Fazal Majid

Fazal Majid

Lives in United States San Francisco, CA, United States
Works as a Telecommunications Engineer
Has a website at http://www.majid.info/
Joined on May 11, 2001

Comments

Total: 37, showing: 1 – 20
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In reply to:

Abu Mahendra: Right. Hasn't Canon had this for a few years now?

@wetsleet
I was surprised as well, as Nikon used to trash-talk fluorite in favor of ED glass (sour grapes) but according to the data sheet it does:
http://www.canon.com/technology/s_labo/light/003/03.html

@rrcad
According to this, Canon uses magnesium fluoride coatings for some very high-end lenses, but they don't specify which:
http://www.canon.com/technology/s_labo/light/003/03.html

Dirt-repellent coatings are certainly not new - see Zeiss' LotuTec or Leica's AquaDura as applied to binoculars. Apparently what Nikon is claiming as innovative is a new technology for applying the coating, not the coating itself.

Direct link | Posted on May 25, 2014 at 02:41 UTC
In reply to:

Abu Mahendra: Right. Hasn't Canon had this for a few years now?

No, Canon has had calcium fluorite lens elements lens elements, which provide more dispersion compensation than ED glass, but are also much harder to work with, which is why only Zeiss and Canon used them in camera lenses, but it seems Nikon has finally joined the party with the 400mm f/2.8.

Direct link | Posted on May 23, 2014 at 16:06 UTC
On Review: Ona Lima camera strap article (142 comments in total)

Personally I can't stand straps where there are untucked little bits protruding from adjustment buckles. That's what makes the standard Leica shoulder strap such a great design.

With many straps you can use the technique described in http://www.wired.com/2014/02/proper-camera-strap-technique/ to loop them back out of the way between the strap loops, but the permanently attached middle on this trap makes it impossible.

There are many companies that make much better all-leather straps than this one. Leica, Hard Graft and Artisan&Artist just off the top of my head. Another very classy one is the Artisan&Artist Kumihimo braided silk strap, which would be a good fit for a Japanese camera (I have one on my X-T1).

Direct link | Posted on Apr 27, 2014 at 20:27 UTC as 10th comment
On Leica T (Typ 701) First Impressions Review preview (2292 comments in total)

For the naysayers: you are not the target market. The people who buy this are those who want true Leica lens quality or brand image (not a rebadged Panasonic), but find the M rangefinder system too difficult to use. It will sell like pancakes, although arguably the X Vario is a better choice for that audience.

Direct link | Posted on Apr 24, 2014 at 16:22 UTC as 586th comment | 6 replies
On Leica T (Typ 701) First Impressions Review preview (2292 comments in total)
In reply to:

Peter Bendheim: I wonder if the Apple design guru Jony Ive had a hand in this design - after all he designed the once off auction Leica recently out of aluminium - and this looks Apple-ish...Aluminium is a very easily scratched and dented metal, though. At that price, can't be too reckless unless you are rich and don't care.

No, it looks that like the Titanium M9, it was designed by Walter da Silva, head designer for Audi.

Direct link | Posted on Apr 24, 2014 at 16:09 UTC
On Adobe launches Lightroom for iPad post (132 comments in total)

Adobe halved its profit after its ill-advised attempt to ram subscription pricing down its clients' throats, but so far Wall Street is cheering:
http://www.economist.com/news/business/21599370-adobes-bold-embrace-computing-cloud-should-inspire-others-super-subs

This is just a transparent ploy to use the iPad adjunct as a Trojan horse for subscriptions for LR, and raises the odds Adobe will discontinue unlimited licenses for LR sooner rather than later. It's time to evaluate alternatives like DarkTable.

Direct link | Posted on Apr 8, 2014 at 17:38 UTC as 39th comment | 1 reply
On Battle of the titans: Top ball heads tested article (269 comments in total)

Ball heads may look like simple devices, but design and tolerances matter for long-term reliability. I used to have an Arca-Swiss B1, until it became unusable due to the dreaded freeze-up problem, and the official fix no longer worked, even after disassembling it. I switched to Acratech (I have 3 of them now) and never looked back.

I understand why Markins and Acratech were excluded from the group, but it's like excluding the Tesla S from a review of sporty sedans because it lacks exhaust pipes. The diameter of the ball head is not always correlated with its performance.

