News / Reviews & Previews
The Nikon AF-S Nikkor 58mm f/1.4G was one of the more unexpected lens releases of 2013. It's a fast normal prime for full frame shooters, but its $1699.95 / £1599.99 price tag represents a huge premium compared to the existing (and very good) AF-S Nikkor 50mm f/1.4G. What's more, lab tests failed to show any clear sharpness advantage either. So why, exactly, is Nikon asking so much for this lens, and just how well does it perform in real-world use? Find out. Read our detailed review
The Nikon Df is, at first appearance, the camera many people have been wanting for years - a classically styled DSLR with traditional external controls. A lot of what's under the Df's retro skin is pretty familiar with the 16MP full-frame D4 sensor and the AF system from the D610. But does the Df bring together the best of the old and the new for a compelling shooting experience? Find out. Read our full review
We've just posted our full review of the Panasonic Lumix DMC-GM1. It underscores the 'Micro' in Micro Four Thirds as the smallest model in that class, with a 16MP Four Thirds sensor and a collapsible 12-32mm F3.5-5.6 kit lens. It offers many features that its bigger Lumix GX7 sibling does, starting with the sensor, but in a much smaller package. See how it measures up. Read our full review
DxOMark has just reviewed the Sigma 24-105mm f/4 DG OS HSM, a general-purpose zoom for full frame SLRs. As part of our ongoing collaboration we've added the test data to our lens widget, and looked to see how it compares to the Canon equivalent. We've also added test data for the Nikon mount version of Zeiss's stellar Apo Sonnar T* 2/135. Click through for our full analysis, and a link to DxOMark's own reviews.
Lauded as a compact semi-professional model and constructed of cross-woven carbon fiber, the new 190 ($409.88 body only) would be an eye-catching addition to any camera kit. Manfrotto made several updates to the new model, but do they place it far enough beyond the old 190, which cost $259.95, to justify the price hike? Find out in our review
DxOMark has just reviewed the Zeiss Otus 1.4/55, a $4000 standard prime for full frame SLRs, and as part of our ongoing collaboration we've added the test data to our lens widget. We've also added test data for the Nikon mount version of Sigma's exceptional 18-35mm F1.8 DC HSM. Click through for more details and analysis, including a comparison between the Zeiss 55mm and the Nikon 58mm f/1.4G, and a link to DxOMark's own review.
We've been shooting with Sony's Alpha 7 and Alpha 7R over the past few weeks to get insight into how the compact full-frame cameras behave. While the two models are twins, they're by no means identical, with each sibling very quickly showing its own, distinct personality. We'll be publishing more in the coming weeks as we move towards completing our review, but we wanted to share our perspective now that we've had some experience to inform our opinion.
DxOMark has recently reviewed Nikon's AF-S Nikkor 58mm f/1.4G, a high-end (and very expensive) standard prime for full frame SLRs. As a taster for our upcoming review we've added the test data to our lens widget; as usual you can compare it to similar lenses, including the Nikon and Sigma 50mm F1.4s. Click through for more details and analysis, and a link to DxOMark's own review of the Nikon 58mm F1.4.
We've just posted our full review of the Panasonic Lumix DMC-GX7. With a 16 megapixel Four Thirds sensor, in-body image stabilization, and built-in articulated EVF, the GX7 boasts a lot of refinements to tempt enthusiasts away from similar Olympus and Sony offerings. Panasonic engineers have thrown just about everything they've got into this mid-range mirrorless camera, will it find a loyal audience the way its GF1 predecessor did? Click through and read our review.
The widely rumored and much-leaked Nikon Df is here. The Df is a 16MP, full-frame DSLR with the sensor from the flagship D4 and the 39-point AF system from the D610 packaged in a body inspired by film cameras from the 1970s. The Nikon Df can't shoot video, but it will accept 50 year-old non-Ai lenses. A lot of Nikon users have been asking for a 'digital FM2' for years. Is the Df that camera? Click through for our first-impressions.
