PatrickP

PatrickP

Joined on May 15, 2008

Comments

Total: 22, showing: 1 – 20
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On Panasonic Lumix DMC-FZ1000 First Impressions Review preview (1282 comments in total)

Sony really need to up their game with a RX10 Mark II. I had shot with a RX10 for a while and the biggest problem is
1. Continuous AF really sucks, despite having a very bright lens.
2. The lack of a better codec for video. Sony need to put their 50Mbps AVC-S codec found on the A7S or even the small action cameras on RX10 II. I would also gladly take 50/100 Mbps MP4 found on the GH3/GH4.
3. The stabilization can be better.

A lot of folks bought the RX10 as a video camera and with panasonic finally realizing their cameras (GH3/GH4) shoot better video than almost everyone else Sony really need to catch up.

Direct link | Posted on Jul 9, 2014 at 00:40 UTC as 56th comment | 4 replies
On Sony a6000 First Impressions Review preview (899 comments in total)

11 fps with focus tracking on an APS-C sensor?

sounds like a Nikon D300 replacement for me! IF the AF tracking on this thing works, matched with a Sony 70-200/4 Nikon users can forget about the D400.....

Direct link | Posted on Feb 12, 2014 at 06:26 UTC as 251st comment | 2 replies
On Panasonic Lumix DMC-GH4: a quick summary article (471 comments in total)
In reply to:

Maverick_: The MFT is becoming more and more a gear for indie filmmakers not wanting to go the 5D route. At the end of the day, it's sensor size that matters for stills. I am a long time GH series user and will not upgrade to another GH. My next camera will have a large sensor.

Or use GH3 for video and casual shooting. Nikon D800E / Canon 5D3 for stills. Best of both worlds this way.

Direct link | Posted on Feb 7, 2014 at 09:23 UTC
On Panasonic DMC-GM1 preview (639 comments in total)

Why on earth would Panasonic intentionally cripple the 1080/60p functionality?

If it is the same sensor as GX7, then the sensor does 1080/60p by default.

This is so sad. it would have been the perfect pocket camera for me. now GX1 would definitely get the nod instead just for having 1080/60p alone.

Direct link | Posted on Oct 17, 2013 at 07:57 UTC as 180th comment | 1 reply
In reply to:

map1273: For the money, I'd rather have the new Sigma 120-300mm 2.8 that's coming out in a few weeks and use a teleconverter if needed on that.

almost totally forgot about the Sigma.
$2700 for a 80-400 f/4.5-5.6 VR,
versus:
$3600 for a 120-300 f/2.8 OS
Given the recent improvement in quality from Sigma, the only downside is the size and weight.

Direct link | Posted on Mar 5, 2013 at 18:08 UTC

Poor Nikon users. Sony is already onto their 2nd generation 70-400mm with SSM. The first version of the Nikon AF-S 70/80-400 is still yet to be found!

Direct link | Posted on Feb 20, 2013 at 22:35 UTC as 4th comment
On Roger Cicala compares three 24-70mm F2.8 lenses article (142 comments in total)

the resolution of the said lenses seem to correlate with age more than anything. for premium lenses, the newer ones always resolve more.

Canon had a 24-70/2.8L for quite a while before the Nikon 24-70 shows up. Nikon 24-70 was crowed as the best out of the best for the past 5 years, until the Canon MkII shows up and claimed the throne.

I am sure once a Mark II from Nikon (hopefully with VR) shows up it would be the best again, so would be the Mark III from Canon. it's always a leap-frog between the two.

Direct link | Posted on Jan 31, 2013 at 17:40 UTC as 26th comment | 4 replies
On Best Camera of 2012: And the Winner is... article (1412 comments in total)

I'm not trying to be a snob, but if my daughter (or yours) fork out three grand of depreciating-like-no-body dollar for a once-in-a-life-time wedding, and you see the pro photog using a OM-D EM5, what would you think?

The photog might well be super duper skillful, but one would have a hard time wondering how much better the pictures would look if the same shots were made with a Nikon or Canon full frame. 2-3 stops better dynamic range and high iso noise characteristics. Whether it is a D700/D3, D800, D4, 5D2/5D3, 1DX, it doesn't matter. Given the aesthetic qualities are the same, you still cannot beat the law of physics. large sensor takes in more light and pictures do look better.

The m4/3s and NEXs has made themselves into very fine cameras. But would they be up to heavy duty pro use one day?

Direct link | Posted on Jan 2, 2013 at 02:57 UTC as 254th comment | 23 replies
On Dpreview Users' Poll: Best Camera of 2012? article (1514 comments in total)

D800E when matched with any of the modern nano-coated f/2.8 zooms or better yet primes produce an IQ that's totally out of this world.

Direct link | Posted on Dec 20, 2012 at 04:22 UTC as 611th comment

The UV filter option is for people who are paranoid about scratching the front element on their $2K Nikon 14-24.

Worth considering for people who shoot around salt water, sand, snow and ice. the new lens cap also elminates the need for the original plastic cover which falls off all the time and scratch the hood.

