News tagged with "lenses"
When Olympus announced the high-end OM-D E-M1, it promised that it would be making a wideangle zoom and super-telephoto prime in its matching 'PRO' line of lenses. Now it's given a few more details for those products. The M.Zuiko Digital ED 7-14mm 1:2.8 PRO shares many design features with the current 12-40mm 1:2.8 PRO, while the M.Zuiko Digital ED 300mm 1:4 PRO offers a 600mm equivalent angle of view. Both lenses are dust- and splash-proof, and will be available next year. Click through for more details and pictures of the lenses
Alongside the OM-D E-M10, Olympus has also announced three lenses. First up is the M.Zuiko Digital 25mm F1.8, a relatively inexpensive fast normal prime, that looks specifically designed to complement the much-loved 45mm F1.8. Second is the 9mm F8 Fish-Eye Body Cap Lens (which Olympus technically considers an 'accessory'); this offers a 140° angle of view in a tiny plastic body. Finally there's a new 'pancake' kit zoom for the E-M10, the M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ, which features an electronic zoom. Learn more
In theory, if you've got a collection of old or obscure lenses for long-defunct 35mm film cameras, the full-frame Sony a7 / a7R may allow you to breathe new life into them. Lenses for a great many systems can be attached to the a7 / a7R without huge cost via a range of third-party mount adapters. We're planning on publishing our full review of the a7 within the next 24 hours, but until then, click through to read about editor Barnaby Britton's experience of shooting with older third-party lenses on the a7 and a7R.
Samsung added two new lenses to its NX mirrorless camera lineup, one for pros, and another designed to serve as a smaller alternative to the kit lens. Both lenses range from 16-50mm, but the first is a premium design with the 'S' designation, whose bulkier design accommodates an F2.0-F2.8 aperture and optical image stabilization. The second lens is a retractable F3.5-5.6 power zoom with OIS, which the company says offers improved performance over the 18-55mm kit lens.
When you buy into a camera system, it can be tempting to only consider lenses of the same make as your camera. But companies such as Sigma, Tamron and Tokina offer some excellent options too. In this article, we're highlighting our pick of stand-out third party lenses. We've chosen them based on their ability to offer something different to the camera manufacturers' own, in terms of either focal length range, maximum aperture, image quality or value. Click through to read all about them.
Last week was incredibly busy here at dpreview, with major new cameras from Sony, Nikon, Fujifilm and Panasonic as well as new lenses from Samyang, Sony and Sigma. It was a week of late nights and early mornings, and now that the dust has settled and we've had some time to breathe, we've prepared a quick look back to last week for some highlights of what what you might have missed. Click through for a recap.
Modern lenses tend to be large and expensive, with multiple glass elements combining to minimise optical aberrations. But what if we could just use a cheap single-element lens, and remove those aberrations computationally instead? This is the question scientists at the University of British Columbia are asking, and they've come up with a way of improving images from a simple single element lens that gives pretty impressive results. Click through to read more.
Some people are happy to shoot with lenses and think only of the results, but it can also be fascinating to think about how such complex, precision pieces of engineering are made. Some insight is provided by Dave Etchells over at Imaging Resource, who has just posted a story about his visit to Sigma's factory in Aizu, Japan. However, no matter how hard you try, you can't make every lens perfect - as Lensrentals Roger Cicala explains in his recent blog post. Click through for more.
As part of its 'AW' launches, Nikon has announced the Nikkor 1 AW 10mm f/2.8 and 1 AW 11-27.5mm f/3.5-5.6 lenses. Both lenses are existing designs built into waterproof, shockproof housings and are only compatible with the Nikon 1 AW1 body. The 1 AW 10mm f/2.8 offers a 27mm equivalent field-of-view and will be sold separately for around $200/£300/€319. The Nikkor 1 AW 11-27.5mm zoom offers a rather limited 30-74mm equivalent range and will only be available as part of a kit with the camera - meaning there are no image-stabilized AW lenses yet.