Direct link | Posted on Jan 13, 2014 at 15:29 UTC as 93rd comment
On Panasonic Lumix DMC-GX7 Review preview (559 comments in total)
In reply to:

Munene: I need some straight advice, please: GX7 or XE2?

Background: I used to shoot with my Leica M6. I do mostly street photography. I love my GF1, but am ready to upgrade. Two issues: I do not like the way the light meter reads in GF1 (or I use it wrong), why not a match like the old days (needle, diodes)? I don't know if the exposure is correct until I press the shutter? Again, this could be me. The XE2 has a shutter dial on the camera, but how does this affect reading the light meter inside the viewfinder? THIS IS A BIG ISSUE.

So, GX7 or XE2? I am not too concerned with video or wifi or whatever, just good images. Does the fuji sensor trump the 4/3, end conversation? I sometimes enlarge to 20X24. My old Leica (and Canon FTb), I have prints 4' X 6'! Both are awesome (not really planning more, I used to print at a lab).

Unfortunately I cannot find a store that carries both for me to look at (or even one of them, where I live).

Here is what I shoot: www.visualquotations.com

Thank you.

Go for the X-E2 or wait for the X-Pro2. Better sensor, better lenses, and with the adapter you have a 1.5x vs. a 2x multiplier for your Leica lenses' focal length.

Direct link | Posted on Dec 11, 2013 at 08:20 UTC
In reply to:

brendon1000: I barely remember the time when 50mm lenses were among the cheapest premium glass you could afford. Now with the Zeiss 55mm f1.4 for $3k, the Sony Zeiss 50mm f1.4 for 1.5k and now the Nikon 58mm f1.4 for 1.7k those days seem to be long gone ! :P

I have the Canon 50mm f/1.2L and it is completely underwhelming. I'd much rather get this Nikkor, or the Sigma for that matter.

Direct link | Posted on Oct 17, 2013 at 04:55 UTC
In reply to:

JDThomas: Noctilux? Not even close. It's a derivation of the 58mm NOCT-Nikkor f/1.2.

Which was in its time superior to the 50mm f/1.2 Noctilux Aspherical of its day (better coma correction on the edges, for starters).

People who complain about the price are clueless. It competes with the recently introduced Zeiss Otus 55mm f/1.4 Distagon ($4K) or a Leica 50mm f/1.4 Summilux ASPH (also $4K for the M version, the R version was discontinued a long time ago and many Canon and Nikon shooters use it on their bodies with a lens mount adapter, despite the many ergonomic compromises that entails).

Direct link | Posted on Oct 17, 2013 at 04:53 UTC
In reply to:

Fazal Majid: Film was never this sharp? I take it he has never seen the humongous, yet finely detailed prints of Avedon's "In the American West".

You are referring to scanning backs like the original Leica S1 circa 1999 or the current Better Light 4x5 scanning backs. They don't suffer from Bayer interpolation artifacts.

Bill Atkinson used one to make the photos in his book "Within the Stone", and the main market is museum art photography.

Direct link | Posted on Aug 14, 2013 at 22:00 UTC

Film was never this sharp? I take it he has never seen the humongous, yet finely detailed prints of Avedon's "In the American West".

Direct link | Posted on Aug 14, 2013 at 06:04 UTC as 27th comment | 5 replies
On 10 Photo Editing Programs (that aren't Photoshop) article (353 comments in total)

For Mac users, there is also Acorn.

Direct link | Posted on May 18, 2013 at 01:42 UTC as 151st comment
In reply to:

Lee Jay: "Basically we have no plans to make Lightroom subscription-only at any point in the future. We have plans to make Lightroom available in its current form pretty much indefinitely."

Despite the clarity of this statement, the tin-foil hatters are out in full-force. Just goes to show how hated the CC model is - it can even turn ordinarily-rational people into conspiracy-theorists.

Poor Hogarty, he is a nice guy and a collateral victim of the CC fiasco. Hei s the LR/ACR Product Manager, not an executive, and he is not in a position of authority to bind the company to a commitment that all future versions of LR will be available on a traditional licensed model. Only the CEO or a senior VP could do that, and even then, it would not be legally binding. Didn't Adobe say just that when CC was first released?

His choice of terminology is precise and he is not over-promising. I believe him when he says he does not know of any plans to change LR licensing, and LR (or PS Elements) has a different target audience than Creative Suite. That said, people higher up in the food chain may be planning to do to LR just what they did to CS, and Adobe users, having been burnt once, are not likely to give even someone honorable as Hogarty the benefit of the doubt.

