News / Reviews & Previews
Nikon's latest flagship body, the D4s, gets an updated 16 megapixel full-frame sensor, Expeed 4-level processing, 1080/60p video recording and can now autofocus at up to 11fps. Beyond that it boasts a laundry list of small (but potentially meaningful) improvements over its predecessor. After spending some brief time with the camera, we've prepared some first impressions of the pro-level body. For a detailed analysis of what's new in Nikon's top-of-the-line, take a look at our first impressions review.
If you're looking for a Wi-Fi card that's simple to setup and blasts images off into cyberspace in a matter of seconds while you take advantage of your camera's far superior image quality (compared to a phone), you can't go wrong with the Eye-Fi Mobi. How does the Mobi stack up against the pricier Eye-Fi Pro X2 card? Find out in our review
GoPro's latest fleet of little action bricks are fortified with several advanced features that cannot be found elsewhere in the market. The GoPro Hero 3+ Black Edition ($399.99) is the newest flagship model, replacing the GoPro Hero 3 by adding some key upgrades. Having owned the first HD Hero and Hero2, our writer Mike Perlman wanted to know if the Black Edition was worth the extra cash. Read our review
The Sony FE 35mm F2.8 ZA Carl Zeiss Sonnar T* is one of the first lenses for Sony's fledgling full frame mirrorless system, offering a classic moderate wideangle view. It's a small lens that nicely complements the Alpha 7 and 7R, but at around $800 / £680 it's distinctly pricey for a relatively slow prime. So is it worth the money See the lens test data and our analysis
The Miggo straps and grips bring a lot of innovation to the way we tote and transport our beloved investments. Their versatile multi-use designs combine a high quality camera wrap, a method of securing the camera to your person and lens cap pocket all in one. Are the days of traditional camera toting coming to an end? Find out in our review
Two products that have been getting a lot of attention lately are the Sony a7 and a7R full-frame mirrorless cameras. Last month we took an in-depth look at the Alpha 7, and were mostly pleased with how it turned out. Now it's time to take a look at its big brother, the Alpha 7R, which offers a 36 megapixel sensor with no low-pass filter and a more conventional autofocus system. Is the a7R worth the price premium over the a7? Find out in our review
The Nikon D5300 presents an entry-level photographer with some serious specifications, starting with a 24 megapixel APS-C sensor. It shapes up to be quite the formidable DX-format camera with 1080/60p HD video recording, built-in Wi-Fi/GPS, a 39-point AF system and a flip-out LCD. It's not short on features, but do its handling and image quality match the tall specs list? Read our full review
The a6000 sits in the middle of Sony's range of mirrorless cameras, just above the a5000 and aging NEX-7. The feature that makes it stand out from the crowd (and not just among Sony cameras) is its Hybrid AF system, which has phase detect points across 92% of the frame. To learn what that means to photographers, and learn more about the a6000 in general, then have a look at our a6000 First Impressions Review.
As part of our forthcoming review, we've been shooting extensively with the Fujifilm X-E2. Dpreview's Richard Butler used the camera on his recent vacation and has written about his experience living with it during that time. It's a small camera that offers a high level of direct control, but does that make it the perfect traveling companion? Read our Fujifilm X-E2 shooting experience to find out
The Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T* is one of the first lenses for Sony's fledgling full frame mirrorless system, and designed as a fast 'normal' prime to complement the Sony Alpha 7 and 7R. However at around $999 / £900, it costs several times as much as the 50mm F1.4 options for DSLR systems. So what exactly are you paying for? Click through for the lens test data and our analysis.
The Olympus E-M10 wraps much of the E-M5's feature set into a smaller, more compact body. It retains core OM-D features like twin dials, a built-in EVF and a 16 megapixel Four Thirds sensor, but manages to fit them into a body that's more Stylus 1 than ILC. It sits below its E-M5 and E-M1 siblings in terms of both price and specifications, but with features borrowed from two very strong predecessors it's potentially a very impressive camera in its own right. Take a look at our first impressions and sample gallery.
The Fujifilm X-T1 has a lot in common with its X-series siblings - bearing an important distinction: it's weatherproof. It does in fact offer many of the same inner workings as the X-E2, including its 16MP X-Trans CMOS II sensor with on-chip phase detection. On top of that it adds a revamped EVF, an OLED panel boasting a claimed lag time of 0.005 seconds. Consider also that it shoots 8 fps with subject tracking and it all adds up to a very well specified package. Read our first impressions review
By putting a 24 megapixel full-frame sensor into a body nearly the same size as the Olympus E-M1, the Alpha 7 is arguably the most ambitious camera Sony has ever made. Never before has there been a full-frame camera this small - and one that supports nearly every 35mm lens format ever made, as well as Sony's own E-mount lenses. Does Sony get enough things right with the Alpha 7 to compete with more conventional full-frame cameras such as the Canon 6D and Nikon D610? Read our full review to find out
There is no denying the advantages of a tripod for improving your images in the studio or in the field, but a tripod is only three legs. It's the tripod ball head that lets you point it wherever you'd like. There are a variety of head types that can improve your experience with the best set of tripod legs. We reviewed 10 similar ball heads. Find out which one best fits your needs. Learn more
The Samsung NX30 puts the NX300's 20 megapixel APS-C sensor and Hybrid AF in a DSLR-like body. It also features a tilting electronic viewfinder and a fully articulated 3-inch AMOLED display, along with Samsung's familiar suite of connectivity features. Built-in Wi-Fi is available, as is NFC to mediate faster connections with compatible smart devices. We spent a little time getting acquainted with a pre-production model, and have put together some quick first impressions.
The Nikon AF-S Nikkor 58mm f/1.4G was one of the more unexpected lens releases of 2013. It's a fast normal prime for full frame shooters, but its $1699.95 / £1599.99 price tag represents a huge premium compared to the existing (and very good) AF-S Nikkor 50mm f/1.4G. What's more, lab tests failed to show any clear sharpness advantage either. So why, exactly, is Nikon asking so much for this lens, and just how well does it perform in real-world use? Find out. Read our detailed review
The Nikon Df is, at first appearance, the camera many people have been wanting for years - a classically styled DSLR with traditional external controls. A lot of what's under the Df's retro skin is pretty familiar with the 16MP full-frame D4 sensor and the AF system from the D610. But does the Df bring together the best of the old and the new for a compelling shooting experience? Find out. Read our full review
We've just posted our full review of the Panasonic Lumix DMC-GM1. It underscores the 'Micro' in Micro Four Thirds as the smallest model in that class, with a 16MP Four Thirds sensor and a collapsible 12-32mm F3.5-5.6 kit lens. It offers many features that its bigger Lumix GX7 sibling does, starting with the sensor, but in a much smaller package. See how it measures up. Read our full review
DxOMark has just reviewed the Sigma 24-105mm f/4 DG OS HSM, a general-purpose zoom for full frame SLRs. As part of our ongoing collaboration we've added the test data to our lens widget, and looked to see how it compares to the Canon equivalent. We've also added test data for the Nikon mount version of Zeiss's stellar Apo Sonnar T* 2/135. Click through for our full analysis, and a link to DxOMark's own reviews.
Lauded as a compact semi-professional model and constructed of cross-woven carbon fiber, the new 190 ($409.88 body only) would be an eye-catching addition to any camera kit. Manfrotto made several updates to the new model, but do they place it far enough beyond the old 190, which cost $259.95, to justify the price hike? Find out in our review