Which pocketable compact camera should I buy?
Lives in United Kingdom
Joined on Jan 28, 2008
Lomography isn't a company we've historically talked about much on DPReview; with its emphasis on low-fi, 'shoot from the hip' photography using plastic film cameras, it's a long way from the typical interests of our readers. But last year the company came up with an interesting idea: to recreate a classic 19th century portrait lens for modern SLRs. The result is the Petzval 85mm F2.2, which is available now to fit Canon or Nikon SLRs. So what's it like? Read more
The Tamron SP 150-600mm F/5-6.3 Di VC USD is one of a select group of supertelephoto zooms for full frame SLRs that reaches or exceeds 400mm focal length, while still being reasonably portable. Its trump card over its closest competition lies in its longer focal length - at 600mm full zoom, it'll let you get your subjects that bit larger in the frame. But does this result in an unacceptable compromise in optical quality? See the lens test data and our analysis
Kodak is arguably the most famous name of all in photography, but it ultimately failed to manage the transition from film to digital, and ended up exiting the consumer imaging business altogether in 2013. But now JK Imaging, which licenses the Kodak name, has created an interchangeable lens camera. The Pixpro S-1 is an entry-level model that's designed to attract budding photographers who are buying their first system camera. Click through to read our first impressions.
The AF-S Nikkor 35mm f/1.8G is Nikon's latest moderate wideangle prime, designed for full frame SLRs like the D610. It sits in the lineup between the budget, DX-only AF-S Nikkor 35mm f/1.8G and the premium, half-stop faster AF-S Nikkor 35mm f/1.4G. It also faces stiff competition from the highly-regarded Sigma 35mm F1.4 DG HSM. So how does it measure up in terms of optical quality? See the lens test data and our analysis
The Sigma 50mm F1.4 DG HSM 'Art' is a fast normal prime for full frame cameras, with an unusually complex optical design. However at $950 / £850 it's substantially more expensive than either its predecessor, or Canon and Nikon's 50mm F1.4 lenses. We've already published lab test data showing that it's optically excellent, but what does this mean in real-world use? Read our detailed review to find out.
Leica's new T (Typ 701) is the company's first mirrorless interchangeable lens camera with autofocus. While its 'guts' aren't much different than other cameras in its class, the hand-built body is all Leica. We've been able to spend some quality time with the German manufacturer's latest baby, and have put together our first impressions of it. Find out what we think of it thus far.
The Fujifilm X-T1 is surely one of the most desirable cameras of the year so far, with its SLR-like styling, huge electronic viewfinder, and wealth of external controls on its compact, weathersealed body. It also promises class-leading autofocus performance, including the ability to track focus on moving subjects - something that's traditionally eluded this type of camera. But is this enthusiast-oriented mirrorless model really a match for a traditional SLR? Read our in-depth review to find out.
Kodak famously failed to adapt to the transition from film to digital photography, and finally stopped making digital cameras in early 2012. Now the famous old brand has been resurrected by JK Imaging Ltd, which is producing cameras in partnership with Asia Optical. We got a quick look at some of the 2014 product portfolio earlier this year at CES but this week we had a more detailed briefing at a European press event. Click through to take a closer look.
This week saw the successful launch of a new photography trade show in the UK. Called simply 'The Photography Show' and run by Future Publishing, the event ran from 1st to 4th March at the NEC in Birmingham. We spent a day there, talking to exhibitors and getting hands-on with the latest products. Click through for a selection of things we saw.