News / Reviews & Previews

DxOMark has just reviewed Nikon's latest budget full frame wideangle lens, the AF-S Nikkor 18-35mm f/3.5-4.5G ED. As part of our ongoing collaboration we've added the test results to our lens comparison widget, along with other Nikon-fit full frame wide zooms. You can compare it to its predecessor, the AF Nikkor 18-35mm f/3.5-4.5D IF ED, the AF-S Nikkor 16-35mm f/4G ED VR, the legendary AF-S Nikkor 14-24mm f/2.8G ED, and the Tokina AT-X 16-28mm f/2.8 Pro FX. Click through to see the comparisons in our lens widget, and for the full data on DxOMark.

Just Posted: Canon EOS Rebel SL1/100D studio samples and good light samples. We've just got hold of a production version of Canon's miniaturized DSLR and, as part of the process of reviewing it, have shot our standard studio scene. We've also taken it out to see how it performs away from the studio lighting and have put together a series of daylight samples. Click through to see how it fares.

We've updated our review of the Canon EOS 700D / EOS Rebel T5i with lens data and analysis of the camera's EF-S 18-55mm f/3.5-5.6 IS STM kit zoom, as usual tested in partnership with DxOMark. We've also looked at the effectiveness of its IS system and shown an example of its AF performance in video mode. As this lens is about the only change of significance with the EOS 700D release, we thought we'd incorporate our findings directly inside the review for your convenience. Click through to find out what this updated kit zoom offers.

Fresh from the Pentax Ricoh launch event in New York, we've put together a real-world samples gallery from the Pentax K-50. The 16MP mid-range DSLR builds on the very likeable K-30 and promises improved image processing. We take a closer look at the K-50 and its similar sibling, the K-500, to see just what they bring to the table, as well as presenting a selection of full-resolution sample images.

Just posted: Our review of the Canon EF 40mm f/2.8 STM lens. In the latest of our lens reviews brought to you in partnership with DxOMark, we take a look at Canon's slimline 'pancake' prime for its APS-C and full frame SLRs. It's one of the smallest and cheapest lenses currently on the market, and includes a stepper motor for silent focusing during movie recording. But does its small size and low price result in compromised optics? Read our review to find out. 

Just Posted: Our review of the Canon EOS 700D / EOS Rebel T5i. The 700D may be a near-identical twin of the short-lived EOS 650D, but it's still a worthy option for novice DSLR upgraders, combining high image quality and an articulated LCD with a comprehensive touchscreen interface. This new model also ships with an STM version of the 18-55mm kit zoom, providing another welcome option for faster, silent AF. What else does the 700D have to offer? Read our review to find out.

We've just published our first impressions of shooting with the Sigma 18-35mm F1.8 DC HSM | Art lens. We've tried to express just why we're so excited about this lens, which offers APS-C DSLR users access to some of the depth-of-field and low-light capabilities that full-frame shooters get from their F2.8 zooms. We're hoping to hear about pricing and availability soon so, in the meantime and in the light of our first impressions, what would you expect to pay for this lens? Click through for a link to the article and for your chance to comment. 

Just posted: Our review of the Nikon Coolpix A. With a 28mm-equivalent wideangle lens, and the same 16MP DX format sensor as used by the D7000 SLR, the Coolpix A is designed as a serious compact camera capable of professional-quality results. But it's up against stiff competition, in the shape of the similarly-specified but cheaper Ricoh GR that was announced a month later. In our 16-page comparative review, we take a detailed at how the Coolpix A measures up to the challenge posed by its close rival.

Just posted: Our hands-on preview of the Canon EF-M 11-22mm f/4-5.6 IS STM. Canon's third lens for its EOS M mirrorless camera is its first image-stabilized wideangle zoom, and first with a collapsible barrel design. With an 18-35mm equivalent angle of view and silent STM focusing, it could be an interesting option for photographers wanting the wider view but looking to travel light. Click through for our first look.

We just posted a review of the Pentax K-5 II, which also covers its near-twin the K-5 IIS, a version of the camera that lacks an AA filter for higher resolution (in theory). Offering 16MP CMOS sensors, a unique shake reduction system, and a rugged weatherproof body, the Pentax K-5 II and K-5 IIS are compelling little cameras and in this review we'll explore their various standout features, as well as look at the difference in image quality between the two models. Click through for a link to the full review.

