News / Reviews & Previews
DxOMark has just reviewed the Zeiss Otus 1.4/55, a $4000 standard prime for full frame SLRs, and as part of our ongoing collaboration we've added the test data to our lens widget. We've also added test data for the Nikon mount version of Sigma's exceptional 18-35mm F1.8 DC HSM. Click through for more details and analysis, including a comparison between the Zeiss 55mm and the Nikon 58mm f/1.4G, and a link to DxOMark's own review.
We've been shooting with Sony's Alpha 7 and Alpha 7R over the past few weeks to get insight into how the compact full-frame cameras behave. While the two models are twins, they're by no means identical, with each sibling very quickly showing its own, distinct personality. We'll be publishing more in the coming weeks as we move towards completing our review, but we wanted to share our perspective now that we've had some experience to inform our opinion.
DxOMark has recently reviewed Nikon's AF-S Nikkor 58mm f/1.4G, a high-end (and very expensive) standard prime for full frame SLRs. As a taster for our upcoming review we've added the test data to our lens widget; as usual you can compare it to similar lenses, including the Nikon and Sigma 50mm F1.4s. Click through for more details and analysis, and a link to DxOMark's own review of the Nikon 58mm F1.4.
We've just posted our full review of the Panasonic Lumix DMC-GX7. With a 16 megapixel Four Thirds sensor, in-body image stabilization, and built-in articulated EVF, the GX7 boasts a lot of refinements to tempt enthusiasts away from similar Olympus and Sony offerings. Panasonic engineers have thrown just about everything they've got into this mid-range mirrorless camera, will it find a loyal audience the way its GF1 predecessor did? Click through and read our review.
The widely rumored and much-leaked Nikon Df is here. The Df is a 16MP, full-frame DSLR with the sensor from the flagship D4 and the 39-point AF system from the D610 packaged in a body inspired by film cameras from the 1970s. The Nikon Df can't shoot video, but it will accept 50 year-old non-Ai lenses. A lot of Nikon users have been asking for a 'digital FM2' for years. Is the Df that camera? Click through for our first-impressions.
We've just completed our review of Canon's EOS 70D. With its Dual Pixel AF system and built-in Wi-Fi, it's an unusually radical departure for a series that's tended to progress fairly conservatively between generations. So how well does it work? Are these high-tech additions enough to fend off the competition from Nikon's very capable D7100 or Olympus's rather impressive E-M1? Read our review to find out.
DxOMark has recently tested the Sigma 120-300mmm DG OS HSM, and as part of our ongoing collaboration we've added the test data to our lens widget. We've also added a range of Nikon telephoto lenses including the AF-S Nikkor 200-400mm f/4G ED VR, which can be compared with each other and their Canon counterparts. Click through for more details and analysis.
Up until recently, the only 'real' premium superzoom camera was the Panasonic DMC-FZ200. Two weeks ago Sony made a big splash with their pricey Cyber-shot RX10, which features a 1"-type sensor. The Olympus Stylus 1 slots in nicely somewhere between the two, offering a 1/1.7"-type sensor and constant F2.8, 28-300mm equivalent lens in an OM-D-style body. If that sounds appealing, then follow the link to read our First Impressions Review of the Stylus 1.
With a rugged, weather-sealed body, hybrid AF system, 5-axis image stabilization, Wi-Fi, and seemingly endless customizable controls, the Olympus E-M1 is arguably the most enthusiast-friendly Micro Four Thirds camera on the market. We've put Olympus' latest OM-D through our usual battery of tests - follow the link to see if the 'Pro' Micro Four Thirds camera has finally arrived.
DxOMark has recently tested the Nikon AF-S DX Nikkor 18-140mm f/3.5-5.6G ED VR, which in some markets will be sold as a 'kit' zoom with the latest D5300 SLR. As part of our ongoing collaboration, we've added the test data to our lens widget, so you can compare it with Nikon's other current DX standard zooms. We've included test data on both the D7000 and D7100 - the latter should be a good indicator of its performance on the D5300. Click through for the data and analysis.
