News tagged with "canon"

Just posted: Our hands-on preview of the Canon EF-M 11-22mm f/4-5.6 IS STM. Canon's third lens for its EOS M mirrorless camera is its first image-stabilized wideangle zoom, and first with a collapsible barrel design. With an 18-35mm equivalent angle of view and silent STM focusing, it could be an interesting option for photographers wanting the wider view but looking to travel light. Click through for our first look.

Canon has announced the EF-M 11-22mm f/4-5.6 IS STM - an image-stabilized wideangle zoom for its EOS M mirrorless camera. It's Canon's first wide zoom with IS, promising three stops of stabilization for stills and 'Dynamic IS' for video. A linear stepper motor offers silent autofocus during movie shooting, and a retractable barrel design makes the lens about the same size as the 18-55mm kit zoom. It should be in shops at the end of June, at an MSRP of £379.99 / €399. A firmware update for the EOS M (v.2) will give full compatibility with the 11-22mm, and faster autofocus with all lenses.

Another interesting patent has been discovered by Japanese blogger Egami, which shows a new method devised by Canon to adjust the shape of meniscus lens that seems different from the more straightforward method used by competitors. Canon's method uses the same 'electrowetting' principle as existing designs but does so to create a series of pumps, allowing faster and more precise control over the resultant lens.

We've just posted our head-to-head review of the Canon PowerShot G15 and Nikon Coolpix P7700. These two 12MP zoom compacts have comparable designs and share a lot of similar features, but which one is best for you? We've run them through a series of studio and real-world tests to find out. Click through for links to our head-to-head review.

Canon has posted a firmware update for its EOS-1D Mark IV and EOS-1Ds Mark III full-frame DSLRs to allow them to work correctly with the new EF 200-400mm F4 L IS 1.4x lens. Firmware versions 1.1.3 (1D Mark IV) and 1.2.2 (1Ds Mark III) allow the cameras' central AF points to achieve focus with the lens when it is used with an extender, where the combined aperture is F8. Both updates are available for immediate download. 

Canon has announced that it has now produced 90 million EF lenses since the launch of the EOS system in 1987. The proliferation of digital SLRs has seen a rapid increase in lens production in recent years, and the company's 90 millionth lens - an EF 24-70mm f/2.8L II USM - was manufactured on May 23 2013, just over 9 months after its 80 millionth. The company's lens lineup currently consists of no fewer than 84 models, ranging from the inexpensive EF 50mm f/1.8 II to high-end exotica such as the recently-announced EF 200-400mm f/4L IS USM Extender 1.4x - the world's first SLR lens with a built-in switchable teleconverter. 

Camera feature modifier Magic Lantern has piqued interest in the five-year-old Canon EOS 50D by enabling video recording on this previously stills-only camera. The development work is still in early stages, but a user has posted raw video footage at 1592 x 720 resolution at 24p. Click through to see why videographers are excited about this newly added feature. (via EOSHD.com)

Canon has patented a color-sensitive multi-layered sensor design, showing the company is still pursuing the technology. Like Sigma's Foveon chips, the multi-layered design allows each of the sensor's pixels to capture color information without the need for colored filters. The patent, discovered by the Japanese Engineering Accomplishment blog, suggests a system to promote resonance within the sensor, in an attempt to make the lower layers of the sensor more sensitive. (from Egami blog)

Canon has introduced the EF 200-400mm f/4L IS USM Extender 1.4x - a top-end telephoto zoom with a built-in switchable teleconverter, whose development was first announced back in February 2011. Simply flicking a lever at the rear of the barrel converts it to a 280-560mm f/5.6 lens. Designed for professional sports and wildlife photographers, it includes an array of top-end features such as Power Focus for movie shooting, and IS 'mode 3' that only applies stabilisation at the point of exposure, aiding panning. It also offers weathersealed construction, 4-stop image stabilisation, and a minimum focus distance of 2m. It will go on sale on 29th May, at an RRP of £11999.99 / €11800.

