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Fujifilm FinePix S5 Pro

Sep 25, 2006 at 07:02:00 GMT

Pre-Photokina 2006: Fujifilm has today announced the Fujifilm FinePix S5 Pro, or at least the development of it, due to be available in 'early 2007'. The S5 Pro features the same SuperCCD SR design sensor although now called 'SR Pro', it features 6.17 million 'S photodiodes' (normal DR) and 6.17 million 'R photodiodes' (highlight DR) for a total photodiode count of 12.34 million. Other headline improvements are the new body (which is obviously based on the Nikon D200) and all that includes; better AF, i-TTL flash, metering, Lithium-Ion battery. Other improvements include better DR control, up to ISO 3200 sensitivity and LAN / WiFi accessories.

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Press Release:

The Fujifilm FinePix S5 Pro: an expert blend of image and handling

Release of much-anticipated Fujifilm DSLR for early 2007

Fujifilm today announces the development of the FinePix S5 Pro, the keenly-awaited successor to the acclaimed FinePix S3 Pro. In a DSLR market that is much more competitive and dynamic than the one its predecessor was launched into, the FinePix S5 Pro will stand apart from the crowd by combining the much sought-after picture quality of Fujifilm’s Super CCD SR sensor with a fully digital and durable professional metal alloy body. With this superior combination of truly professional handling and image quality, Fujifilm expects the FinePix S5 Pro to appeal to an even broader range of professional photographers.

Fujifilm’s ultimate goal in development of its DSLR cameras has been to maximise image quality through constant research and development into its sensor technology. With the introduction six years ago of its acclaimed Super CCD, Fujifilm moved away from increasing the pixel density of its sensors in favour of image quality developments that increase the overall performance of the sensor. The FinePix S5 Pro will see the refinement of a winning formula – Fujifilm’s Super CCD SR II will be updated to the new Super CCD SR Pro. Using a unique layout of twelve million paired photodiodes (6.17 million larger ‘S’ photodiodes for main image information, combined with 6.17 million smaller ‘R’ photodiodes for bright area information), the S5 Pro will deliver improvements in noise, dynamic range, colour and tonality. Further improving the capability of the sensor, a new, improved low-pass filter will ensure that moiré and noise are kept to an absolute minimum. Fujifilm believes improvements in these key areas will be of more true value to professional photographers – the challenge is quality of information, not quantity of information.

The redesigned Super CCD SR Pro sensor will be at the centre of the camera’s performance. However the new Real Photo Processor Pro will ensure that the information is handled in such a way to produce images that are beautifully vibrant, with colour recorded as the human eye sees it. The processor’s two stages of noise reduction will deliver an impeccably clean image, and also permit light sensitivity up to ISO 3200 whilst achieving sharp, low-noise images. A new dark noise reduction process, subtracting the residual, ambient noise on the sensor from the actual exposure, helps the camera produce smooth, clean images when long shutter speeds are used.

The FinePix S5 Pro will also introduce one particularly sought-after feature; the ability to record jpeg and RAW files simultaneously to the card. This will enable photographers to view and distribute smaller-sized jpegs, whilst retaining the ability to work on the larger RAW files later on a PC or Mac. This dual option is available with a variety of image sizes, giving the option to store either a small, emailable file size, or a larger, more detailed jpeg.

With its predecessor achieving recognition for its excellent ergonomics, the FinePix S5 Pro will take the system into a different league, using a tough, professional magnesium alloy shell. With weatherproof seals, and first-rate design, the S5 Pro will be a camera truly deserving of the term ‘workhorse’, equally at home in the studio as on a nature assignment in a humid rainforest. The camera’s shutter mechanism will be testament to its durability, as it has been tested to exceed the key benchmark of 100,000 cycles.

The FinePix S5 Pro will also afford the user much greater control over the unique image parameters that its technology provides. Six stepped dynamic range settings between 100% (normal dynamic range) and 400% (dynamic range expanded by two stops) will enable the photographer to achieve exactly the tonal feel to their images that they want. In addition, three distinct settings for the ‘negative film’ preset option will further enhance the customisable nature of the camera, giving portrait photographers precisely the ‘look’ that they have in their mind’s eye.

Adrian Clarke, Fujifilm’s Director of Photo Products, said: “The development of the FinePix S5 Pro reflects Fujifilm’s commitment to the professional photographer. We remain determined to develop professional level products with the sort of image quality that made the FinePix S3 Pro a favourite among studio, portrait and wedding photographers. The introduction of the FinePix S5 Pro brings heightened performance, handling and image quality to our DSLR product group and we expect this to attract an increasingly diverse range of professional users. These are exciting times for us.”