The X-E2 represents the start of Fujifilm's refresh of its X-series mirrorless interchangeable lens cameras. It features a 16MP X-Trans CMOS II sensor that gains on-sensor phase detection over the one used in previous models. This and a 1.04m dot LCD are the major hardware changes - the X-E2 is mainly about handling and operations tweaks. We've got to grips with the camera's handling to see how it's changed, compared to the X-E1. Click through to find out more.
The Fujifilm XQ1 - the follow up to the stylish XF1 - is the company's latest attempt to make a splash in the high-end compact camera segment. The big change on the XQ1 is its use of the X-Trans II sensor with on-chip phase detection, which promises higher photo quality and snappy focusing. If that sounds intriguing, then read our initial thoughts in our first impressions review of the Fuji XQ1.
It's not every day when you see a mirrorless interchangeable lens camera that can fit in the palm of your hand. That's why we jumped at the chance to take a look at Panasonic's new Lumix DMC-GM1, which offers many of the features of its larger siblings, in a much smaller package. Read our first impressions review after the link.
Nikon's latest consumer DSLR, the D5300, evolves the design of its predecessor but raises the feature bar, bringing it closer to the D7100. In fact, it's likely that the 24MP D5300 even uses the sensor of its big brother since it also lacks an AA filter. The D5300's larger LCD and viewfinder serve to further close the gap, while built-in Wi-Fi, GPS, and 1080/60p video recording go beyond what the D7100 offers. We've had some time with a pre-production D5300, and you can click through to read our first impressions review.
Sony's new A7 and A7R bring full-frame imaging to the company's mirrorless ILC lineup, using the established E-mount. While they're not quite the 'full-frame NEX' that some loyal Sony users might have been imagining, the 24MP A7 and 36MP A7R are impressive, innovative products that demand to be taken seriously (with a price-point to match). We've had the opportunity to use pre-production samples of both new models, and we've prepared a hands-on first impressions review covering off their key features, operation, and early indications of their performance. Click through to read more.
Sony's Cyber-shot RX10 marries the 20MP 1"-type BSI-CMOS sensor from the RX100 II with a 24-200mm Zeiss Vario-Sonnar zoom lens, with a constant maximum aperture of F2.8. On paper it's an impressively versatile package for both still and video capture, and we've spent a few days with a pre-production sample to get a feel for how Sony's most powerful Cyber-shot yet performs. Click through to link to our first impressions review.
Canon's latest enthusiast digital SLR sports a radical new sensor-based autofocus system, where nearly every pixel is dedicated to phase-detect autofocus. As we come close to completing our review of the Canon EOS 70D, we've run the new AF system through a battery of tests to see what, if anything, it means for the enthusiast shooter. Click through for the whole nine yards, as well as new information about the camera's movie autofocus and Wi-Fi functions.
The 24MP D610 is Nikon's latest enthusiast-targeted full-frame DSLR. Coming fairly hot on the heels of the D600, the 610 gains a new shutter mechanism, which is responsible for two out of the camera's three new features. We've had the chance to handle the D610 and have prepared a first impressions review of the refreshed enthusiast full framer.
Ricoh's Pentax K-3 is the first DSLR we've encountered that allows you to totally disengage its low-pass filtering - letting you choose between maximum detail and moire suppression - it's also the first to wear the new parent company's branding. The more we looked at the K-3 the more we found it offers over the existing K-5 models. Read our First Impressions Review to examine the fine changes with no false detail.
We've been shooting with the Olympus PEN E-P5 for some months now and have just completed our review. The arrival of the E-M1 may have grabbed the limelight in recent weeks but the latest PEN deserves its share of the attention. Although it continues the classic PEN look, it shares most of its specifications with the E-M5, which should make it pretty special - but what's it like to use? Read our review to find out.