Andy Westlake

Almost all lenses perform better on FX than DX.

Focal length equivalents are pretty deeply embedded in the language of digital photography - to the extent that they're part of the CIPA standards for describing compacts. They're a convenient and...

Or, to play devil's advocate, 24mm x 1.6 ~ 40mm, and an f/2.8 lens stays f/2.8 when you put it on an APS-C camera. So what's the problem?

It shouldn't be too hard to understand that there are...

Top performing standard lenses would cost a lot more: kit lenses are made to keep the price low and the camera as accessible as possible to novice buyers (and, crucially, competitive with their...

The EOS 700D/Rebel T5i is sold in two different kits: with the 18-55mm STM lens, and the 18-135mm STM lens. The latter is used in the EOS 700D gallery.

For a sample gallery taken using the 18-55mm...

The EOS 700D/Rebel T5i is sold in two different kits: with the 18-55mm STM lens, and the 18-135mm STM lens. The latter was used for the EOS 700D gallery (simply because that's the lens Canon...

The EOS 700D/Rebel T5i is sold in two different kits: with the 18-55mm STM lens, and the 18-135mm STM lens. The latter was used for the EOS 700D gallery simply because that's the lens Canon...

Technically it's an EF mount, which means it will fit on Canon full frame SLRs (and the original D30 and D60, for readers with long memories). EF-S is Canon's own designation for its modified mount...

Technically it's an EF mount, which means it will fit on Canon full frame SLRs (and the original D30 and D60, for readers with long memories). EF-S is Canon's own designation for its modified mount...

Did you mean something like...

We'll have more about it on Connect later. But it's a phone with a 'proper' camera, so we thought it would be of interest in DPReview too.

We'll have more about it on Connect later. But it's a phone with a 'proper' camera, so we thought it would be of interest on DPReview too.

With the appearance of the EOS 100D, we thought now would be a good time for a full review of the EF 40mm f/2.8 STM. You can compare it to lenses like the 50mm f/1.8, 50mm f/1.4 and 35mm f/2 in our...

If we refused to publish press releases that contained any degree of hyperbolic language, we'd never publish any at all.

If it helps, it's equivalent to a 15mm full frame fisheye on full frame. Or is that even more confusing?

It's not a rebranded Panasonic LVF2; instead it's a rebranded Olympus VF-2.

Adobe's use of 'final' here simply means that it's the finalised version of ACR 8.1.

Are you totally sure they've not already written one? It would explain a lot.

No

Here's a few more numbers you forgot to compare:
Canon 11-22mm: 61 x 58mm, £380
Sony 10-18mm, 70 x 64mm, £670
Different tradeoffs, that's all.