BHPhotog

Lives in United States AZ, United States
Works as a Retired
Joined on Jun 19, 2008

Comments

Total: 19, showing: 1 – 19
On article Apple Photos gets smarter in iOS 10, macOS 'Sierra' (61 comments in total)

Apple pushes ahead with new sharing/caring technology while pretending the fundamental interface flaws stretching back several years through iPhoto/ Aperture/ iCloud/iCloud Drive don't exist. It's more profitable to sell something new than to fix what folks have already bought.

Link | Posted on Jun 14, 2016 at 00:34 UTC as 12th comment
On photo _BAL2609, 2614_Selfie With Mask in the photoshop composite challenge (2 comments in total)
In reply to:

cjf2: Very compelling picture. I think it would look better if you removed the white pipe/handle thing and reflection on the right hand side.

Thanks, and I agree. That's a very small stand for the actual 4x4" tile, and it shouldn't be there...

Link | Posted on Dec 28, 2014 at 19:39 UTC
In reply to:

Klarno: How about a thought experiment:

Let's say you have an art installation in a museum or gallery. In the installation, you have set up a camera, and direct people visiting the installation to take a selfie with that camera. The camera is connected to a computer running a script which automatically uploads and posts each photo to a thread on Reddit. The Reddit thread is displayed on a nearby computer screen. For the record, I've seen stranger art installations.

Who, then, does the copyright of the photograph then belong to? The person who thought up and set up the installation, the gallery's curator, or the person taking the selfie?

I think intent has to be considered in copyright.

vFunct said "You don't need to be paid for your photos to be a professional." We can keep doing this, but you are wrong. I don't know how else to put it, perhaps mistaken is a softer way to say it, but wrong is still wrong. Submissions don't matter, applying professional standards are nice, artistic aspiration and esthetic is swell and talent is great ... but you either get paid for your work or you don't. If you get paid you are a professional, if you don't get paid you aren't.

Link | Posted on Aug 8, 2014 at 18:01 UTC
In reply to:

vFunct: Too many amateur photographers here have no idea what it takes to make a pro-quality photo. Why haven't they figured out that taking a photo isn't the only creative act when authoring a photograph?

Do they not consider the production, planning, setup, styling, lighting, editing, post-processing, and publications creative acts in photography?

Because that's part of photography at the professional level, protected by copyright. Pros spend far more time planning than shooting.

Just because you can operate a camera, doesn't mean you own the copyright. When you give a person your camera to take a tourist photo of you, they don't get the copyright.

That is why professional photographers have assistants take photos for them, and they don't even need a contract stating that they're assistants doing work-for-hire, since it's the default situation - you never see these 'work-for-hire' contracts in the real-world.

Copyright law doesn't protect assistants, only the photographer.

Sorry, but you are incorrect when you say "just because you can operate a camera, doesn't mean you own the copyright." The problem with your statement is the "can operate"' Nobody is talking about the ability to do a thing, but the result of actually doing it. There's no "can" involved, there's just the "did" operate the camera.
As for the other part about amateur photographers... I think many if not most folks here appreciate both the process and result of a good photography. And most do understand and appreciate the effort it takes. What separates the amateur from the professional is payment; if you get paid, you're a professional. You can be lousy photographer, but it they buy it, you are a professional. You may want to apply other criteria (peer review, accreditation, training etc etc) and many trades and crafts do so, but constant among all of them for "professionalism" is payment.

Link | Posted on Aug 7, 2014 at 20:12 UTC
On article Apple to cease development of Aperture (425 comments in total)

I should have seen it coming when Apple "updated" Pages, redesigned it for the iOS crowd and dropped (at last count) 87 features turning what was an elegant feature-rich alternative to MSWord into a piece of crap. Same thing here, throw the serious users under the bus. Good for Apple I guess, butmI remember when they created markets instead of following them.

Link | Posted on Jun 27, 2014 at 21:39 UTC as 92nd comment | 1 reply
On photo DP,Pen & Paper (BAL7293) in the Pen & Paper challenge (2 comments in total)
In reply to:

shmn: Wonderful concept and nice execution.

Thanks, a little positive feedback goes a long way...

Link | Posted on May 27, 2014 at 05:54 UTC
On article Just posted: Olympus Body Cap Lens 15mm F8 review (127 comments in total)
In reply to:

RichRMA: Performance is similar to the 12-50mm $450 kit lens.

Nonsense. If you are in the group who hates the 12-50 beyond all reason and without justification so be it, but try to keep your comments within reason.

