News / Reviews & Previews

We've just posted a 6-page review of the Canon Pro-10 printer. The Pro-10 sits in the middle of Canon's professional inkjet lineup below the Pro-1, which we were very impressed by when we reviewed it last year. The Pro-10 can print up to 13 x 19 inches, has built-in Ethernet connectivity, offers a maximum print resolution of 4800 x 2400 dpi, and features a ten-cartridge LUCIA pigment inkset with three monochrome inks and a chrome optimizer. Click through for a link to our full review.

We've extended our Ricoh GR Preview with additional comparisons, studio shots, a larger gallery and more details on the camera's behavior. We've shot our standard test scene with both the Ricoh and Sigma's DP1 Merrill, and added the DP1M to the comparison using our forthcoming test scene. Furthermore we've shot the GR next to the Coolpix A in a real-world setting. Click here for all this and more.

Just posted: Our hands-on preview of the Sigma 18-35mm F1.8 DC HSM Art lens. The announcement of the world's first constant F1.8 zoom caused a lot of discussion, much of it centered around the idea that the brighter aperture would help APS-C DSLRs to compete toe-to-toe with full frame cameras in many respects. We've had a chance to handle the lens and prepare a preview putting its capabilities in more context. Click here to find out more.

Just posted: Our hands-on preview of the Ricoh GR. The GR is the spiritual successor to the GR Digital series and features a 16MP APS-C sensor behind its 28mm equivalent, F2.8 lens. It's the first product to show signs of post-merger integration at Pentax-Ricoh, gaining the Pentax TAv exposure mode but retaining a host of traditional Ricoh features. We've been shooting with a production GR alongside the Nikon Coolpix A, click to find out more.

Just posted: Our hands-on preview of Fujifilm's latest telephoto zoom lens, the Fujinon 55-200mm F3.5-4.8 R LM OIS. Designed for the company's X-system mirrorless cameras, it offers an 83-300mm equivalent angle of view, and a relatively fast maximum aperture. It also includes optical image stabilisation and two linear stepper motors for quiet focusing. Click through to read our detailed preview for more information. 

Just Posted: Our Panasonic Lumix DMC-GH3 review. The GH3 is the latest model in Panasonic's range-topping series of Micro Four Thirds cameras that aims to offer a tool as suited to keen film makers as enthusiast photographers. The GH3 has added a host of video industry-requested features as well as promising the best-yet stills image quality from a GH camera. However, the last year or so has seen other camera makers take an interest in movie shooting, so has Panasonic done enough to stay ahead? Read our review to find out.

Just Posted: Our hands-on Panasonic Lumix DMC-GF6 preview. The GF6 expands the capabilities of Panasonic's GF series away from the point-and-shoot focus that it had increasingly pursued. The latest model adds a more sophisticated touch-screen and additional control points that will benefit a range of users but it's the NFC-mediated Wi-Fi system that we found really interesting. Add this on top of the 16MP sensor from the GX1 and you have a compelling combination of features. Click through to find out more.

In the course of preparing our in-depth review of the Nikon D7100, we're exploring the potential image quality advantages of Nikon's decision to forgo an optical low pass filter (OLPF). As part of this process, we compared the D7100 alongside the Nikon D5200, which also uses a 24MP APS-C sensor, but includes an OLPF and have just added the results to our hands-on preview. Does the D7100's lack of OLPF really make a difference? Click through to read what we've found.

Just posted: Our review of the Fujinon XF 14mm 1:2.8 R lens. Fujifilm has been steadily building up its X-system of rangefinder-inspired mirrorless cameras since its launch in January last year, and the 14mm F2.8 is the fifth lens in the family. It's a 21mm-equivalent ultra-wide prime that's designed to match the full field of view offered by the X-Pro1's optical viewfinder. Like the other XF primes it has an aperture ring on the lens barrel, but it also includes an improved manual focus ring with distance and depth of field scales. Fujifilm makes some grand claims for its optical performance; click through to see if it lives up to them in our detailed review.

Since the quest for the perfect camera bag will likely never end, we continue ours with a look at the Tamrac Evolution 9, a larger bag that can be used as a backpack or slingpack. Capable of holding a pro digital SLR with a long zoom, a 17-inch notebook, plus several lenses and accessories, the Evolution 9 seemed durable and well designed. Click through for our review to learn how it held up in the field.

