News / Samples
The Pentax K-500 is a stripped-down version of the K-50, lacking the weather-sealed body and electronic level of that model, but offering the same 16MP sensor and basic ergonomics. It's an attractive entry-level option, and as soon as a production-quality sample arrived in our office we started shooting with it. Click through for a link to our gallery of real-world samples taken in a range of different environments.
Canon's latest flagship compact camera features a 12MP CMOS sensor, 28-140mm equivalent zoom lens and built-in WiFi. The PowerShot G16 was announced just a few days ago, but we've managed to get hold of one and we've spent the weekend shooting with it in a range of different environments. There's more content on the way, but in the meantime, we hope you enjoy our quick 38-image gallery of JPEGs from the 12MP PowerShot G16.
We've just expanded our gallery of real-world Samples from Sony's Cyber-shot RX1R. The RX1R is essentially the same camera as the older RX1, but without an AA filter on its 24MP full-frame CMOS sensor. We've been shooting with it since we received a production-quality sample and recently took it on a camping trip here in Washington State. We've added 35 images from that trip to our original gallery of real-world samples, including a handful of Raw conversions 'to taste', to give you an idea of what the camera can do. Click through for a link.
We've been working on a brand-new studio comparison scene for some time, and we've decided to give you a sneak peek, using images from the Panasonic Lumix DMC-GX7. We'll be speaking more about this new scene (and the new interface that goes with it) very soon, but for now we wanted to let you have a look, try it, play around and tell us what you think. As well as the new scene, you'll find two new options - 'daylight' and 'low light' simulation modes and the option to 'normalize' resolution to simulate print and web output, as well as 100%. Click through for more.
We've just published a gallery of real-world samples shot using the Panasonic Lumix DMC-GX7. The GX7 is Panasonic's latest Micro Four Thirds interchangeable lens camera, and one of the company's most interesting models yet. It features a new 16MP sensor, tiltable EVF and LCD, and offers several enthusiast-friendly features including highlight and shadow tone adjustment, an electronic (entirely silent) shutter and in-body image stabilization - a first for Panasonic. Click through for a link to our gallery of real-world shots.
We've just posted a 39-image gallery of real-world samples shot on the Panasonic Lumix DMC-FZ70 zoom compact. Spanning the equivalent of 20-1200mm the FZ70's lens is the largest zoom available in a consumer compact, and we've spent a few days testing it out in a variety of situations, to see what this new superzoom can do. Click through for a link to our gallery of real-world samples.
We've just added several more photographs to our gallery of real-world samples from the new Sony Cyber-shot RX1R. The RX1R shares the same feature set as its forebear the RX1, but its 24MP full-frame CMOS sensor lacks an AA filter for additional sharpness. We've been impressed by the RX1R's image quality as we work through our usual studio and real-world testing, and we've added more samples (both JPEG and converted Raw) to our gallery for you to take a look at. Click through for a link.
We've added the Pentax Q7 to our database of studio comparison images. The Q7 is the first Pentax Q-mount camera featuring a 1/1.7" sensor to match its enthusiast compact peers. We'll be adding a comprehensive review in the coming weeks but, in the meantime, click through to see how the Q7 stacks against the competition.
We've been shooting with the Olympus PEN E-P5 for the past few weeks, in preparation for our review. Using a selection of lenses, we've put together a real-world samples gallery showing what the latest big PEN can do. In addition to shooting at the default settings, we've also tried adjusting the noise reduction and sharpening settings, and have included both out-of-camera JPEGs and Adobe Camera Raw conversions to give an idea for the choices you're offered. Click through for a link to the gallery.
We've just posted an update to our samples gallery taken with the new 20MP Sony Cyber-shot RX100 II. Now that we've had a little more time with the camera we've concentrated on getting a wider range of real-world shots, highlighting the potential of the camera's fast wideangle lens setting, and its improved low-light performance. Click through to see our expanded gallery of real-world samples.
We're working on Sony's flagship compact camera, the 24MP RX1R, and as part of our usual testing we've updated our preview with noise and noise-reduction analysis, and our standard page looking at dynamic range. This is in addition to our studio comparison scene pages, and a real-world samples gallery showing just what the RX1R - which lacks an AA filter - can do. Click through for a link to our updated preview.