Direct link | Posted on Dec 7, 2012 at 16:52 UTC as 3rd comment
On Hands-on with the AF-S Nikkor 70-200mm f/4G ED VR article (258 comments in total)
In reply to:

Londongal: I'll purchase the Really Right Stuff tripod mount ring instead.

I bet almost everything from RRS would be better made and more sturdy than Nikon's.

Direct link | Posted on Dec 6, 2012 at 01:32 UTC
On DxO Optics Pro 8: What's New article (110 comments in total)

Lightroom 4 as a complete package was on sale for $75 during thanksgiving in the US.

The DXO upgrade from v7 elite to v8 elite is $99 US. Even during promotion period it was $69.

So a DXO upgrade cost the same or more than the LR4 complete package.

Not to mention starting with LR4, LR actually understand Nikon colors better than DXO. With DXO you usually have to start with ViewNX/CNX conversion to TIFF, and then run the TIFFs through DXO to fix the geometric distortion or perspective distortion. LR / ACR is now close enough to do it in one shot.

Direct link | Posted on Nov 29, 2012 at 19:43 UTC as 16th comment | 1 reply

back in the days when Light Room actually cost $299 or $199 MSRP, the DXO pricing made a lot of sense.

Now that you can get LR for practically $79 or $99 with any lens or camera at B&H, why would anyone want to pay $299 (or $199 when they have special offers) for DXO optics elite?

People might own a full frame camera, but FF-owner doesn't translate into easier prey!

I got the v7 this June. I think V7 was out for a year perhaps? I am afraid DXO might have became a $69 annual subscription.... even LR/PS doesn't update to new major versions so often. CS5 was around for quite some time, as was LR3.

Direct link | Posted on Nov 10, 2012 at 20:47 UTC as 3rd comment
In reply to:

delete: If this lens would have been available 6 months ago, it would be in my photo bag. Now I already have the f/2,8 VRII. Which is an excellent lens, but per physics also a very heavy and large one.

Not sure if to trade it in for the new f/4 would make sense for me. This would cost me probably nada. On the plus side would be the ~700g less, smaller size and better VR, on the negative side the one stop aperture.

Need to check my photos made with the big one, see how many of them were actually shot with f/2,8.

you paid $2399 for 7 pieces of ED glass on the f/2.8 version, now you are down to 3 for $1399.

Direct link | Posted on Oct 24, 2012 at 14:25 UTC
In reply to:

rekky: $224 for a tripod collar? You have got to be kidding me!

and chances are RRS would make a better one

Direct link | Posted on Oct 24, 2012 at 14:21 UTC
On Nikon D600 Hands-on Preview preview (713 comments in total)

it's a pity Nikon doesn't allow higher fps with 8 AA battery, as in D300s/700/800.

Direct link | Posted on Sep 13, 2012 at 04:14 UTC as 266th comment | 1 reply
In reply to:

Catallaxy: The reviewer failed to review one of the most important points about a battery grip - how it does on a tripod. Some of the third party grips have a bad reputation for flex or give or otherwise not being a sturdy platform when the camera plus grip is mounted on a tripod. Just because the body/grip interface does not appear to flex in normal operations does not mean that it will not flex or contribute to vibrations on a tripod.

I had the original MB-D12 grip mounted on my D800 for a while. Even with Nikon grip, no matter how tight I tried to bolt the grip onto my D800, it would still flex on my tripod. you push the viewfinder compartment and the body would move around a bit.

Before you would ask, I was using a RRS lever clamp and a wimberly body plate, on a gitzo 2-series tripod. the same combo with the D800 body itself leave very little play.

Direct link | Posted on Aug 30, 2012 at 21:05 UTC
In reply to:

Mr Fartleberry: Remember you need 36MP to do landscapes!

and then a 10-core server with RAID array to process the pictures?

Direct link | Posted on Jun 5, 2012 at 00:30 UTC
In reply to:

Jord: This does seem a very good package but for the life of me I can't work out why the Elete version is double the price. I'd imagine the work going into calibrating a cheaper camera is the same as a pro camera!

I'd buy it tomorrow if the Elite version was the same as the normal version but the gap between this and lightroom is now nearly 3x.

Rant over. Great kit alas now my demo has timed out before I could check it on the D4 files.

Apparently in their eyes, the non-pros who bothered to own a full-frame camera are rich/serious enough to pay more?

Direct link | Posted on Apr 11, 2012 at 23:36 UTC
On Interview: Tetsuya Yamamoto of Nikon article (208 comments in total)

Mr.Yamamoto, I wish nikon can make the FT1 to work with AF-C mode. giving us the ability to use all our long lenses with Nikon 1, with AF-S and VR support, but with continous AF not being supported is quite strange I have to say.

I would not mind even if the AF-C support are restricted to lenses with constant f/4 or constant f/2.8 and brighter.

Direct link | Posted on Jan 31, 2012 at 14:18 UTC as 39th comment
Total: 22, showing: 1 – 20
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