News tagged with "lens"
Sigma gives us another behind the scenes look at their Aizu, Japan lens factory in a video released during the CP+ trade show. It's an artsy factory tour highlighting the craftsmanship and the process of how their lenses are assembled. They released a similar video during Photokina 2012 and have since gained some popularity with their higher end 35mm F1.4 DG HSM and the 120-300mm F2.8 DG OS HSM lenses. See video
SLR Magic has created the Anamorphot 1,33x – 50, an accessory lens for film makers that compresses the image horizontally by a factor of 1.33x. This allows footage to be shot for 2.35:1 widescreen projection using the standard 16:9 aspect ratio that most cameras record, without having to crop vertically and lose resolution. The lens will be available by March 2014 and cost $899.
CES 2014: Fujifilm has announced the XF 56mm F1.2 R, a fast short telephoto 'portrait' lens for its X system mirrorless cameras. With an angle of view equivalent to an 85mm lens on full frame, it uses an internal focus design for fast, silent autofocus. It has an aperture ring, but unlike the company's wide angle primes, no distance or depth of field scales. It'll be available in February, with a suggested retail price of $999.99 / £999.99.
CES 2014: Fujifilm has updated its X-system roadmap for 2014, adding five lenses to its list of upcoming releases. First up is an extended-range zoom, the XF 18-135mm F3.5-5.6 R OIS (28-200mm equivalent). Following this will be two fast zooms, the XF 16-55mm F2.8 R OIS standard zoom, and XF 50-140 F2.8 R OIS (24-83mm and 75-210mm equivalent respectively). All three feature aperture rings and optical stabilisation. They'll be followed by a 'high speed wide angle lens' and 'super telephoto zoom lens' in late 2014 / early 2015.
Tamron has announced that its SP 150-600mm F/5-6.3 Di VC USD telephoto zoom will go on sale on December 19th in Japan, and 17th January 2014 in the USA. The lens will feature optical image stabilization and an Ultrasonic Silent Drive autofocus motor, and be compatible with both full frame and APS-C SLRs. It will be available first in Canon mount, with Nikon and Sony versions to follow. Pricing is still to be confirmed.
A lot of equipment passes through our Seattle and London offices, everything from high-end cameras to inexpensive accessories. A lot of it gets reviewed, but we can't cover everything. In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. In part 4, Richard Butler discusses the Sigma 18-35mm F1.8 DC HSM and what it means for APS-C shooters.
Tamron has announced the development of a 150-600mm F5-6.3 zoom lens for full-frame and APS-C sensor cameras. It will feature 20 elements in 13 groups and have a minimum focus distance of 2.7m. Tamron will also include VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive) technologies. The lens will be developed for Canon, Nikon, and Sony mounts.
Ricoh has announced the HD PENTAX-DA 20-40mm F2.8-4 ED, the first zoom lens in its Limited series. It boasts a weather-resistant build (another Limited first) and provides an equivalent focal of length 30.5-61.5mm in 35mm terms when mounted to a Pentax K-mount DSLR body. The lens barrel, hood and cap are all made of aluminum. Click through for the full press release and details.
Ricoh has announced the PENTAX-08 WIDE ZOOM lens for Q-mount interchangeable lens cameras. The F3.7-4 ultra-wide-angle compact provides a focal length of 3.8-5.9mm (when mounted to the Pentax Q7 it provides a 35mm equivalent of 17.5-27mm). The lens is equipped with its own shutter and also comes with a built-in neutral density filter. Click through for the full press release and details.
Fujifilm has updated the firmware for many of its X-system lenses to offer full compatibility with the recently-announced X-E2. The upgrades allow the lenses to work properly with the camera's phase detection AF and, for XF optics, its Lens Modulation Optimizer function. They apply to the 14mm F2.8, 18-55mm F3.5-5.6 OIS, 35mm F1.4, 55-200mm F3.5-4.8 OIS, 60mm F2.4 Macro, and XC 16-50mm F3.5-6.3 OIS lenses. Click through for the download link
Sigma has released updates for its SD1 and SD1 Merrill cameras - as well as for its Photo Pro software - to add support for the recently released 18-35 F1.8 DC HSM lens. On the camera side, the SD1 firmware update improves color in peripheral areas of the image when the aperture is wide open. As for software, Sigma's Photo Pro v5.5.3 is now optimized for Raw (X3F) images taken with the SD1 camera and 18-35 lens.