Just posted: Our real-world samples gallery shot with the Pentax Q7. The latest in Pentax's series of tiny interchangeable lens cameras, the Q7 is the first to offer a larger 1/1.7 inch 12MP BSI CMOS sensor. We're working on a full review, and as part of the process we've been out and about taking plenty of sample pictures on the Q7 in a range of different situations, to see how it performs. Click through for a link to the our gallery.
We've been lucky enough to get our hands on an early pre-production sample of one of the most anticipated lenses of the year, the Sigma 18-35mm F1.8 DC HSM, and bring you a gallery of full-resolution sample images shot with it. This lens is the fastest zoom ever made for SLRs and, in principle, should provide the depth-of-field control and low-light image quality on an APS-C DSLR that you'd get using an F2.8 zoom on 35mm full-frame. We've shot a samples gallery including a variety of subjects, using a range of apertures, focal lengths and subject distances, to try to give an initial flavor of how the lens performs.
We've just added three studio comparison pages to our previously-published preview of the Pentax MX-1. The MX-1 is Pentax's flagship compact camera, and something of a departure for the manufacturer, offering a fast F1.8-2.5 zoom lens, full manual control and a high-class, metal body, to compete with more established peers like Panasonic's LX7. Click through to go to the new pages in our preview, and see for yourself how the MX-1 compares to its rivals.
We've just posted a gallery of real-world samples from the MX-1 - Pentax's flagship compact camera. Announced earlier this year the MX-1 offers a 12MP backlit CMOS sensor, and a fast F1.8-2.5 lens which spans an equivalent focal range of 28-112mm. We wrote a detailed hands-on preview back in January and we're working on putting the camera through our usual gamut of studio and real-world testing. For now, we hope you enjoy this small gallery of samples which - if nothing else - proves that the sun does occasionally come out in Seattle.
Just posted: Our samples gallery shot using a production Canon EOS 100D and EF-S 18-55mm f/3.5-5.6 IS STM. In this gallery we're aiming to give an idea of the image quality possible from Canon's latest miniature SLR with its new, silent-focusing kit zoom. We've also quicky tested its refocusing ability during movie recording. Click through to see the sample images and movies.
Just posted: Our Canon EOS 100D (Rebel SL1) preview samples gallery. We've been lucky enough to get our hands on a pre-production sample of Canon's latest miniaturised SLR, and have assembled a quick samples gallery to give an idea of how it performs. We've shot using the EF-S 18-135mm f/3.5-5.6 IS STM and EF 40mm f/2.8 STM pancake lenses, and aimed to cover a variety of subjects and lighting conditions. The pre-production camera used offers 'Beta' standard image quality, so may not fully reflect the final image quality (although it's unlikely to be radically different).
We've just updated our preview of the Nikon Coolpix A with a full set of studio shots, showing image quality in both JPEG and RAW capture modes. This is in addition to a gallery of real-world samples, and first impressions of our initial findings from shooting with the camera both in and out of the studio. The Nikon Coolpix A features a 16MP CMOS sensor, and a fixed, 28mm equivalent F2.8 lens. Click through for a link to our preview, which now includes our studio comparison pages.
Following the recent public release of Adobe Camera Raw 7.4, we've updated our studio comparison database with new raw conversions of files from the Fujifilm X-Pro 1, X-E1 and X100S. We've been using the release candidate version of ACR 7.4 for some time, which contained significant improvements to Adobe's treatment of files from Fujifilm's X-Trans sensors. The official public release version of ACR 7.4 brings some further (very minor) tweaks. Click through for links to the studio comparison pages in our X-Pro 1 and X-E1 reviews, and X100S preview, now with ACR 7.4 raw conversions.
We've just posted a selection of real-world samples shot with the Nikon Coolpix A. The Coolpix A offers a 16MP APS-C sensor in a genuinely compact body, mated to a 28mm equivalent F2.8 retractable lens. We've put together a 21-image gallery of images shot in a variety of situations and at a range of apertures. Click through to see how it performed.