|
|
|||
| Previous news story Next news story |
As everyone else seems to be posting samples from production Sony DSC-F717's I thought I may as well join in. Inside you'll find a small (10 image) gallery from a production DSC-F717. So far the camera seems to be performing almost identically to the DSC-F707, unfortunately it looks as though Sony still haven't addressed the F707's tendancy to over saturated reds, as is clear from some of my samples.
The samples below were taken with a full production DSC-F717. Click on the thumbnail to view a reduced size (800 x 600) copy. Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission. I make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), I do so in good faith, please don't abuse it.
![]() |
![]() |
![]() |
| ISO 100, 1/250 sec, F4.0 Original: 2,285 KB |
ISO 100, 1/500 sec ,F5.6 Original: 2,132 KB |
ISO 100, 1/500 sec, F5.0 Original: 2,103 KB |
![]() |
![]() |
![]() |
| ISO 100, 1/40 sec, F2.1 Original: 2,211 KB |
ISO 100, 1/250 sec, F4.0 Original: 2,134 KB |
ISO 100, 1/500 sec, F4.5 Original: 2,162 KB |
![]() |
![]() |
![]() |
| ISO 100, 1/250 sec, F4.0 Original: 2,281 KB |
ISO 100, 1/500 sec, F6.3 Original: 2,248 KB |
ISO 100, 1/640 sec, F8.0 Original: 2,239 KB |
![]() |
||
| ISO 400, 1/50 sec, F2.2 Original: 2,280 KB |
In the animations below any area of the image which has a fully saturated red channel (255) is masked in white and animated with the original image. Any colour channel which becomes fully saturated can not have detail retrieved later.
![]() |
![]() |
| Original: 1,946 KB | Original: 2,300 KB |
Comments