Link | Posted on Jul 12, 2013 at 08:37 UTC
On article Best Digital Cameras for Kids (145 comments in total)

This is a joke, right? This article's featured photograph shows a four-year-old (?) with a DSLR. You really want to turn a camera over to a child who is as likely to use it as a hammer, or trade it to a friend for a candy bar, or drop it in the toilet to see if it floats?

If you really want a child to learn about the visual world and the wonders of photography, show him/her how to build a pinhole camera or camera obscura, Explain, show, share and teach. Spend some time, not some money.

This is nonsense.

Link | Posted on Jun 22, 2013 at 19:00 UTC as 52nd comment | 4 replies
In reply to:

wkay: I realize in the US that all photgraphs are automatically protected by copyright, but your right to claim damages is quite limited if you never formally file for copyright. DPReview should be nervous now that they have published the image, as their pockets are probably much deeper.

kodachrome200, sorry, but that's incorrect.

Any, and all, copyright infringement actions are open to anyone who holds the right(s). The more rigorous the test, the more difficult to win, but you aren't barred from trying.

Link | Posted on Mar 22, 2013 at 04:49 UTC
In reply to:

wkay: I realize in the US that all photgraphs are automatically protected by copyright, but your right to claim damages is quite limited if you never formally file for copyright. DPReview should be nervous now that they have published the image, as their pockets are probably much deeper.

Not correct. Formal filing has nothing to do with copyright; it might effect your ability to collect damages for violating the copyright, but it has no substantive effect on your copy-rights.

Link | Posted on Mar 21, 2013 at 04:32 UTC
In reply to:

Murray Rothbard: You can't own an image, an idea, a sound, a flavor, anything that is not tangible and subject to objective, universally agreed-on parameters. You can own a piece of paper on which animage is printed, you can own a digital file containing color data, but you cannot own particles of light. If you don't want anyone to "steal" your image, then keep it to yourself. Otherwise, as the expression goes: What has been seen cannot be unseen."

That's nonsense. That's not what copyright law says. If you have a real cite that supports this, post it. Otherwise, withdraw it because it's just flat out wrong. It is true, however, that a suit may become more difficult to win under many different conditions, in different jurisdictions, but winning/losing the suit has nothing to do with the law.

Link | Posted on Mar 21, 2013 at 04:28 UTC
On article User Guide: Getting the most out of the Olympus E-M5 (271 comments in total)

"Having tested the noise reduction and sharpening settings as part of review, we felt that the E-M5 applied more noise reduction than was really needed, then added rather over-enthusiastic sharpening to crisp things up again..."

This works particularly well with recommended Off and -1 settings used with Photoshop "smart sharpen." I can't get anything in Viewer2 to bring out quite as much micro detail,
Brian

Link | Posted on Feb 14, 2013 at 22:32 UTC as 32nd comment

I just took a look at the Nikon USA website and it only lists the D5200 as a "compatible" camera. Somebody isn't coordinating this because it is either available for other cameras (and the web folks aren't up to speed and they should be) or the it isn't available and the PR folks released ahead of time.

Link | Posted on Jan 8, 2013 at 05:46 UTC as 7th comment

Everybody is getting their knickers in a twist about "owning" vs. "renting" software through the Cloud. What makes you think you "own" PS now? Adobe owns it, lets you use it, and can withdraw that use at any time either through modification or simply denial of service. Why do you think you're a "user" and not a "customer?" This new move is causing a kerfuffle because Adobe isn't even pretending to be acting in your interest.

Link | Posted on Dec 12, 2012 at 03:12 UTC as 45th comment | 2 replies
On article Is Instagram 'debasing photography'? (291 comments in total)

This argument is older than the technology and there is no less, or more, virtue in Instagram than any other digital tool.

The tools don't matter because no digital image is a photograph until it's printed; an image in a camera, or on a computer screen, has esthetic value but that value is separate from, and unique to, that medium. There is no issue of digital software "ruining" photography because digital images, of any kind, are many things but they are not photographs.

Simply, a digital image is data; a printed photograph is an object. A digital image only exists as a transmissive representation; a photo print is reflective, it has dimensionality and substance and once printed, the essential nature of that object cannot be changed.

Each form can represent the other, but they can't be integrated; one is a photograph, the other is not.