We've had a chance to take another look at an 'initial production' Olympus PEN E-P5, and have updated our preview with some more first impressions and image samples. Olympus has only allowed us to publish downsampled images, but we've still been able to get more of an idea of how well the camera works. We hope to get our hands on a production E-P5 that we can use to shoot full size images towards the middle of June, but until then click through for our updated preview to whet your appetite. 

We've just posted our head-to-head review of the Canon PowerShot G15 and Nikon Coolpix P7700. These two 12MP zoom compacts have comparable designs and share a lot of similar features, but which one is best for you? We've run them through a series of studio and real-world tests to find out. Click through for links to our head-to-head review.

DxOMark has tested two recently-announced announced long telezooms, the Sony 70-400mm F4-5.6 G SSM II and the Nikon AF-S Nikkor 80-400mm f/4.5-5.6G ED VR, as well as the older AF Nikkor 80-400mm f/4.5-5.6D ED VR. As part of our ongoing collaboration we've added the test data to our lens comparison widget, and to add a little more context we've also included a couple of super-tele primes from Canon. Click through to see how these lenses compare, with links to view the results in our lens widget, and for the full data on DxOMark.

We've just posted our review of the The Olympus PEN Mini E-PM2. The E-PM2 is an entry-level Micro Four Thirds system camera, with a 16MP CMOS sensor and full 1080 HD video. It's one of the smallest mirrorless cameras on the market and boasts 8 frames per second continuous shooting. This second generation 'Mini' is effectively the image quality 'guts' of the OM-D in a compact, lightweight, novice-friendly form. Click through to find out what we think of it.

Just posted: Our review of the Tamron SP 24-70mm F/2.8 Di VC USD. In our latest lens review produced in collaboration with DxOMark, we look at Tamron's fast standard zoom for full frame cameras - the first in its class to include optical stabilisation. With its Ultrasonic Drive focus motor and drip-proof construction, it looks like a very tempting option for full frame shooters, especially as it costs rather less than its counterparts from Canon, Nikon or Sony. But is this all too good to be true? Click through to read our review and find out.

We've just posted our 20-page review of the Nikon D5200. Nikon's 'advanced beginner' APS-C DSLR offers several features that should also appeal to enthusiasts, such as a 24MP CMOS sensor, a 39-point AF system inherited from the D7000 and an Auto ISO system linked to the focal length of the lens. Add an articulated rear LCD and the ability to output uncompressed video and you've got the makings of a very promising camera. Does the D5200 live up to its potential in real-world use? Click through to read our in-depth review.

Just Posted: Our detailed, hands-on Olympus PEN E-P5 preview. We've been using a pre-production E-P5 for the last few days and have had a dig beyond the specifications to discover how the latest range-topping PEN behaves. We investigate the camera's latest features, including its easy-connect Wi-Fi, its degree of customization and its '2x2' dial behavior. We also take a look at how it compares to the E-P3 and OM-D E-M5, and how the high resolution VF-4 handles on the E-P5 and existing models.

We've just posted our 15-page review of Fujifilm's X20 premium compact camera. This follow-up to the X10 adds a new X-Trans CMOS sensor, Hybrid AF system, and enhanced optical viewfinder, while retaining the fast lens, rangefinder-inspired body, and numerous manual controls of its predecessor. Is this the enthusiast compact camera you've been waiting for?  Follow the link to find out.

We've just published our 25-page, in-depth review of the Nikon D7100. Sitting atop Nikon's APS-C DSLR lineup, the D7100 offers a 24MP CMOS sensor sans AA filter and a 51-point AF system that borrows heavily from the D4. In terms of ergonomics and handling the D7100 will feel familiar to D7000 users looking to upgrade, but it also inherits recent changes we've seen from Nikon in the D600 and D800 models. Is the D7100 a compelling option for enthusiasts tempted by the recent wave of affordable full frame DSLRs? Click through to find out.

We've just posted our Panasonic Lumix DMC-G6 preview, covering Panasonic's newest Micro Four Thirds mirrorless interchangeable lens camera. The G6 comes barely a year after the G5, and offers several updates, including a 1.44 million-dot OLED electronic viewfinder and the same sensor as the GH2. Its body has also been restyled and the touch-sensitive technology of its fully-articulated screen has been upgraded. Like its little brother the GF6, the G6 also includes built-in Wi-Fi connectivity with Near Field Communication (NFC). Click through for our hands-on preview.