We've just added three pages of studio test data to our preview of the Fujifilm X100S, following the publication of a gallery of real-world samples, last week. The X100S is the successor to the popular X100, and offers a fixed 35mm (equiv.) F2 lens, and a version of Fujifilm's APS-C format X-Trans sensor with hybrid phase-detection AF. A host of other, smaller improvements should make the X100S a considerably more appealing camera than its predecessor. Click through for a link to the updated preview to see for yourself how it compares to its peers in our studio. 

We've just posted our review of Sony's NEX-6 mirrorless interchangeable lens camera. The NEX-6 brings a much-requested mode dial and ISO standard hot shoe to Sony's mirrorless lineup, and also adds a Hybrid AF system, Wi-Fi, and downloadable 'apps'. The NEX-6 also features a 16MP CMOS sensor, articulating LCD, XGA OLED electronic viewfinder, and fun point-and-shoot features like Sweep Panorama and various automatic modes. Click through to read our full review of what may be the most rounded NEX yet.

We've just received a reviewable Nikon D7100, and have been lucky enough to get access to pre-release raw support from Adobe, which has allowed us to add Nikon's newest 24MP DSLR to our studio comparison database. We've also taken advantage of our first opportunity to shoot 'real world' images with the D7100 and its 18-105 kit lens at a range of ISO sensitivities. Click through for links to both the studio comparisons and real-world samples gallery. 

We've just posted a hands-on preview of the Canon EOS 100D/Rebel SL1. Distinguished by its impressively small form factor, the 100D's 18MP CMOS sensor, 3" touchscreen LCD and 1080p30 video resolution will be familiar to followers of the Rebel series. Canon's hybrid phase/contrast detect AF system has been tweaked, however, to provide much greater scene coverage. Has Canon managed to maintain its customary handling experience in the smallest DSLR it has ever made? Click through to read our preview and find out.

We've just posted a hands-on preview of the Canon EOS 700D/Rebel T5i. Remarkably similar to its predecessor, the Canon 700D's new model number seems intended more to showcase the new 18-55mm STM lens than to highlight the new camera's few minor changes. Does the 700D remain a good choice for first-time SLR buyers? Click through to read our hands-on preview.

We've just added more pages of content to our hands-on preview of the 16MP Panasonic GH3, Panasonic's flagship GH-series Micro Four Thirds camera. These pages represent our progress so far towards the completion of a full review. We've added our full complement of studio tests, including resolution, noise and dynamic range, a small gallery of 'real world' samples and updated first impressions. Click through for a link to the 12-page preview.

We've just posted an update to our preview of the Panasonic Lumix DMC-GH3, adding updated product photography (the camera we originally used had a non-final grip material) and three pages of studio comparison images, both JPEG and Raw. We're working on the remaining studio tests, and intend to add at least four more pages to this preview in the next few days, with a samples gallery and more detailed impressions on the camera's handling and performance. Look out for that towards the end of the week, but for now, click through to go to the updated preview. 

The Cinetics Cine System is a low-cost kit which enables videographers to achieve smooth panning and zoom shots as well as window and vehicle mounted footage. The system is built around Joby's popular Gorillapod Focus flexible tripod, and includes wheeled feet and the 'CineSquid' attachment allowing you to firmly mount a DSLR or small video camera to windows. We covered the Cine System last year in an article about interesting photography-related Kickstarter projects, and were really intrigued by its potential. Click through for a link to our review. 

Just posted: Our review of Canon's top-end standard zoom, the EF 24-70mm f/2.8L II USM. Launched a year ago to replace its 10-year old predecessor, it's designed as a workhorse for professional photographers, and features a completely new optical design and improved, weathersealed build. In the latest of our lens reviews produced in collaboration with DxOMark, we take a look both lab and real-world performance. As usual, you can also compare it to a wide range of similar lenses using our unique lens data widget. Click through to see what we thought.

We've had a chance to use the Nikon Coolpix A - the company's DX-format, fixed-lens compact. The Coolpix A features a 16MP APS-C sensor with no optical low-pass filter and a 28mm equivalent F2.8 prime lens. Nikon has done a lot of work to make the Coolpix A consistent with its DSLRs, from its interface to its compatibility with accessories. Click through for more.