Canon has created a 'Video Camera X-series look' Picture Style for its EOS cameras, specifically designed for movie work. As its name suggests, it's designed to match the colour look of the company's X-series professional camcorders. It produces low contrast, low saturation footage that's better suited to post-production grading processes than the cameras' existing options. It's downloadable now from Canon's website and can be installed on almost any Canon EOS model, from the movie-optimized EOS-1D C to the mirrorless EOS M.   

Camera feature modifier Magic Lantern has developed a version of its software enabling 24fps Raw video output from the Canon EOS 5D Mark III. This news has grabbed videographers' attention as it allows for individual frames of 14 bit output, yielding a much wider dynamic range than you'd get from standard 8 bit video files. EOSHD's Andrew Reid has had his hands on the latest version and discusses its implications. Click through for his accounts of this potentially game-changing capability.

Canon has released a firmware update for the EOS 5D Mark III with significant benefits for both stills and video shooters. Firmware version 1.2.1 allows uncompressed video output over the HDMI port as well as cross-type autofocus when working with a maximum aperture of F8. Click through for more details about the latest firmware and for the download link.

LensRentals' Roger Cicala has published an interesting comparison of the Zeiss ZE 135mm F2 APO-Sonnar and the Canon EF 135mm f/2L USM lens, with both optics mounted on a Canon EOS 5D Mark II. While you'd expect nothing less than excellent results from the Zeiss optic, just what advantages can the heavier and much more expensive lens offer compared to Canon's well-regarded prime lens? Click through to read Cicala's findings.

Just posted: Our samples gallery shot using a production Canon EOS 100D and EF-S 18-55mm f/3.5-5.6 IS STM. In this gallery we're aiming to give an idea of the image quality possible from Canon's latest miniature SLR with its new, silent-focusing kit zoom. We've also quicky tested its refocusing ability during movie recording. Click through to see the sample images and movies.  

We've just posted a 6-page review of the Canon Pro-10 printer. The Pro-10 sits in the middle of Canon's professional inkjet lineup below the Pro-1, which we were very impressed by when we reviewed it last year. The Pro-10 can print up to 13 x 19 inches, has built-in Ethernet connectivity, offers a maximum print resolution of 4800 x 2400 dpi, and features a ten-cartridge LUCIA pigment inkset with three monochrome inks and a chrome optimizer. Click through for a link to our full review.

Canon has posted a firmware update for its EOS 6D Wi-Fi capable full frame digital SLR for enthusiast photographers. Version 1.1.3 of the firmware fixes a bug related to date and time settings of the camera. The firmware is available for immediate download from Canon's support website. Click through for the download link.

Just posted: Our Canon EOS 100D (Rebel SL1) preview samples gallery. We've been lucky enough to get our hands on a pre-production sample of Canon's latest miniaturised SLR, and have assembled a quick samples gallery to give an idea of how it performs. We've shot using the EF-S 18-135mm f/3.5-5.6 IS STM and EF 40mm f/2.8 STM pancake lenses, and aimed to cover a variety of subjects and lighting conditions. The pre-production camera used offers 'Beta' standard image quality, so may not fully reflect the final image quality (although it's unlikely to be radically different).   

DxO Labs has tested 85 lenses on the Canon EOS 5D Mark III and analysed the results, looking at its two proprietary measures: 'Perceptual Megapixels' for lens sharpness, and the overall DxOMark score. In the first section of a multi-part series, it makes comparisons against both the EOS 5D Mark II and the Nikon D800, with results that may be surprising. Click through for a link to the full article.

NAB 2013: Canon has announced the development of a 35mm prime lens in its Cinema EOS range. It is designed to be used on movie cameras with image sensors up to 35mm full frame in size, and includes a range of features optimized for movie shooting. The company has not finalized its specifications and pricing, but says it will release further details in due course. However as the Cinema EOS primes offer T-stops that correlate closely with existing L-series primes, it seems likely the 35mm will be approximately T1.5, and of course use the EF mount.

Canon Singapore has launched a 'Try and Buy' lens scheme allowing customers to borrow more than seventy of the company's EF and EF-S lenses at a fee for 48 hours. While a similar service is currently available globally to Canon Professional Services (CPS) members, Canon Singapore has opened this up for non-members as well. The service will start from March 28, 2013.