Andy Westlake

DPReview Contributor
Lives in United Kingdom United Kingdom
Joined on Jan 28, 2008

Editorial content

Nikon D3100 Review
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Nikon has developed a habit of making very attractive entry-level DSLRs, which are rarely the best specified but cleverly designed so that they're easy and enjoyable to shoot with. The D3000 fitted this pattern perfectly, a gentle refresh of the D60 (which was itself a slightly updated D40X), it added ease-of-use features to make it a pleasant little camera to use, despite a specification that was beginning to look rather out-of-step with the rest of the market.
Sony Distagon T* 24mm F2 SSM lens review
Just posted! Our latest lens review starring Sony's Carl Zeiss Distagon T* 24mm F2 SSM. Rounding out the company's premium lens range with a fast wideangle, this latest design is sure to be attractive to users of full frame and APS-C cameras alike. But with Canon and Nikon both offering 24mm F1.4 designs, does the Sony have what it takes to provide a compelling option in this sector? Click through to our detailed review to find out.
Sony Distagon T* 24mm F2 SSM review
Sony has been grabbing the headlines over the past year or so for its innovative 'SLT' cameras, the mirrorless NEX system and prolific launches of inexpensive SLRs. But it has also been quietly building up an impressive line of high-end full frame equipment, spearheaded by an array of Carl Zeiss branded optics. And it's into this upper half of the company's curiously bifurcated product line that the Distagon T* 24mm F2 SSM arrives, offering a genuinely fast and wide option for Alpha 850 / 900 users, while doubling as a classic semi-wide 35mm equivalent on APS-C cameras. This lens was shown in advanced pre-production form at PMA earlier this year, and has been hotly anticipated by Sony fans ever since.
Panasonic officially unveiled two long-expected Micro Four Thirds lenses alongside its DMC-GH2 interchangeable-lens camera - the 100-300mm F4-5.6 ultra-telezoom and the 14mm F2.5 wideangle. In addition it announced the commercial incarnation of a 3D stereoscopic lens which is primarily designed to produce images for viewing on its Viera TVs.
Sigma 70-200mm F2.8 EX DG OS HSM lens review
Just posted! Our lens review featuring the first image-stabilized fast telezoom to appear from an independent lens maker: the Sigma 70-200mm 2.8 EX DG OS HSM. With an all-new optical design and Sigma's silent ultrasonic-type HSM focusing, it offers an interesting alternative to Canon and Nikon's latest designs at an attractive price, while providing Sony and Pentax users with the option of using in-lens stabilization.This is all pretty compelling on paper, so how well does it work in practice?
Sigma 70-200mm 1:2.8 EX DG OS HSM Review
It's now over a decade since Sigma's original 70-200mm F2.8 APO design first saw the light of day, and after three successive makeovers, the company clearly felt it was time to start again from scratch. The result is this: the 70-200mm 1:2.8 EX DG OS HSM, which despite its similar-sounding name is a completely new design. It was announced back in February alongside four other lenses, as Sigma stole the show at an otherwise-quiet PMA 2010. The 'OS' stands for 'Optical Stabilizer', this being is the first image-stabilized fast telephoto zoom to emerge from a third-party lens maker. Indeed the combination of in-lens stabilization and Sigma's ultrasonic-type 'HyperSonic Motor' (HSM) focusing is sure to make a compelling package for a wide range of users - it's considerably cheaper than Canon and Nikon's similar options, while offering the option of optical stabilization to Sony and Pentax users for the first time in this type of lens.
Nikon AF-S Nikkor 16-35mm 1:4G ED VR lens review
Just posted! Our lens review starring the world's first optically-stabilized ultra-wide zoom: the Nikon AF-S Nikkor 16-35mm 1:4G ED VR. Conceived as a relatively inexpensive alternative to the highly-regarded AF-S 14-24mm 1:2.8G, this lens features Nikon's latest 'VR II' stabilization unit in a high quality magnesium alloy body. We've put it through our usual battery of tests to see how it performs.
Nikon AF-S  Nikkor 16-35mm 1:4G ED VR review
The Nikon AF-S Nikkor 16-35mm 1:4G ED VR, announced in February 2010, has the distinction of being the world's first ultra-wideangle lens to feature optical image stabilization. It's designed primarily for use on full-frame DSLRs, as a less-expensive alternative to the likes of the 17-35mm 1:2.8D or the 14-24mm 1:2.8G, but is also fully compatible with DX bodies on which it offers a 24-50mm equivalent range. It can be seen as an answer to Canon's EF 17-40mm F4 L USM, which has long been popular as a (relatively) inexpensive, compact, lightweight yet high quality wide zoom; indeed we suspect many Nikon fans will be hoping it's the first in a series of F4 premium zooms. However a quick glance at the spec sheet shows that the addition of optical stabilization has resulted in a lens that's distinctly larger than the Canon, at the best part of five inches in length and a pound and a half in weight.
Olympus M Zuiko Digital 14-150mm F4-5.6 lens review

Just posted! Our lens review featuring Olympus's Micro Four Thirds superzoom, the M Zuiko Digital 14-150mm F4-5.6. This latest addition to the company's Pen range continues with its downsizing theme, and is dramatically smaller and lighter than most similar SLR lenses. It also promises fast and silent focusing optimized for video shooting. So is this mini-marvel the ultimate general-purpose travel zoom?