News archive for June 2013

Just posted: Our hands-on preview of the Canon EF-M 11-22mm f/4-5.6 IS STM. Canon's third lens for its EOS M mirrorless camera is its first image-stabilized wideangle zoom, and first with a collapsible barrel design. With an 18-35mm equivalent angle of view and silent STM focusing, it could be an interesting option for photographers wanting the wider view but looking to travel light. Click through for our first look.

Canon has announced the EF-M 11-22mm f/4-5.6 IS STM - an image-stabilized wideangle zoom for its EOS M mirrorless camera. It's Canon's first wide zoom with IS, promising three stops of stabilization for stills and 'Dynamic IS' for video. A linear stepper motor offers silent autofocus during movie shooting, and a retractable barrel design makes the lens about the same size as the 18-55mm kit zoom. It should be in shops at the end of June, at an MSRP of £379.99 / €399. A firmware update for the EOS M (v.2) will give full compatibility with the 11-22mm, and faster autofocus with all lenses.

For nearly forty years, photographer D. James Dee has documented artwork and installations for seminal artists like Jean-Michel Basquiat, Julian Schnabel and prominent New York City galleries. He's now closing up shop and faces the prospect of finding a home for roughly 250,000 color slides and negatives that chronicle the explosive growth of the Soho art scene of the 70s, 80s and 90s. So far he's found no takers. Is this trove of recent art history headed for the dumpster? Click through to read more. (via The New York Times)

If you've ever spent any time as a self-employed photographer, you've no doubt heard countless rationales from clients about why you should work for free, or at least lower your rate. PhotographyTalk.com posted a pitch-perfect list of five classic lines that not only ring true to those of us on staff with freelance backgrounds, but would be perfect punchline setups in an Aaron Johnson 'What The Duck' comic strip. Click to see if any of them sound familiar. (via PhotographyTalk.com)

DxO Labs has announced availability of FilmPack 4, the fourth version of its film-simulation software. FilmPack 4 adds 65 'even more aesthetically-pleasing renderings'. Available in two editions, Essential and Expert, a single DxO FilmPack 4 license can be used as a plugin for Adobe Photoshop, Adobe Photoshop Elements, Adobe Photoshop Lightroom, Apple Aperture, and DxO Optics Pro, and as a standalone application for Mac and Windows. Click through for the press release.

DxO Labs has released version 8.2 of its DxO Optics Pro software. Both the Elite and Standard versions gain support for the Canon EOS Rebel SL1, the Sony SLT-A58, and the Ricoh GR. Version 8.2 of DxO Optics Pro also supports all features of the newly announced FilmPack 4 as a plugin. Click through for a download link and the full press release.

We've been lucky enough to get our hands on an early pre-production sample of one of the most anticipated lenses of the year, the Sigma 18-35mm F1.8 DC HSM, and bring you a gallery of full-resolution sample images shot with it. This lens is the fastest zoom ever made for SLRs and, in principle, should provide the depth-of-field control and low-light image quality on an APS-C DSLR that you'd get using an F2.8 zoom on 35mm full-frame. We've shot a samples gallery including a variety of subjects, using a range of apertures, focal lengths and subject distances, to try to give an initial flavor of how the lens performs.

The HTC One smartphone made headlines with its claims about 'ultrapixel technology,' which the company used to describe the device's 4MP CMOS sensor. While current competitors boast 8-13MP cameras, HTC is betting on fewer, larger pixels a same-sized sensor to offer better image quality. But does the innovative approach work? We've put the HTC One and its ultrapixels through our rigorous real life and studio testing trials to find out. See how it fared at connect.dpreview.com.

Scientists at Bell Labs have built a prototype camera that uses no lens and a single-pixel sensor. This idea is based around a grid of small apertures that each direct light rays from different parts of the scene to the sensor, and can be opened and closed independently. The sensor makes a series of measurements with different combinations of open apertures, and uses this data to reconstruct the scene in front of the camera. No lens to focus the resultant image means infinite depth of field and low cost. Click through for more details and a link to the original research. 

We just posted a review of the Pentax K-5 II, which also covers its near-twin the K-5 IIS, a version of the camera that lacks an AA filter for higher resolution (in theory). Offering 16MP CMOS sensors, a unique shake reduction system, and a rugged weatherproof body, the Pentax K-5 II and K-5 IIS are compelling little cameras and in this review we'll explore their various standout features, as well as look at the difference in image quality between the two models. Click through for a link to the full review.

Rob Hart was amongst the 28 members of the Chicago Sun-Times photography staff laid off last week. He's been pointedly documenting his experience via Tumblr ever since, deliberately opting to use his iPhone over his Nikon D3 because, as he says of himself in his blog, he was "replaced with a reporter with an iPhone, so he is documenting his new life with an iPhone, but with the eye of a photojournalist trained in storytelling." We spoke to him about it for connect.dpreview.com.

Pentax has announced a white version of its WG-3 rugged waterproof camera and an entry-level point-and-shoot compact. The white version of the WG-3 shares all the features with the existing model but comes in a different color scheme (we'll let you guess what that is). We'll be testing the GPS version of the WG-3 as one of our forthcoming waterproof camera tests. Meanwhile, the 'Efina' is an inexpensive 14MP CCD-based camera that's exactly the sort we thought Pentax had stopped making. Still, it comes with decorative patterns on it, which seems to be this season's thing - so that's something. The Efina, announced in Japan in January, will cost around £80, while the white WG-3 will retail for $299/£289.

If you own a digital camera without Wi-Fi and want to quickly transfer photos to your smartphone or tablet, then the new Eye-Fi Mobi SDHC card might be for you. Setup is simple: just download the app for iOS or Android, enter a 10 digit code, and you're ready to roll. After that, photos you take on your camera will automatically be sent to your mobile device. For more on the Eye-Fi Mobi, read the full story on Connect.

Roger Cicala of Lensrentals has published a blog post in which he gives his first impressions of the new Carl Zeiss 32mm F1.8 'Touit' lens, in Sony E-mount. Unlike Roger's normal approach, where he exhaustively tests multiple samples of the same lens, he was only able to look at a single example of the 32mm F1.8 on the Sony NEX-7. Click through for some details of his findings, and a link to the full article at the lensrentals blog.

Zeiss has announced that its first two Touit lenses for mirrorless cameras are now available for sale. The 12mm F2.8 wideangle has been designed according to the 'Distagon optical concept', and has an RRP of €920 / US$1,250 excluding VAT. Meanwhile the Planar-type 32mm F1.8 normal lens will cost €670 / US$900 excluding VAT. The lenses will be available to fit Sony NEX and Fujifilm X-system cameras, and include autofocus but lack optical stabilisation. The X-mount versions also feature aperture rings with 1/3 stop detents. The next model in the line, a 50mm F2.8 Macro, is expected to appear at the end of the year.

Hot on the heels of its cashback offer for its 1 System cameras, Nikon UK has announced similar promotions on its D600 and D5200 SLRs. Buyers will be able to claim back £50 / €60 on the D5200, and £150 / €180 on the D600, when purchased either body only or with a new Nikkor lens. Meanwhile buyers of various Coolpix compacts will have the chance to win one of over 1200 'exhilarating prizes', including an indoor sky diving experience.