News / Samples
Just Posted: A few weeks back we spent a little time with the Pentax 645D - just long enough to grab a small gallery of 'real world' samples using the FA 645 55mm F2.8 standard lens. The 40 megapixel 645D, which took an unprecedented 5 years to progress from announcement to production, is the company's first digital medium format camera. We wanted to see how practical it was to use the 645D 'in the field' as a replacement for a smaller sensor SLR, and - aside from an aching shoulder after a day of lugging it around - we were pretty impressed with what we saw. Until we get the 645D back into the studio to complete our testing, check out our quick 24-shot gallery after the link (or click here to jump straight to the gallery page).
We've published a gallery of 32 JPEG images shot with the 12MP Fujifilm X10. The X10 is Fujifilm's first foray into the luxury end of the enthusiast compact camera market, and takes many of its styling cues from the APS-C format X100. Key features include a 28-112mm (equivalent) f/2-2.8 zoom lens and Fujifilm's unique 'EXR' sensor technology. Our samples were taken in a range of different environments and in a range of different modes, including the 6MP noise and dynamic-range optimized 'SN' and 'DR' EXR modes.
UPDATE: Following the provision of Beta raw support from Adobe, we've updated our previously published studio samples from the Samsung NX200 to include Raw files. Also, we've recently got our hands on Samsung's new NX 60mm F2.8 Macro ED OIS SSA and we've taken the opportunity to replace our existing samples with a completely new set, taken on the newer lens. In future, the 60mm macro will become our standard studio lens for the Samsung NX system.
Just posted: our JPEG studio test samples from the Samsung NX200. In preparation for our forthcoming review of the NX200, we have shot our standard studio test scene. To allow easy comparison with its peers, we have now added these shots to our comparison tool, found in our existing reviews. The NX200 can now be selected from the pull-down list within any review or our standalone comparison tool. Only JPEG comparison is available at the moment, as we are waiting on ACR Raw support for the camera.
We've just posted studio test samples from the Nikon V1 - the Japanese manufacturer's enthusiast-targeted small sensor mirrorless camera which is built around what the company is calling a 'CX' format 10MP CMOS sensor. In the process of working on the forthcoming in-depth review of the V1, we have shot our standard studio test scene. To allow easy comparison with its peers, we have now added these shots - both out of camera JPEGs and processed RAW files (with Adobe ACR 6.6 Beta) - to our comparison tool, found in our existing reviews. The V1 can now be selected from the pull-down list within any review or in our standalone comparison tool.
We've just added Leica M9 studio shots to our comparison tool. As part of our forthcoming review of the Sigma SD1, we'll be comparing it to a range of large-sensor, high-resolution cameras, which meant including the Leica M9. The shots, actually taken with an M9-P, should not be seen as a signal of a full review of the camera but do help put its image quality in context against its peers.
Updated Sony SLT A-77 studio comparison RAW shots. We've just re-processed our A-77 shots of the standard studio test scene with the latest version of Adobe Camera RAW - ACR 6.5. (we had originally used a beta version of ACR 6.5). The differences are fairly minimal but the updated shots are are now available in the comparison tool.
We have just posted studio test samples from the Sony SLT-A77. In the process of working on the forthcoming in-depth review of the A77, we have shot our standard studio test scene. To allow easy comparison with its peers, we have now added these shots to our comparison tool, found in our existing reviews. The A77 can now be selected from the pull-down list within any review or our standalone comparsion tool.
We've published a gallery of 23 images shot with the Nikon J1. We've shot a selection of images using the Nikon J1 - the simpler of the company's two 'Nikon 1' cameras. Combined with the 1 Nikkor VR 10-30mm f/3.5-5.6 kit lens, we've taken a variety of real-world images in a variety of light conditions. Given all the controversy the J1 and V1 have generated, we thought it made sense to look at some of its images. We've also included 5 raw files for you to examine.
Just posted: Updated Panasonic DMC-FZ150 studio comparison shots. We've just re-shot our standard studio test scene with the latest firmware (1.0), and these are now in the comparison tool. During the process, we were able to compare the improvements made between the pre-production image output from firmware v0.2 and the final, consumer-ready quality. As well as updating the samples, we've made a demonstration of the difference - click for more.
Just Posted: Studio comparison shots from the Panasonic DMC-FZ150 superzoom. We've had a DMC-FZ150 in our studio for a few days now and, as promised, have shot our standard test scene with it. The FZ150 replaces the FZ100 and incorporates a lower-resolution 12MP CMOS sensor that the company says will outperform its predecessor's 14MP chip. Like the FZ100 the FZ150 records Raw images, which we've also included in our studio comparison tool.
Just Posted: Studio comparison shots from the Sony DSC-HX100V. We've just got hold of Sony's latest superzoom, the 16.2MP HX100 and shot our standard test scene with it. It's built around the latest 1/2.3" (6.17 x 4.55mm) back illuminated CMOS sensor and offers a vast 27-810mm equivalent 30x zoom. Being Sony's top-of-the-range superzoom, it features a manual control ring that can be switched between controlling zoom and or manual focus. We also have one of its main rivals - the Panasonic DMC-FZ150 in the studio and will add that to the comparison tool as soon as we can.