News / Reviews & Previews

Just Posted: Our Canon EOS 5D Mark III review. The 22.3MP 5D Mark III appears to offer similar specifications to 2008's 5D Mark II. However, sensor and processing developments, along with a host of user-interface revisions mean the Mark III is a much more capable camera. It also gains a greatly-improved autofocus system. So do these changes justify the considerably higher price tag? Read our full review to find out.

Pentax has officially announced the K-30 weather-sealed mid-level DSLR. It's built around the same updated 16MP sensor and processor as the K-01, so should offer impressive image quality and borrows many of the features from the more expensive K-5. It can shoot continuously at up to 6 frames per second, has a maximum shutter speed of 1/6000th of a second and can capture video at 1080p30. We've had a pre-production K-30 in the office for a couple of days and have prepared a preview looking at what it offers.

Just Posted: our hands-on preview of the Panasonic 12-35mm F2.8 fast standard zoom for Micro Four Thirds. It's the first constant-aperture standard zoom for a mirrorless system - helping strengthen the position of the system developed by Panasonic and Olympus. We've been using a pre-production version of the lens on both makers' cameras, and have prepared a hands-on preview and a small gallery of sample images.

Apple has taken the well-known iPhoto app that’s bundled with Apple computers and adapted it for the iPad and iPhone. Although the iPhoto app offers a range of image editing tools including global and localised adjustment control (using multi-touch tools) there’s a lot more to it than that. Joanne Carter takes a look.

Just Posted: our hands-on preview of the Sony NEX-F3. The F3 is Sony's latest entry-level model, replacing the NEX-C3. It's built around the company's second-generation 16MP CMOS sensor, as featured in the NEX-5N and gains a built-in flash. It's also the first NEX to feature a screen that flips all the way into a vertical position, to make it easier to shoot self-portraits. We've been using an F3 for a couple of days - read our hands-on preview to find out what we thought and to see the images we shot.

Just Posted: Our Sony SLT-A37 hands-on preview. The A37 is Sony's latest entry-level SLT camera - offering DSLR capability in a full-time live view camera. The A37 retains the small body of the original SLT cameras and helps create an easy-to-understand four-model lineup. It gains 1080p24 HD video shooting and features such as lens correction and focus peaking from the more recent SLT models, offering a strong feature set. And, with a recommeded price of $599 with 18-55mm zoom, it's $150 cheaper than the A33 was. Read our hands-on preview to discover more.

Just posted: Canon PowerShot SX150 IS review. The PowerShot SX150 IS is a mid-priced compact superzoom - it's not as slim or stylish as the Panasonic TZ (ZS) models that have helped define the class, but it still boasts a 28-336mm equivalent zoom range and a comprehensive set of features, both in terms of special effects and manual controls. It also differentiates itself through the use of AA batteries and a CCD sensor - both helping to keep costs down. So has Canon cut too many corners in pursuit of cut-price capability?

Just posted: Sony Cyber-shot DSC-HX200V in-depth review. The second review expanded from Jeff Keller's work at the Digital Camera Resource Page looks at Sony's latest full-size superzoom camera. The Sony HX200V combines the company's latest 18MP back-lit CMOS sensor with a 30x zoom lens giving a 27-810mm equivalent range. There's image stabilization, as you'd expect for such a long zoom range and, as indicated by the 'V' in the model name, it also has built-in GPS. So does this add up to a perfect vacation camera or an unwieldy confection? Read the full review to find out.

We've prepared a hands-on preview of the Leica M-Monochrom 18MP black-and-white rangefinder. The M-Monochrom has no color filter array in front of the sensor, meaning it captures more of the available light but cannot perceive color. It also means there is no need for demosaicing (the process of combining color information from adjacent pixels), so higher levels of detail are retained. Our preview includes real-world samples we shot with the M-Monochrom, to show just what that means in-use.

We've just posted our Nikon D800 review. At 36MP, the D800 is the highest resolution camera you can buy without making the step up to medium format, it's also one of the first DSLRs to offer uncompressed video output. Despite these drastic increases in capability over the D700, Nikon's latest full-frame offering will be immediately familiar to any one who's shot with one of the company's high-end cameras. So what's the D800 like to shoot with and does all that resolution render its competition redundant?

We've just posted our review of the Olympus OM-D E-M5. The E-M5 is the first in a line of OM-D Micro Four Thirds cameras, featuring an electronic viewfinder and resembling the company's classic OM line of SLRs. It boasts a 16MP Four Thirds sensor and a '5-axis' image stabilization system, wrapped-up in a compact, weather-sealed magnesium alloy body with a tilting rear screen. It's also one of the most customizable cameras on the market. So does the range-topping camera live up to Olympus' promises? Click here to find out.