Sony has announced three new E-mount lenses today for NEX system cameras: the Carl Zeiss Vario Tessar T* 16-70mm ZA F4, 18-105mm F4 G OSS power zoom, and a black version of its 50mm F1.8 OSS. All three feature Sony's Optical SteadyShot image stabilization. According to Sony, the 50mm F1.8 and 16-70mm F4 zoom will be ready to ship to consumers in September, with the 18-105mm F4 power zoom following in December. Click through for more details.
Rokinon has made available a video version of the Samyang 16mm f/2.0 prime. The 16mm T2.2 Cine lens is available for pre-order in Nikon F, Canon EF, Micro Four Thirds, Sony A, and Sony E mounts. Like other video primes, it offers focus and aperture racks for use with cinema rigs, stepless aperture control, and calibration in T-stops rather than F-stops. Rokinon's website lists compatible mounts for Pentax, Samsung NX and Fujifilm X though they aren't yet available for pre-order, and lists the lens at an MSRP of $499.
Which words spring to mind when you think about 70-200mm zoom lenses - solid and dependable or fragile and unreliable? Lensrentals' Roger Cicala has just published an analysis of the failure rates of the 12,000 lenses he rents out, and the results may surprise you. Even having taken into account popularity and accidental damage, five 70-200s turn up in his highest failure rate table - including the latest models from Canon and Nikon.
Lomography's campaign to raise funds to bring the centuries-old Petzval lens back into production via Kickstarter has now raised more than $1 million - ten times the original target. The 'New Petzval' lens looks and functions much like the originals, with a brass exterior, and the aim is to produce it in both Canon EF- and Nikon F- mounts. The lens is expected to be available next spring.
Legendary filmmaker Stanley Kubrick pushed the boundaries of moviemaking in many ways, and was responsible for some of the most enduring visuals in cinema. When he made Barry Lyndon in 1975, Kubrick shot with two ultra-rare Carl Zeiss primes, originally created for NASA. Using the 50mm and 35mm f/0.7 lenses, Kubrick was able to film some scenes purely by candlelight. Now, Germany-based company P+S Technik has announced that they've modified a PS-Cam X35 HD camera to be able to accept Kubrick's primes, and the whole package is available to rent. Click through for more details.
Sigma has announced a 'Mount Conversion Service' for any of its recent 'Global Vision' lenses - a paid-for service designed to reduce the uncertainty of changing camera systems. The company says it will charge between $80 and $250, plus shipping costs, depending on the specific lens. The Global Vision range currently includes seven lenses - from the huge 120-300mm F2.8 DG OS Sport for full-frame DSLRs, down to the 19mm F2.8 DN Art for Micro Four Thirds. The company has also extended the warranties on all new products to four years (USA only).
The people at Lomography have built a business around promoting and selling lo-fi cameras and accessories. What's (really) old is new again in their latest Kickstarter campaign, an effort to bring the centuries-old Petzval lens back into production. The 'New Petzval' lenses look and function much like the originals with a brass exterior, and would be produced in both Canon EF- and Nikon F- mounts. Click through and read more about the project.
Nikon has released distortion correction data v1.009, adding support for additional lenses for the D4, D90, D600, D800, D800E, D3100, D3200, D5000, D5100, D5200, D7000 and D7100. The latest update means these cameras can now correct distortion in 107 Nikkor lenses. The latest update includes recent launches such as the Nikon AF-S Nikkor 18-35mm f/3.5-4.5G ED and can be downloaded from Nikon's global website.
Now that he has his own copies of the new Zeiss Touit lenses, Roger Cicala of Lensrentals decided to crack into the Planar 32mm F1.8 lens. His mission was to see if the renowned build quality of Zeiss optics was compromised to make the lenses more affordable. His teardown detailed the Touit's polymer construction and its use of a DC motor. Click through to see what he thought.
Roger Cicala of Lensrentals has published a blog post in which he gives his first impressions of the new Carl Zeiss 32mm F1.8 'Touit' lens, in Sony E-mount. Unlike Roger's normal approach, where he exhaustively tests multiple samples of the same lens, he was only able to look at a single example of the 32mm F1.8 on the Sony NEX-7. Click through for some details of his findings, and a link to the full article at the lensrentals blog.