News / Reviews & Previews
Sony's Cyber-shot RX10 marries the 20MP 1"-type BSI-CMOS sensor from the RX100 II with a 24-200mm Zeiss Vario-Sonnar zoom lens, with a constant maximum aperture of F2.8. On paper it's an impressively versatile package for both still and video capture, and we've spent a few days with a pre-production sample to get a feel for how Sony's most powerful Cyber-shot yet performs. Click through to link to our first impressions review.
Canon's latest enthusiast digital SLR sports a radical new sensor-based autofocus system, where nearly every pixel is dedicated to phase-detect autofocus. As we come close to completing our review of the Canon EOS 70D, we've run the new AF system through a battery of tests to see what, if anything, it means for the enthusiast shooter. Click through for the whole nine yards, as well as new information about the camera's movie autofocus and Wi-Fi functions.
The 24MP D610 is Nikon's latest enthusiast-targeted full-frame DSLR. Coming fairly hot on the heels of the D600, the 610 gains a new shutter mechanism, which is responsible for two out of the camera's three new features. We've had the chance to handle the D610 and have prepared a first impressions review of the refreshed enthusiast full framer.
Ricoh's Pentax K-3 is the first DSLR we've encountered that allows you to totally disengage its low-pass filtering - letting you choose between maximum detail and moire suppression - it's also the first to wear the new parent company's branding. The more we looked at the K-3 the more we found it offers over the existing K-5 models. Read our First Impressions Review to examine the fine changes with no false detail.
We've been shooting with the Olympus PEN E-P5 for some months now and have just completed our review. The arrival of the E-M1 may have grabbed the limelight in recent weeks but the latest PEN deserves its share of the attention. Although it continues the classic PEN look, it shares most of its specifications with the E-M5, which should make it pretty special - but what's it like to use? Read our review to find out.
Canon's PowerShot G16 might not be a massive upgrade compared to its predecessor, but it is a a solid camera that evolves the G-series in some interesting ways. In this article, we take a look at the G16's real-world performance and dig into its new Wi-Fi feature as well as taking a critical look at its improved video mode. We've also added many more images to our previously-published gallery of real-world samples. Click through for a link to our first-impressions review.
We've just posted our review of the FUJINON XF 55-200mm F3.5-4.8 R LM OIS, Fujifilm's first telephoto zoom for its X system mirrorless cameras. We've been out and about with the lens taking hundreds of real-world pictures, and looked at them closely to find out what it can deliver in terms of image quality. We've also looked at how the system's integrated software corrections for lens aberrations such as distortion affect the final out-of-camera JPEGs in comparison to RAW files. Click through to read all about it.
We've just posted our full review of the Sony Cyber-shot RX100 II. Following on the success of the RX100 is no easy feat, but just the same the RX100 II does so with a new BSI CMOS sensor. Also new to this model is an accessory port/hotshoe, Wi-Fi connectivity with NFC, and a tiltable display. Did Sony make a good camera even better? Click through to read our full analysis.
The Nikon 1 System has been around for a couple of years now, but the emergence of the AW1 signals a radical departure from what has been the norm. Functionally very similar to the 14MP J3 which Nikon announced earlier this year, the AW1 is waterproof to 15m (49ft), shockproof from 2m (6.6 ft), and freezeproof. It's being announced alongside two equally rugged lenses, and a range of colorful silicone skins for underwater and wet weather use. We had the opportunity to use the new camera recently, and we've put together a first impressions review covering its design, operation and key features. Click through for a link.
We've completed our review of the Fujifilm X-M1, which is the company's lowest-priced X-Trans-based mirrorless camera. It takes the sensor from the X-E1 and X-Pro1 and puts it in a simpler, more portable body. Fujifilm also added a tilting 3-inch LCD and Wi-Fi, which puts the X-M1 on much the same level as mirrorless cameras like the Panasonic Lumix GF6 and Sony NEX-5T. For a detailed look at the X-M1, follow the link.
We've had more time to shoot with the Olympus E-M1 and have extended our coverage of its AF performance. In addition to incorporating real-world Continuous Autofocus examples and commentary, we've also spent more time shooting with it alongside an E-5, to see exactly how the two compare, and amended our impressions accordingly.
The O-MD E-M1 has just been announced and takes its place as both Olympus' flagship Micro Four Thirds camera and the successor to the E-5 DSLR. We've been spending some time with a production unit, taking the new 16.3 megapixel Live MOS sensor for a spin in a variety of conditions. Follow the link to learn more about this high-end mirrorless interchangeable lens camera.
Sigma's 18-35mm F1.8 DC HSM has generated a lot of excitement since its announcement in April, as the fastest zoom ever made for SLRs. Designed for use on APS-C / DX format cameras, it offers a 28-54mm equivalent zoom range, and promises similar depth of field control to an F2.8 zoom on full frame. But can an F1.8 zoom really work? Read our detailed review to find out.
Being able to wirelessly connect your camera to a smartphone, computer or to 'the cloud' has a lot of appeal. Wi-Fi can expedite workflow by allowing you to transfer image files remotely while on location and also negate the need for card readers or cables. It's easy to forget that your camera doesn't have to have Wi-Fi built-in to benefit from the advantages of connectivity. In this article, we pit Eye-Fi's 16GB Pro X2 Wi-Fi SDHC card against the cheaper, higher-capacity Transcend 32GB Wi-Fi card and see which comes out on top.
The Sony A3000 is essentially a 20.1MP mirrorless camera that uses the same E-mount as the Sony NEX, yet which has the look and feel of a traditional SLR. Though not the first manufacturer to take this approach, Sony is the first to achieve the low starting price point of $399 for body and lens. It's a bold move; click through to read our first impressions review to see what we think in more detail.
Following last week's update to the Canon EOS 70D preview, we've been spending a little more time with the camera to get a feel for its new Dual Pixel CMOS phase-detect autofocus system. What we've seen so far has impressed us: in live view the camera offers very responsive AF, eliminating the annoying focus seek we’ve seen in past models. We have a complete rundown, with samples, on how the Dual Pixel AF performs in both live view and movie mode, as well as a brief studio and low light analysis. Click through to read our review-in-progress.
Sigma has been doing lots of good things recently, and one of its most interesting recent products is the USB Dock. This device connects a lens to a computer and, in concert with Sigma's Optimization Pro software, allows the user to do such things as update the firmware and configure detailed autofocus microadjustment settings. In our quick review we take a close look at how it works and what it can do. Click through to find out more.
Over the past few weeks we've been reviewing this year's collection of weatherproof tough cameras, and in this article we're rounding them up, comparing their relative strengths and weaknesses and taking a more detailed look at how their image quality and feature sets stack up. Even if you've read the full reviews, we recommend clicking through and reading our final, definitive roundup of this year's class of waterproof rugged compacts. Click through for a link.
We've just published our review of the Pentax Q7. The Q7 is of course the latest miniature interchangeable lens camera in Pentax's Q line, and the first to use a larger 12MP 1/1.7 inch BSI CMOS sensor. Despite a larger sensor than its predecessors, the Q7 is fully compatible with all seven of Pentax's existing Q-mount lenses, and offers a range of fun and useful features designed to appeal to enthusiasts and novices alike. But is it any good? Click through and read our full review to find out.
One of the hottest cameras of the year so far, the Canon EOS 70D won't be in stores for a few more weeks but we've got hold of an early beta sample, and Canon has let us post pictures from it. Not wanting to waste any time, we've been busily shooting with it for the past few days both in the studio and out in the real world, and we've added a lot to our previously-published preview. Click through for a link to the expanded preview, now including studio comparison pages and a large gallery of sample images.