using a pre-production E-P5 for the last few days and have had a dig beyond the specifications to discover how the latest range-topping PEN behaves. We investigate the camera's latest features, including its easy-connect Wi-Fi, its degree of customization and its '2x2' dial behavior. We also take a look at how it compares to the E-P3 and OM-D E-M5, and how the high resolution VF-4 handles on the E-P5 and existing models.