Direct link | Posted on May 16, 2013 at 02:57 UTC
On Photoshop CC: Adobe responds to reaction article (1879 comments in total)

I'm still on CS5 Design Standard (I've been upgrading continuously since Photoshop 7), and since they seem to have yanked the upgrade versions of CS6 from all outlets, I am unlikely to upgrade even to CS6. Not that it matters - the only CS6 feature I would have liked, Retina support in PS, is only available in the CC edition of PS CS6 anyway.

I purchased Pixelmator and Acorn a while ago, but never got around to learning them. Since Adobe shuffled the UI in PS CS5 anyway, it's not as if I can find anything there any more either, so I guess I will just bite the bullet and switch next time I need PS. InDesign CS5 is perfectly fine for my needs, I was intrigued by the ePub features but I have lost any confidence in Adobe's ability to deliver non-junky ePub/HTML5 authoring tools.

Congratulations, guys. you've lost another $600 every 2 years in recurring revenue thanks to greed and overreach.

Direct link | Posted on May 8, 2013 at 00:56 UTC as 795th comment | 1 reply
In reply to:

Timmbits: Looks like a Sony-NEX but sounds like a Nikon-A.

It would have liked to see a manufacturer offer something different from what is already out there, namely the ~30mm viscinity of the Fuji X100s and nikon-A, like a f/1.4 50mm equivalent.

Nope, looks like a film-era GR1v. If anyone is copying, it is Sony.

Direct link | Posted on Apr 17, 2013 at 06:42 UTC
On Preview:ricoh-gr (295 comments in total)

"But it's important to give credit to Ricoh as the only manufacturer to have a history of building compact cameras with prime lenses."

This is in no way to detract from Ricoh's rich heritage with the GR1 series, but it's far from the only digital large-sensor compact maker with a prior backjground in premium film compacts with primes.

Nikon had a complete line of compact film cameras with primes, like the 35Ti, as did Leica with the CM and Minilux, Minolta (now Sony) with the TC1. The only premium film compact manufacturer missing from the digital era is Contax (oh, how I have longed for a digital Contax T3...).

Posted on Apr 17, 2013 at 05:41 UTC as 124th comment | 2 replies
On Preview:nikon-coolpix-a (442 comments in total)
In reply to:

Aaron Sur: Its 1994 all over again, the reincarnation of the 28ti, discontinued because of poor sales apparently.Hope this one works out better,Shame about it costing as much as Current Olympus Pens with a couple of decent lenses thrown in. Is the NX RAW converter extra?

The OM-D is not pocketable like this one. It competes with the RX100 and Leica X2, not with m43 system cameras.

Posted on Mar 5, 2013 at 16:15 UTC
On Preview:nikon-coolpix-a (442 comments in total)
In reply to:

SteveY80: I think the people comparing this to the Fuji X100 are ignoring how much smaller this camera is. You could slip this into a coat pocket easily; it's a really slim and neat compact camera. While the Fuji is smaller and lighter than a DSLR, it still needs a separate camera bag.

Having said that, I'd still much rather have the Fuji if I was in the market for a fixed lens camera. I love its retro look, and for me its great viewfinder easily outweighs any size difference.

Yes, a comparison to the Leica X1/X2 is more appropriate. Smaller than the X100/X100S, f/2.8 rather than f/2, no viewfinder. It seems smaller than the X2, though, and the extending lens makes it more pocketable.

28mm-e is wider than I like, however, and CDAF is not a forward-looking feature given the competition from the X100S. The X2 still manages decent AF speeds, unlike the X1, so we should not dismiss the A out of hand. I just wish they made a B in the 40mm-e to 50mm-e range.

The titanium colorway is a throw-back to the film-era 28Ti, not the Contax G, albeit without the 28Ti/35Ti's distinctive analog top dials (which were frankly an affectation and hard to use in practice).

Posted on Mar 5, 2013 at 16:08 UTC
On CP+ 2013: Interview with Olympus' Toshi Terada article (242 comments in total)
In reply to:

Sangster: Is Nikon onto something with their 1" S, J, V series? Their lenses are very compact compared to 4/3.

Bodies aren't, though. The big advantage of the Nikon 1 system is the fast PDAF, but Nex has it now, and soon Fuji as well.

Direct link | Posted on Feb 2, 2013 at 10:11 UTC
Total: 37, showing: 1 – 20
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