Buried among all of the cameras announced last week was a new 24-105mm F4 DG OS HSM lens from Sigma. The company has announced pricing and availability for this full-frame 'Art lens', which will be available for Canon, Nikon, Sigma, and Sony mounts (in that order). You'll be able to pick one up for yourself starting next month at a retail price of $899. In the UK, the recommended retail price will be £849.99.
Panasonic quietly announced the development of a Leica DG SUMMILUX 15mm (30mm equiv.) F1.7 lens, which the company says will be an ideal companion to the DMC-GM1 also released today. Details are scarce at this point, but the lens will have a manual aperture ring and will ship sometime next year. Also coming in 2014 are a Leica DG NOCTICRON 42.5mm F1.2 lens, as well as a budget-friendly Lumix G 35-100mm.
Nikon has announced the AF-S Nikkor 58mm f/1.4G, a premium standard prime for full frame SLRs that's designed to deliver the best possible images, even at maximum aperture. It's highly corrected for coma, meaning that point light sources are rendered correctly right across the frame, and is specifically designed to give an attractive rendition of out-of-focus regions of the image. It can also be used on Nikon's DX format SLRs, on which it will behave like a classic 85mm 'portrait' lens. This all comes with a hefty price tag, though; $1699.95 / £1599.99. It'll be on sale in selected retailers at the end of this month.
Leica has announced the Elmarit-S 45 mm f/2.8 ASPH lens for its medium format S system. With an angle of view equivalent to a 35mm lens on full frame, it offers a classic moderate wide-angle field of view. Like several of the other S lenses it'll be available in two versions, either with or without an in-lens 'Central Shutter' (that allows flash sync at shutter speeds up to 1/1000 sec). At the same time, Leica is offering firmware updates for its S, S2 and S2-P cameras to give 'optimum functionality' with the lens. The Elmarit-S 45 mm f/2.8 ASPH will be in dealers this month at a price of £4650, or £5500 for the CS model.
Mount adapters are incredibly useful for their ability to make lenses from one manufacturer usable with camera bodies from another. But do they have any impact on image quality? LensRentals' Roger Cicala, not one to take manufacturer's claims at face value, investigated. Knowing that slight mis-alignments between a lens and even its native mount can cause softness in images, the added complexity with a lens adapter in the mix seemed likely to cause more problems. His findings are indeed interesting.
Fujifilm has announced the FUJINON XF23mm F1.4 R, a premium fast wideangle lens for its X system mirrorless cameras. It offers the same moderate wideangle view as the fixed-lens X100S, but with an extra stop of brightness. The overall design approach is similar to the company's recent XF14mm F2.8 R, with distance and depth of field scales for manual focusing, and fully optical (rather than digital) correction of distortion. The 23mm F1.4 will be available in October 2013 with an SRP of $899.95 / £849.99. Click through for the full press release.
Canon has released a version of its EF-S 55-250mm F4-5.6 lens that uses its STM stepping motor. STM lenses are designed for movie recording, with the goal of providing smooth and silent focusing. Unlike its predecessor, the STM version of the 55-250 has internal focusing. You'll be able to pick up the 55-250 STM lens in late September for $350. It's also a safe bet that the 55-250 STM will come bundled with Canon DSLRs in the near future.
Zeiss has posted a blog article that talks about the inception and development of its latest line of lenses, led by the 55mm F1.4 that was first shown at Photokina last year. Titled 'No Compromise', it explains how the company is aiming to meet the demands of the latest high resolution sensors, to satisfy the needs of both professional photographers and ambitious hobbyists. Click through to read more, and the link to the original article.