Improvements of FinePix S5 Pro over FinePix S3 Pro

Image processing and quality

Greater flexibility to control colour and dynamic range

Other camera functions and features

Face Detection Technology for post image verification

Optional Accessories

Availability & pricing

The FinePix S5 Pro is scheduled for launch in February 2007. Pricing and stockists will be announced nearer to the date of retail launch.*

Fujifilm S5 Pro specifications

Body material Magnesium alloy
Sensor • Fujifilm SuperCCD SR II
• 23.0 x 15.5 mm
• 2 photodiodes per photosite (one S and one R)
• RGB color filter array
• 14 bit A/D converter
Effective pixels • 12.34 million
   • S-pixel: 6.17 million
   • R-pixel: 6.17 million
Image sizes * • 4256 x 2848 (12.1 million)
• 3024 x 2016 (6.1 million)
• 2304 x 1536 (3.5 million)
Image formats

• JPEG (EXIF 2.2) - 2 levels (Fine, Normal)
• CCD-RAW (14 bit) - S only mode
• CCD-RAW (14 bit x2) - S+R mode

Lens mount Nikon F mount (with AF coupling & AF contacts)
Usable lenses

• Type DX AF Nikkor: All functions supported
• Type G or D AF Nikkor (IX Nikkor lenses can not be used): All functions supported
• Micro Nikkor 85 mm f/2.8D:All functions supported except autofocus and some exposure modes
• Other AF Nikkor (excluding lenses for F3AF): All functions supported expect 3D color matrix metering II and 3D multi-sensor balanced fill-flash for digital SLR
• AI-P Nikkor: All functions supported except 3D color matrix metering II,3D multi-sensor balanced fill-flash for digital SLR, and autofocus
• Non-CPU: Can be used in exposure modes A and M; electronic range finder can be used if maximum aperture is f/5.6 or faster; colour matrix metering, multi-sensor balanced fill-flash for digital SLR, and aperture value display supported if user provides lens data

FOV crop 1.5x
Focusing * • 11/7-area AF
• TTL phase detection
• Nikon Multi-CAM 1000 autofocus module
• Detection range: EV -1 to EV 19 (ISO 100, 20°C/68°F)
• Single / Dynamic Area AF (inc. Closest Subject Priority)
Lens servo * • Single Servo AF [S]
• Continuous Servo AF [C]
• Manual focus [M]
Focus Tracking automatically activated by subject's status in [S] or [C] AF
AF area mode * • Single Area AF
• Dynamic AF with Focus Tracking and Lock-on
• Group Dynamic AF
• Closest Subject Priority Dynamic AF
AF assist Yes, white lamp
Shooting modes • Programmed AE Mode (with program shift)
• Shutter-Priority AE
• Aperture-Priority AE
• Metered Manual
Metering system / range • 1,005-pixel CCD
• Matrix: 0 - 21 EV
• Center-Weighted Average: 0 - 21 EV
• Spot: 3 - 21 EV
  (Normal temperature with F1.4 lens)
Metering modes • 3D Color Matrix Metering II
• Center-Weighted
• Spot (3 mm circle)
Meter Coupling CPU and AI
AE Lock • Dedicated button
• Half-press shutter release
Exposure compensation * • +/- 5 EV
• 1/3, 1/2 or 1 EV steps
Exposure steps 0.5 EV
AE Bracketing • 2 or 3 frames
• 0.5, 1.0, 1.5 or 2.0 EV steps
Sensitivity • ISO 100
• ISO 160
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
Shutter Electronically controlled vertical-travel focal-plane shutter
Shutter speed * • 30 sec - 1/8000 sec
• Bulb
Flash X-sync * 1/250 sec
Aperture values Depends on lens (1/3, 1/2 or 1 EV steps)
DOF preview Button, stops-down lens aperture
Exposure moes • Program Auto [P] - flexible program possible
• Shutter-Priority Auto [S]
• Aperture-Priority Auto [A]
• Manual [M]
Drive modes • Single frame
• Continuous shooting
• Self-timer mode (2, 5, 10 or 20 sec)
Continuous shooting
Yes, details unknown
Built-in flash • Pop-up (manual)
• Guide no. 12 (ISO 100)
• Max shutter speed: 1/250 sec
Flash control • TTL: TTL flash control by 1,005-pixel RGB sensor.
• Built-in Speedlight: i-TTL balanced fill-flash or standard i-TTL flash (spot metering or mode dial set to [M])
• SB-800 or 600: i-TTL balanced fill-flash for digital SLR and standard i-TTL flash for digital SLR.
• Auto aperture: Available with SB-800 with CPU lens
• Non-TTL Auto: Available with Speedlights such as SB-800, 80DX, 28DX, 28, 27, and 22s
• Range-priority manual; available with SB-800
External flash • X-contact hot-shoe (with i-TTL support)
• PC sync terminal
Viewfinder * • Fixed eye-level pentaprism
• Built-in diopter adjustment
• Coverage: Approx. 95%
• Magnification: 0.94x
White balance * • Auto
• Fine
• Shade
• Fluorescent
• Incandescent
• Flash
• Preset
• Color temperature
Film simulation * • F1
• F1a
• F1b
• F1c
• F2
Color space • sRGB
• Adobe RGB
Dynamic range * • Auto
• 100% (Std)
• 130%
• 170%
• 230% (W1)
• 300%
• 400% (W2)
Storage * Compact Flash Type I/II
LCD monitor * • 2.5" TFT LCD
• 235,000 pixels
Connectivity * • USB 2.0 (Hi-Speed)
• Video out
• Wired remote
• DC in
• PC Sync terminal
Power * • Lithium-Ion battery
• Optional AC adapter
Dimensions * 170 x 113 x 74 mm (6.7 x 4.4 x 2.9 in)
Weight (no batt / lens) Unknown

* Changes compared to the Finepix S3 Pro