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As everyone else seems to be posting samples from production Sony DSC-F717's
I thought I may as well join in. Inside you'll find a small (10 image)
gallery from a production DSC-F717. So far the camera seems to be performing
almost identically to the DSC-F707, unfortunately it looks as though Sony
still haven't addressed the F707's tendancy to over saturated reds, as
is clear from some of my samples.
Samples gallery
The samples below were taken with a full production DSC-F717. Click on
the thumbnail to view a reduced size (800 x 600) copy. Please do not reproduce
any of these images on a website or any newsletter / magazine without
prior permission. I make the originals available for private users to
download to their own machines for personal examination or printing (in
conjunction with this review), I do so in good faith, please don't abuse
it.
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ISO 100, 1/250 sec, F4.0
Original: 2,285
KB |
ISO 100, 1/500 sec ,F5.6
Original: 2,132
KB |
ISO 100, 1/500 sec, F5.0
Original: 2,103
KB |
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ISO 100, 1/40 sec, F2.1
Original: 2,211
KB |
ISO 100, 1/250 sec, F4.0
Original: 2,134
KB |
ISO 100, 1/500 sec, F4.5
Original: 2,162
KB |
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ISO 100, 1/250 sec, F4.0
Original: 2,281
KB |
ISO 100, 1/500 sec, F6.3
Original: 2,248
KB |
ISO 100, 1/640 sec, F8.0
Original: 2,239
KB |
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ISO 400, 1/50 sec, F2.2
Original: 2,280
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Clipped reds - examples
In the animations below any area of the image which has a fully saturated
red channel (255) is masked in white and animated with the original image.
Any colour channel which becomes fully saturated can not have detail retrieved
later.
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