News / Features & Articles

The latest release of Photoshop - CS6 - included a range of additional tools likely to be handy for photographers. In this article, photographer and Photoshop expert Martin Evening builds on our walk-through article with a more detailed look at how he uses Photoshop CS6's photography-oriented features. If you've not yet grasped the additional creative options and time savings that CS6 can bring, through tools such as context-aware patch or the adaptive wide-angle filter, Evening shows where they can be used.

According to a report in the British Journal of Photography, press photographers in the UK are being called on to boycot the high-profile reunion tour of 80s/90s rock band The Stone Roses over the conditions of contracts being handed out at shows. The National Union of Journalists is backing a call for photographers to boycott the concerts over shooting contracts that appear to remove the right of the signee to sell their images for editorial use. Former professional music photographer Barnaby Britton gives his take on the brewing controversy. 

Adam Koplan takes a look at David Nightengale's 'Practical HDR: A Complete Guide to Creating High Dynamic Range Images with Your Digital SLR'. This updated second edition demonstrates software techniques for processing images that exhibit the wide range of light and dark tones characteristic of HDR photography.

As soon as you venture outdoors, a decent camera bag quickly becomes a key consideration. Wildlife and Landscape photographer Carsten Krieger spent some time with the Gura Gear Kiboko 30L - a lightweight bag developed by fellow landscape shooter, Andy Biggs. Does this insight into the demands of the traveling photographer result in the perfect bag, and justify the price-tag? Read Krieger's article to find out.

Sometimes a single photo doesn't convey the experience of your eye exploring a scene, or you find your wide-angle lens simply isn't as wide as you'd like. In such situations, it can be interesting to think beyond a single frame and consider a photo collage. In an article we hope might provide some inspiration for your shooting this weekend, Barnaby Britton looks at the steps to make your own creative digital collages.

The first step in creating a compelling wildlife macro shot is simply finding your subject. Nature photographer Erez Marom continues his macro photography series with a discussion of how to increase your odds of capturing the natural behavior of insects in the wild. Learn where and when to explore as well as how to observe these creatures from very close distances without causing any harm.

Lighting in videography is every bit as important as it is for stills work and requires a similar amount of thought, if your results are going to look good. Video production professional Evan Pugh highlights the importance of setting up your shoot and provides a explains a basic setup that will make your videos look more polished. Click here to read what he has to say.

Snapseed started life as an iOS app that married Nik Software's 'U Point' localized effect controls with a touch-based interface. The app has now stepped back across the mobile divide and is available for desk-bound Macs. Lauren Crabbe investigates whether the $20 desktop version is a useful addition to your image-editing arsenal.

Most of us associate studio photography with complex lighting setups requiring lots of equipment. Yet you can get great results using just a single light. Professional photographer Thomas Park takes you through a range of single-light scenarios. Read his article to learn how close attention to the position of both subject and light source can improve your own studio portraits.

We've prepared a user guide to the Olympus OM-D E-M5, uncovering some of the more interesting features that might not be immediately apparent to new users. As part of reviewing the camera, and detailing its menus, we found a couple of settings combinations and obscure options that we think are worth knowing about. So, if you've recently received an E-M5, or are thinking about parting with your hard-earned cash for one, we hope you'll find this article useful.

The name Leica carries considerable cachet for many photographers, regardless of whether they've ever had a chance to shoot with one of the company's rangefinders or used one of its lenses. The fabulous cost and continued adherence to a near-obsolete, manual-focus, rangefinder design can be off-putting, making it easy to wonder whether the brand's proponents have bought into marketing or mystique. So just what is it like to shoot with an M9-P? We put the camera in the hands of four photographers with different backgrounds and shooting styles to see what the 'red dot' meant to them.

Joel Sternfeld was one of the photographers that pushed for the acceptance of color photography in fine art and documentary photography. Adam Koplan looks at a 'First Pictures,' a collection of his early work (1969-1980) and how it foreshadows his work that was to follow.

Adobe Camera Raw 7 and Lightroom 4 feature a revamped tool set for making tonal edits to raw (and non-raw) files. The changes are substantial and allow for more refined and intuitive editing options. Professional photographer and best-selling author Martin Evening shows how you can use these latest tools to make extreme corrections to both high and low contrast images.

Award-winning photojournalist and videographer Dan Chung from DSLR News Shooter has just posted a video shootout pitting the Canon EOS 5D Mark III against the Nikon D800. In the interesting and in-depth article accompanying it, Chung looks at the video features of both cameras in detail and compares them, not only in terms of output quality, but also usability. 

Just Posted: First impressions of the Fujifilm X-Pro1. We've been using a production standard X-Pro1 for a little while now, as we work on our review. We took this opportunity to write about our impressions of the camera, including a look at the lenses Fujifilm has developed and whether the Pro1 features the quirkiness of the elegant but initially troubled X100. What's it like to shoot with the X-Pro1 and are the images as attractive as the camera's design? Read on to find out.

Introduced in the Photoshop CS6 beta, a collection of photography-styled blur filters makes it easy to simulate depth of field adjustments using tools that let you adjust the effect directly on the image. Photographer and author Ellen Anon explains how to make the most of these tools with a tutorial that shows you how to selectively blur an image as well as mimic the effects of lens bokeh.

We've just got hold of Nikon's 36MP D800 full-frame DSLR and have been seeing what it's like to shoot with. We've shot it alongside the D3S to see exactly what effect trebling the pixel count has. In addition we look at the handling, its video shooting controls and how it behaves with vintage lenses. To put our studio samples in context we've also included a 40-image real-world samples gallery and a look at the camera's low-light performance. You may be surprised by the outcome.

We've written a breakdown of the photography-related features Adobe is preparing for Photoshop CS6. The beta version shows a substantially redesigned interface and a selection of new tools and enhancements. These include photographically-styled blur tools and greater support for video editing. CS6 will also include Adobe Camera Raw 7, bringing the Raw processing tool back into line with Lightroom. Read on to find out about the changes CS6 is likely to bring.

'Once the cloud computing era truly dawns, a non-connected device will be meaningless,' says Samsung Imaging's Sales & Marketing VP, Sunhong Lim. Speaking to dpreview, he suggested a combination of customer expectations and wireless carriers' desire for greater data usage will encourage compact cameras to become ever-more-connected devices. Indeed Lim believes that desire might even see telecomms networks help pay for your next camera. Click here to read his ideas about connected cameras.

First released for Android, Adobe recently unveiled an iPad-targeted version of Photoshop Touch for Apple's iOS. Boasting support for layers and featuring familiar Photoshop effects and filters, Photoshop Touch is one of the best-specified image manipulation apps available, but does it live up to its promise on the world's most popular tablet? Joanne Carter of theappwhisperer.com puts it through its paces.