We've just completed our review of Canon's EOS 70D. With its Dual Pixel AF system and built-in Wi-Fi, it's an unusually radical departure for a series that's tended to progress fairly conservatively between generations. So how well does it work? Are these high-tech additions enough to fend off the competition from Nikon's very capable D7100 or Olympus's rather impressive E-M1? Read our review to find out.
DxOMark has recently tested the Sigma 120-300mmm DG OS HSM, and as part of our ongoing collaboration we've added the test data to our lens widget. We've also added a range of Nikon telephoto lenses including the AF-S Nikkor 200-400mm f/4G ED VR, which can be compared with each other and their Canon counterparts. Click through for more details and analysis.
Up until recently, the only 'real' premium superzoom camera was the Panasonic DMC-FZ200. Two weeks ago Sony made a big splash with their pricey Cyber-shot RX10, which features a 1"-type sensor. The Olympus Stylus 1 slots in nicely somewhere between the two, offering a 1/1.7"-type sensor and constant F2.8, 28-300mm equivalent lens in an OM-D-style body. If that sounds appealing, then follow the link to read our First Impressions Review of the Stylus 1.
With a rugged, weather-sealed body, hybrid AF system, 5-axis image stabilization, Wi-Fi, and seemingly endless customizable controls, the Olympus E-M1 is arguably the most enthusiast-friendly Micro Four Thirds camera on the market. We've put Olympus' latest OM-D through our usual battery of tests - follow the link to see if the 'Pro' Micro Four Thirds camera has finally arrived.
DxOMark has recently tested the Nikon AF-S DX Nikkor 18-140mm f/3.5-5.6G ED VR, which in some markets will be sold as a 'kit' zoom with the latest D5300 SLR. As part of our ongoing collaboration, we've added the test data to our lens widget, so you can compare it with Nikon's other current DX standard zooms. We've included test data on both the D7000 and D7100 - the latter should be a good indicator of its performance on the D5300. Click through for the data and analysis.
The X-E2 represents the start of Fujifilm's refresh of its X-series mirrorless interchangeable lens cameras. It features a 16MP X-Trans CMOS II sensor that gains on-sensor phase detection over the one used in previous models. This and a 1.04m dot LCD are the major hardware changes - the X-E2 is mainly about handling and operations tweaks. We've got to grips with the camera's handling to see how it's changed, compared to the X-E1. Click through to find out more.
The Fujifilm XQ1 - the follow up to the stylish XF1 - is the company's latest attempt to make a splash in the high-end compact camera segment. The big change on the XQ1 is its use of the X-Trans II sensor with on-chip phase detection, which promises higher photo quality and snappy focusing. If that sounds intriguing, then read our initial thoughts in our first impressions review of the Fuji XQ1.
It's not every day when you see a mirrorless interchangeable lens camera that can fit in the palm of your hand. That's why we jumped at the chance to take a look at Panasonic's new Lumix DMC-GM1, which offers many of the features of its larger siblings, in a much smaller package. Read our first impressions review after the link.
Nikon's latest consumer DSLR, the D5300, evolves the design of its predecessor but raises the feature bar, bringing it closer to the D7100. In fact, it's likely that the 24MP D5300 even uses the sensor of its big brother since it also lacks an AA filter. The D5300's larger LCD and viewfinder serve to further close the gap, while built-in Wi-Fi, GPS, and 1080/60p video recording go beyond what the D7100 offers. We've had some time with a pre-production D5300, and you can click through to read our first impressions review.
Sony's new A7 and A7R bring full-frame imaging to the company's mirrorless ILC lineup, using the established E-mount. While they're not quite the 'full-frame NEX' that some loyal Sony users might have been imagining, the 24MP A7 and 36MP A7R are impressive, innovative products that demand to be taken seriously (with a price-point to match). We've had the opportunity to use pre-production samples of both new models, and we've prepared a hands-on first impressions review covering off their key features, operation, and early indications of their performance. Click through to read more.