Simon Joinson

Simon Joinson

DPReview Administrator
Lives in United States SEATTLE, WA, United States
Works as a Editor, writer, photographer
Has a website at www.dpreview.com
Joined on Jul 9, 2002
About me:

http://www.cff.org/

Editorial content

Total: 281, showing: 31 – 40
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Ricoh GXR/S10 24-72mm F2.5-4.4 VC Review
This is the second of two reviews of the GXR; as each module is effectively a completely different camera we've decided to treat them as such and produce separate reviews. This review covers the GXR with the S10 24-72mm equiv (10Mp 1/1.7" sensor) module, the previous one had a look at the GXR/A12 50mm f2.5 equiv (12MP APS-C sensor) combo. The first half of both reviews is the same, covering the GXR camera body and system.
Just posted - Ricoh GXR A12 50mm F2.5 in-depth review
Just posted! Our in-depth review of the Ricoh GXR with the A12 50mm F2.5 lens module. The GXR's concept of interchangeable lens modules is unique in today's digital camera world and generated a lot of interest when it was first announced four months ago. This review covers the GXR with the A12 50mm f2.5 equiv (12MP APS-C sensor) module (the S10 24-70mm module will follow soon). Find out how Ricoh's new flagship performed in our comprehensive review after the link...
Ricoh GXR/A12 50mm Review
This is the first of two reviews of the GXR; as each module is effectively a completely different camera we've decided to treat them as such and produce separate reviews. This review covers the GXR with the A12 50mm equiv f2.5 (12MP APS-C sensor) module, the next will cover the GXR/S10 24-70mm equiv (10Mp 1/1.7" sensor) combo. The first half of both reviews is the same, covering the GXR camera body and system.
Just posted - Sony Alpha 550 review
Just posted! Our in-depth review of Sony's mid-range SLR, the Alpha DSLR-A550. The A550 is part of a new range that sits between the A200/A300 and the high end A700, and offers an interesting combination of features (including in-camera automatic HDR, 7 fps continuous shooting and Sony's excellent live view system) whilst retaining the Alpha line's emphasis on friendly ease of use. Find out how we got on with the Alpha 550 after the link...
Sony A550 Review
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Sony's approach to the DSLR market has been an interesting one to watch - the first generation of the A2XX/3XX family was a three-camera assault on a market that most manufacturers had tried to address with a single model. Sony instead created three cameras that placed greater emphasis on attracting new users across from compact cameras (whether that be through price or what was, at the time, the most seamless, compact-like live view system on the market), rather than simply stripping down their higher-end models. With the recent refresh of that range, its cameras have moved even further towards a compact-user friendly interpretation of what an entry-level offering should look like - with the predictable result that the A230, A330 and A380 have prompted disappointment and even derision from the company's DSLR fan base.
Just posted! Panasonic GF1 review
Just Posted: Our in-depth review of the GF1 - the third model in Panasonic's Micro Four Thirds 'G' system. The GF1 squeezes much the same functionality as the G1/GH1 into a body that's roughly the same size as the Olympus E-P1. So how does it compare to the Digital Pen, and can it compete with similarly-priced digital SLRs? Check out the review after the link to find out...
Panasonic Lumix GF1 Review
When Panasonic showed us the first Micro Four Thirds camera, the DMC-G1, our first question was 'why does it look like an SLR?'. We'd been hoping for a much more compact body, something that more effectively straddled the line between the convenience of a compact and the quality and versatility of a digital SLR. Well, a couple of months ago we were ushered into a private meeting with Panasonic to see the GF1, Panasonic's answer to all those critics who failed to see the point of Micro Four Thirds if it was simply going to ape conventional SLR styling.
Just Posted: Olympus E-P1 in-depth review

Just Posted: Our in depth review of the Olympus E-P1. Olympus has generated quite a buzz with its compact, mirrorless Micro Four Thirds camera. Its metal body, styled to evoke memories of the company's successful Pen series of half-frame film cameras contains a 12MP image stabilized sensor mated to the company's latest image processing engine. So, is this 'Digital Pen' the perfect carry everywhere camera? Read our 37-page in-depth review to find out!

Olympus Pen E-P1 In-depth Review
From the OM system 35mm SLRs and lenses to the XA series rangefinders and the half-frame Pen models, Olympus has for at least half a century been notable for producing cameras that are smaller than their competitors without sacrificing quality or functionality. And they haven't stopped; the E-450 and its predecessors are still the world's smallest digital SLRs, and the new E-620 is considerably smaller than similarly specified competitors (finally realizing the 'smaller format, smaller camera' promise we were all sold on when Four Thirds originally launched).
Just Posted: Olympus E-30 Review
Just Posted: Our full review of the Olympus E-30. The E-30 is the long-awaited 'tweener' model that fills the gap in the E-system range between the entry-level models and the flagship E-3. With a new 12 megapixel sensor, a selection of unique in-camera creative options and a wealth of features, the E-30 looks very promising on paper, but does it deliver in use? Find out in our in-depth review after the link.