Link | Posted on Jul 20, 2012 at 05:58 UTC as 94th comment
In reply to:

Brad Ross: I was in a public town park and came upon a little league game. I thought it would be a good opportunity to try and catch some images of a ball caught in mid air. A parent asked if I was the official photographer and I said no the pictures were for me. A few minutes later a father/coach came over and ask me to not take any pictures of the children. The parents did not give me permission. He said that I could take pictures of any tree or flower in the park but not children. I was take aback and shocked and embarrassed. I said okay, and turned around and left. I guess I should have asked permission or introduced myself ahead of time but the game was already in progress

Bob Meyer, yes it does "cut both ways," but this isn't about equally balanced rights, in fact it isn't about rights at all. It's about ethics, and that means, as Thomas22 says above "respecting the feelings and wishes of others is a good thing."

In fact, since you are the acting party and your behavior may be perceived as intrusive, and damaging, your right to take a photograph does not rise to as high a level as the subject's perception of harm and desire to not have the photograph taken.

Link | Posted on Oct 9, 2011 at 05:59 UTC
In reply to:

larrytusaz: I always hear bad things about the ACLU, how they sue for public posting of the 10 commandments etc, but on this count I agree with them 100%.

The attitudes of people nowadays are ridiculous. Once I was photographing ducks at the lake. A hysterical woman yelled "don't take photos of my kids you pervert." My reply: don't worry, I only photograph things which look good (meaning: my, your kid is UGLY), ha ha.

Another: last year we were at a garage sale. A young girl, 13 or so, took a liking to my 1 year old son & picked him up. I took a photo of this, later the mother came by (she was a FRIEND of the one having the sell but not the home owner) and asked me to delete the photo, "I don't know you." My reply: "well, I don't know you and yet I didn't have a cow when your girl picked up my child without my permission. I just saw it as something sweet & innocent, a point of view which you could learn from, frankly."

xtoph, first of all, call me "mistaken" or even "ignorant," but you're a toke over the line saying I'm "wrong." You have no way of judging that.

Secondly, of course I have an ethical responsibility to never injure another person. That's at the heart of ethics, the description and application of just behavior.

Third, ethics describes behavior not feelings, so your comments about the subject "having an ethical responsibility for for their own feelings" is not germane to that point.

And are you really suggesting that the photographer gets to sit in judgement and decide if the aggrieved subject is "justified" in his/her perception of that behavior was intrusive, rude, offensive or any of dozens of other quite-reasonable human reactions to the photographer's behavior?

My position stands: taking a person's photograph without their permission is unethical.

Link | Posted on Oct 9, 2011 at 05:50 UTC
In reply to:

larrytusaz: I always hear bad things about the ACLU, how they sue for public posting of the 10 commandments etc, but on this count I agree with them 100%.

The attitudes of people nowadays are ridiculous. Once I was photographing ducks at the lake. A hysterical woman yelled "don't take photos of my kids you pervert." My reply: don't worry, I only photograph things which look good (meaning: my, your kid is UGLY), ha ha.

Another: last year we were at a garage sale. A young girl, 13 or so, took a liking to my 1 year old son & picked him up. I took a photo of this, later the mother came by (she was a FRIEND of the one having the sell but not the home owner) and asked me to delete the photo, "I don't know you." My reply: "well, I don't know you and yet I didn't have a cow when your girl picked up my child without my permission. I just saw it as something sweet & innocent, a point of view which you could learn from, frankly."

larrytusaz et al, you are confusing legal and ethical behavior.Photographing people without their permission is unethical.

The issue is not your (one's) right to photograph, but the subject's right to be free from intrusive behavior. Whether or not the photograph "feels" the same way about that intrusion is irrelevant since the photographer's intent is unknown and unknowable to the subject at the time of the behavior. Therefore, the photographer's intent to do/not do harm, or belief that harm was/was not done, is irrelevant beside the subject's perception of harm done.

I've raised this issue in the past, and will continue to do so when appropriate, knowing I'll get flamed by street photographers the world over. So be it, because the issue becomes more relevant each day as the technology spreads and privacy becomes increasingly at risk.

Link | Posted on Sep 12, 2011 at 06:21 UTC

In response to Ashley Pomeroy's "It seems a complete waste of money to print things out. You're going to throw them away sooner or later"... I'd suggest that photographic printing isn't a racial /national /ethnic process, it's just youth vs. age.

If raised in a digital world, Ms. Pomeroy may think the transient assembly of pixels is the highest photographic reality; raised in a non-digital world, I think the only reality is the print that embodies provenance and posterity.

We are, of course, both correct. The difference is I don't ascribe a higher intrinsic value to either; I'd rather judge individual images (and image makers) within their contextual form.

Link | Posted on Jul 9, 2011 at 03:34 UTC as 22nd comment
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