Just published: Jeff Keller's in-depth review of the Panasonic Lumix DMC-ZS20 (TZ30 outside the US). The ZS20 is the slimmest 20x zoom camera on the market, with a lens covering a 24-480mm equivalent range and featuring the company's latest Power O.I.S stabilization. The 14MP high-speed MOS sensor allows the ZS20 to autofocus in as little as 0.1 seconds, and shoot at up to 10 frames per second (5fps with AF-tracking). It also has GPS and an updated mapping function to show photos on a map with greater detail. The ZS20 can capture 1080p60 movies in AVCHD or, in an interesting step for one of the creators of AVCHD, it can shoot 1080p30 in MP4 format.

CameraBag from Nevercenter has been popular with lo-fi photo fans for years as an iOS app. With CameraBag 2 it has redesigned it from the ground up, for desktop computers. With a series for customizable filters, batch processing and support for RAW files, CameraBag 2 is significantly more capable than its mobile ancestor. Click here to read our review.

We've just published our review of the Panasonic DMC-FZ150 24x superzoom. Successor to the slightly underwhelming FZ100, the Raw-shooting CMOS-powered FZ150 incorporates a lower-resolution 12MP sensor that the company says will outperform its predecessor's 14MP chip. The camera's 25-600mm equivalent lens incorporates 'Nano Surface Coating' to mitigate the effects of internal reflections. It can also shoot 1080p60 HD movies in the recently-created AVCHD Progressive standard. Is this the serious superzoom that enthusiasts have been waiting for? Read our review to find out.

Just posted: our review of Sigma's SD1 Merrill, the company's flagship 15MPx3 DSLR. The SD1 is the first camera to use the latest APS-C Foveon sensor, which detects three-color data at each location, giving what Sigma says is resolution equivalent to a 30MP conventional Bayer design. We've used both an original SD1 and SD1 Merrill, which are identical in terms of function and output, and the review reflects the behavior of the latest firmware for each. So does the no live view, no video SD1 deliver enough to carve out its own niche?

Panasonic has formally announced the much-discussed DMC-GF5. We've had a pre-production GF5 for a couple of days, so we've had a look at what's changed and what the diminutive Micro Four Thirds camera offers to compact camera users looking for better image quality but still wanting the option to simply point and shoot. The 12MP camera is a subtle revision over the GF3, but a higher-res screen, refined user interface and the inclusion of Panasonic's retractable 14-42mm power zoom lens for a list price of $749.99/£579 makes it worth looking at.

We've just posted our review of the Canon PowerShot G1 X. Rather than going down the mirrorless camera route, Canon has opted to create a large sensor zoom compact. The result is the G1 X, a camera that offers a near-APS-C-sized sensor in a slightly enlarged G-series body. With its 28-112mm equivalent, F2.8-5.8 stabilized lens, it offers similar capability to an entry-level DSLR in a more convenient package. So how does the G1 X stack-up as a more compact Rebel replacement? Read our review to find out.

We've just posted our hands-on preview of Pentax's K-01 K-mount mirrorless camera. The K-01 combines the 16MP CMOS sensor from the K-5 DSLR with a full Pentax K lens mount, to create a mirrorless camera with an enviable range of lenses already available. Of course using a full-depth K-mount also means the K-01 is also fairly bulky which, in conjunction with its unusual Marc Newson design, is likely to make it something of a love/hate camera. Read more to determine which side of that line you fall on.

Just posted: Our in-depth review of the Canon Pixma Pro-1. Canon's latest 13-inch pigment-ink printer is aimed at enthusiasts and professionals, with a 12 channel inkset, 4800 x 2400 dpi print head resolution and direct support for third party fine art papers. The printer is optimized for b/w printing with a total of five monochrome inks and is compatible with Canon's free ICC profiling software. Does the Pro-1 have what it takes to compete against rival and fine art market leader Epson? Read our in-depth review to find out.

We've been able to borrow a pre-production Sony A57 and have prepared a preview that includes both real-world and studio sample images. Many of the camera's features - 16MP sensor, 1.44m dot LCD viewfinder are familiar but they all come wrapped in a larger, more comfortable body, powered by a larger battery. We've shot samples in a series of the A57's modes, including its Auto Portrait Selection Framing mode - in which the camera crops an image with a face in, in-accordance with the rule-of-thirds.