Reactive

Old (film) Olympus SLRs were always the most compact range - it was a selling point. But my OM10 was almost impossible to hold safely unless it had the Winder 2 attached, or at the very least the...

Art filters? Why do Olympus bother with gimmicks like this - it just devalues the overall impression of an otherwise advanced camera; they belong only on kiddie-grade compacts.

And when will any...

Are these really new? I bought one of Samsung's 'tough' metal cards (that looked just like this) a long time ago for my EOS 550D, but it was so slow I got buffer underruns on video. I sent it back...

I bought one of Samsung's previous 'tough' metal cards (that looked just like this) a long time ago for my EOS 550D, but it was so slow I got buffer underruns on video. I sent it back to Amazon and...

I was WRONG. I've just seen announced on another site that the UK price will be £1149 with a 12-50 lens, with a free grip thrown in! That's sensibly priced (considering the magnesium body) when...

I started my photographic journey with an OM10. So when I was looking for a DSLR I longed for an Olympus. But after reading countless luke-warm reviews of their E-series SLRs, I was saddened to...

This book has a lot to offer to any Canon user. It explains every possible aspect of Canon flash equipment in complete detail. It explains a wide range of lighting techniques, and the crucial issue...

What a superb article! I wonder if a photgrapher inspects and adjusts his masterpiece in Photoshop (i.e. pixel-peeping), then does the sharpening or automatic lens compensation made in Photoshop...

What a superb article! I wonder if a photgrapher inspects and adjusts his masterpiece in Photoshop (i.e. pixel-peeping), then does the sharpening or automatic lens compensation made in Photoshop...

I have to use CS5 and TS3 at work, and I am distinctly unimpressed with each so-called 'upgrade'. They contain just a few headline 'features' for the marketing team to shout about, but still...

I have to use CS5 and TS3 at work, and I am distinctly unimpressed with each so-called 'upgrade'. They contain just a few headline 'features' for the marketing team to shout about, but still...

Very true. I started out in 1984 with only an Olympus OM10 and 50mm f1.8. Looking back at some of the prints from then, the very shallow depth of field really jumps out and clearly 'makes' the...