communicat

communicat

Lives in South Africa Duban - Pietermaritzburg - Hilton, South Africa
Works as a Photographer - Web Developer
Joined on Oct 29, 2007

Comments

Total: 8, showing: 1 – 8
In reply to:

Dvlee: In the above poll , there should have been an "all of the above" option because all those things are of concern... except "I thnk it might work fine."

I'm actually using the subscription option now because when factoring in the initial cost of CS6 plus upgrades down the road, and other economic factors, it makes more economic sense.

But due to the many changes the photography market and the economy have undergone, there have been many photographers, amateurs and pros alike, that have had to tighten their belts and cut back on monthly costs.

Being dependent upon a credit card that can be charged monthly and an internet connection to keep PS functional might mean that many folks who are struggling through this rough economy would lose access to PS.

I muddled thru with CS3 for 5 plus years, thru unemployment and lean times, I still had PS to work with. If it was a subscription service, I would have had to let it lapse and turn to GIMP or some other program to continue photography.

Last time I looked, The Gimp opened and produced .psd files just fine. Same for Corel's suite I've been trying out. May not work too well for very advanced layers and things - but for standard layers I'd not worry too much about being locked into the .psd file format.

Direct link | Posted on May 9, 2013 at 16:59 UTC
On Photoshop CC: Adobe responds to reaction article (1853 comments in total)

Just taken a look at Corel's products after years of ignoring them:

http://www.corel.com

The raw processor "After Shot" looks great and the process seemed to make more sense to me than Lightroom. The PS replacement opens existing PS files and also seems to work just fine . . . although I can't figure out how to isolate properly yet.

The the programs have demo downloads to try out.

Direct link | Posted on May 8, 2013 at 06:07 UTC as 626th comment | 4 replies
In reply to:

dcsimages1: So, the guy who basically single-handedly destroyed 80% of the value of the stock industry in a fit of pique is now going to "save" it?

Another way to see it is that iStock was simply an inevitable business reaction to an unnatural market condition. If it wasn't Bruce Livingston, it would have been someone else.

Getty and other traditional agencies let only a few photographers play in their sandpit. The standard Getty rejection letter gave you the feeling that they didn't wany you to try submit again . . . ever.

Getty and other agencies built a wall to keep aspiring photographers out and prices artificially high. No matter how well lit, "Household iron isolated on white" should not fetch $250 for web use.

When the dam wall broke, did Getty counter with a "midstock" agency to move high quality files away from the micros? Not at all, they arrogantly dissed the whole microstock movement until it was too late for them.

Will low pricing last? Not at all - pricing for good images is heading north again - but now from a stable and realistic demand/supply base that will ultimatley prove to be both healthy and sustainable.

Direct link | Posted on Mar 28, 2013 at 15:50 UTC
In reply to:

AV Janus: I must say i am surprised. They receive only 50% ??
How much did they get on Getty?

20% in many cases.

Direct link | Posted on Mar 28, 2013 at 09:26 UTC

And they are not alone . . . Shutterstock is heading straight at Getty's traditional market too when their premium "marketplace", www.offset.com, lanuches soon.

Bout time someone gave it back to Getty and their corporate bully-boys. Hopefully those services who treat their contributors with at least some form of respect will eventually rise to the top.

Direct link | Posted on Mar 27, 2013 at 19:08 UTC as 26th comment
On Confessions of a camera snob post (90 comments in total)

These are the best set of images I've seen produced by DP Review. Perhaps there is a logical reason for them - but so many of the review images tend to be completly pedestrian. But suddenly here is some worthwhile work and it's not coming from a camera. Seems to be a case of less camera, more art.

Direct link | Posted on Mar 15, 2013 at 06:01 UTC as 34th comment | 2 replies
On Ethics of prize-winning photo debated article (151 comments in total)

This may be slightly off topic, but apart from their accuracy, aren't some of the captions in the portfolio possibly libellous?

"A man is arrested by the Rochester police after having assaulted his father with a samurai sword." Or how about: "An intoxicated man who was molesting passerbys is arrested."

Perhaps the people pictured in these images have different views on the matter and resent being labelled as "intoxicated" or "molesters" or as people who assault their fathers with swords?

The last time I attended journalism school in my country, they were pretty insistent that we didn't accuse anyone of anything unless it had been proved in a court of law. If we were to make such allegations, we needed to precede them with "alleged" since it was not our place to judge them, just report on the situation.

I take it such legal niceties are not required in the US, since these awards are even overseen by some important journalism institute?

Direct link | Posted on Feb 28, 2013 at 14:48 UTC as 26th comment
In reply to:

UnChatNoir: A few conclusions... 1. Fujifilm wants to hurt Leica with a concept Leica isn't able to develop. But a lot of questions, certainly because it's in theory 'only' an APS/C sensor whatever technology may be in it. 2. Let's also wait to see whether the glass will also rule out the M-range, an almost impossible challenge. 3. Concerning that glass, 3 primes, one macro. Cannot think of a real pro that will be satisfied with only this set. What is to come... unknown in this stage - but important if you go for such a system camera. 5. The same applies a bit for all accessories. A range of stuff not adding too much value in this stage. 6. A pricing that matches a 5DMkII? Yes Leica is still doing worse. But Leica is Leica and even if you love the concept, the same money can buy a lot of very attractive camera's. Surely in the APS/C-range. 5. Hello Canon, hello Nikon, are you still there? The V/J1 and G1X was not exactly where I was waiting for. The kids already have their own camera ;-) .

You may well be right . . . but there are a lot of Hasselblad users you may choose to differ since Fuji has a long history of making top quality medium and large format lenses. My guess would be that they probably won't be as good as some of the better Leica lenses, but they will be easier on the pocket and few would be able to tell the difference anyway.

Direct link | Posted on Jan 11, 2012 at 15:31 UTC
Total: 8, showing: 1 – 8