News / Samples
We've updated our first impressions review of the Panasonic Lumix DMC-GM1 with our studio test scene showing image quality for both JPEG and Raw files. The new scene also offers downloadable Raw samples of both daylight and low light scenes. As always, you can compare the GM1 to a number of other cameras.
The Alpha 7 is Sony's latest full-frame E-mount mirrorless camera. It's identical to the A7R in almost every respect. The key difference: a 24 megapixel CMOS sensor with on-chip phase detection. We recently got our hands on a production model Alpha 7 and shot some real-world samples using the Sony FE 24-70mm F3.5-5.6 OSS, 35mm F2.8 ZA and FE 55mm F1.8 ZA lenses. See gallery
The Sony RX10 is a 20MP zoom compact camera with a 1"-type sensor and a 24-200mm (equivalent) constant-aperture F2.8 lens. We were impressed by its features and handling when we used it recently, and this week we've been using a production-quality sample, in an effort to get a feel for what it can do. Click through for a gallery of real-world samples shot on the RX10 in a range of different environments and lighting conditions.
Updated with a large selection of night shots: We've been able to get our hands on the highly anticipated full-frame Sony Alpha 7R again, and have posted a gallery of real-world samples using a final production camera. We've put together a preliminary gallery using the Sony FE 35mm F2.8 ZA and FE 55mm F1.8 ZA primes. Follow the link for some shots taken in the Volunteer State: Tennessee.
We're still working on our review of the Nikon D610, but recently shot some real-world samples to see if the most recent update still retains the same top-notch photo quality found in last year's D600. Click through for a link to our real-world gallery taken in a range of different environments and our test scene images.
We've been taking plenty of photos while working on our upcoming review of the Panasonic Lumix DMC-GX7. Our samples gallery has been updated with an additional fifteen photos to tide you over until the review is posted. Follow the link to see glass sculptures, a beautiful sunset, and a defunct nuclear plant.
Canon's new 12MP PowerShot S120 arrived in our Seattle office a few days ago and we've created a small gallery of samples, taken in a range of different conditions to show off what the camera can do. The PowerShot S120 features a 24-120mm (equivalent) zoom lens which starts at F1.8 at the wide end. We've just added more images to the gallery, to show off the S120's abilities in low light. Click through for a link.
Nikon's new Coolpix P7800 arrived in our Seattle office a few days ago and we've been doing our best to get as many sample images as possible on it, despite the unpredictable autumn weather. We've managed to create a small gallery of samples, taken in a range of different conditions to show off what the camera can do. There's more on the way, but for now, check out our gallery of pictures from Nikon's newest zoom compact flagship.
We're working towards completing our review of the Canon EOS 70D and have been shooting our test scene with a production camera. We've published the test shots, including downloadable Raw files of both the daylight and low light scene. The EOS 70D review will also be one of the few chances to see our outgoing test scene and our new, more challenging, more informative scene alongside one another. Click through to see how it performs.
The X-M1 may be the cheapest model in Fujifilm's X-mount lineup, yet it retains the same 16 megapixel X-Trans CMOS sensor as its more expensive siblings. We were impressed with the image quality from the X-Pro1 and X-E1, and if you want to see if the X-M1 fared just as well, click below to head to our 37-shot real world photo gallery.
The Fujinon XF 55-200mm F3.5-4.8 R LM OIS is the first telephoto zoom for Fujifilm's X system cameras, and offers an 83-300mm equivalent angle of view. It has built-in optical image stabilization with 4.5 stops claimed benefit, and uses linear stepper motors for silent autofocus. The lens features an (unmarked) aperture control ring, and offers high quality all-metal barrel construction. Click through for a link to our gallery of real-world samples taken in a range of different environments.
The Pentax K-500 is a stripped-down version of the K-50, lacking the weather-sealed body and electronic level of that model, but offering the same 16MP sensor and basic ergonomics. It's an attractive entry-level option, and as soon as a production-quality sample arrived in our office we started shooting with it. Click through for a link to our gallery of real-world samples taken in a range of different environments.
Canon's latest flagship compact camera features a 12MP CMOS sensor, 28-140mm equivalent zoom lens and built-in WiFi. The PowerShot G16 was announced just a few days ago, but we've managed to get hold of one and we've spent the weekend shooting with it in a range of different environments. There's more content on the way, but in the meantime, we hope you enjoy our quick 38-image gallery of JPEGs from the 12MP PowerShot G16.
We've just expanded our gallery of real-world Samples from Sony's Cyber-shot RX1R. The RX1R is essentially the same camera as the older RX1, but without an AA filter on its 24MP full-frame CMOS sensor. We've been shooting with it since we received a production-quality sample and recently took it on a camping trip here in Washington State. We've added 35 images from that trip to our original gallery of real-world samples, including a handful of Raw conversions 'to taste', to give you an idea of what the camera can do. Click through for a link.
We've been working on a brand-new studio comparison scene for some time, and we've decided to give you a sneak peek, using images from the Panasonic Lumix DMC-GX7. We'll be speaking more about this new scene (and the new interface that goes with it) very soon, but for now we wanted to let you have a look, try it, play around and tell us what you think. As well as the new scene, you'll find two new options - 'daylight' and 'low light' simulation modes and the option to 'normalize' resolution to simulate print and web output, as well as 100%. Click through for more.
We've just published a gallery of real-world samples shot using the Panasonic Lumix DMC-GX7. The GX7 is Panasonic's latest Micro Four Thirds interchangeable lens camera, and one of the company's most interesting models yet. It features a new 16MP sensor, tiltable EVF and LCD, and offers several enthusiast-friendly features including highlight and shadow tone adjustment, an electronic (entirely silent) shutter and in-body image stabilization - a first for Panasonic. Click through for a link to our gallery of real-world shots.
We've just posted a 39-image gallery of real-world samples shot on the Panasonic Lumix DMC-FZ70 zoom compact. Spanning the equivalent of 20-1200mm the FZ70's lens is the largest zoom available in a consumer compact, and we've spent a few days testing it out in a variety of situations, to see what this new superzoom can do. Click through for a link to our gallery of real-world samples.
We've just added several more photographs to our gallery of real-world samples from the new Sony Cyber-shot RX1R. The RX1R shares the same feature set as its forebear the RX1, but its 24MP full-frame CMOS sensor lacks an AA filter for additional sharpness. We've been impressed by the RX1R's image quality as we work through our usual studio and real-world testing, and we've added more samples (both JPEG and converted Raw) to our gallery for you to take a look at. Click through for a link.
We've added the Pentax Q7 to our database of studio comparison images. The Q7 is the first Pentax Q-mount camera featuring a 1/1.7" sensor to match its enthusiast compact peers. We'll be adding a comprehensive review in the coming weeks but, in the meantime, click through to see how the Q7 stacks against the competition.