Amrbeethoven2: is it fisheye ?
No - read the text, it says "Rectilinear" ..
What I'd kill for (ok, not quite, but you get the drift) would be a digital, full-frame Nikonos body. Complete with the old, manual focus lenses. And preferably with external connections (charging/data transfer) which did not require disassembly or even the removal of a hatch or plug. After all, if my electric toothbrush can be charged via induction, why not my camera? And who needs USB if WiFi is well implemented?
Thanks Andy for your personal view. As a lifelong OlyMan (bought my OM-1N in 1976, and still use it sometimes), I so want to stay with this marque. My E-1 is nearly 10 years old now, and still going strong as my main camera, and while I had been hoping for a "perfect E-7", more and more I am getting caught up in the buzz about the E-M1. Your enthusiasm in this review might just get me into the car on Monday morning to head down to Park Cameras!
Does this early cut-price offer indicated that the CC "rental" concept was a comparative flop?
Am I the only person wondering WTF this has to do with Digital Photography?
What's sorely missing is a wind-on lever - that would complete the retro look and feel. Better still - link it to a highly-geared flywheel and generator within the body, and you could self-power the photos! CIPA Battery Life of Infinity?
Re. the design (IMHO):
PLUS POINTS: dials galore for traditional setting of exposure, full-frame, classic design, threaded cable release socket
MINUS POINTS: pressed-metal top plate would have graced my Zenit-E, leatherette on the pentaprism, no split-screen or microprism for manual focusing
Olympus' take on "retro" with the E-M1 seems more forward looking - if that isn't an oxymoron!
carabas: Am I the only one finding it hilarious and ironic that Nikon unleashes this monstrosity on Raymond Loewy's birthday ?
Wonderful comment! And yes, brilliant irony! :-)
vin 13: The faux leather around the pentaprism area and on the dial on the front looks horrid, especially on the silver model. Otherwise I think it looks ok, if a bit on the chunky side.
Yeah, I was thinking that. In fact, it's one of those design features of old 70's Nikons that I thought was really ugly back then too! Leatherette should have been buried forever back in about 1950!
cinemascope: I was just thinking a bit more about this camera...How dare they put a 1/4000 shutter in this and try to charge $3K for it?Honestly...How much extra would a "proper" shutter would have cost? 3 dollars?Enough of this artificial crippling and methodical segmentation...Maybe the Japanese need to start thinking outside the box a little bit more...Huge opportunity lost here...Sad really...
Perhaps the slower shutter is to try to stop it from spraying oil over that lovely D4 sensor ...
I love the IDEA of an analogue-dial-controlled DSLR. But this looks unbelievably clunky. I bought an OM-1n back in1976, rather than a high-end Canon or Nikon, because it felt streamlined, sophisticated, and took amazing photos with what turned out to be some of the best glass available back then (the wonderful Zuiko primes). Nikon and Canon were making behemoths that weighed half a ton, and even got tennis players angry at Wombledon because of the noise and clatter they made (Olympus famously pushed out a full-spread ad for the OM-1 the day after Ilie Năstase flicked his towel at the photographers, with the slogan, "A camera quiet enough even for Romanian tennis players", or somesuch - but I digress).
The Df reminds me most of the Contax RTS III, which was a very bulky 35mm SLR, largely due to its "vacuum back" designed to suck film flat over the pressure plate. A body this size could reasonably contain a larger sensor than 35mm - medium format, mmm, now that would be tempting!
Haim Hadar: In the 'retro' spirit, Nikon should add a feature that blackens the photos in the camera if you open the back cover by mistake while shooting. I'm sure that the firmware can handle this.
Of course, since you are shooting "reversal" "film" (ie, positive images), opening the back would WHITEN the film! :-)
Oooh Salivating ... a "real" body with a metal-barrelled Zeiss Prime on the front ... at last, a CAMERA rather than a blob of plastimetal!
1singur: For a moment there I thought this was a module to take pictures via usb, and it would've been such a great concept: have a "dock" that houses the sensor, mount a lens on it, and control everything from the provided software!Then I read the article introduction...
Yeh, you can buy that too - it's called a DSLR! 8-)
Biowizard: Can't help wondering if the Merkins built their houses on proper foundations, a sensible distance above sea level, out of bricks rather than wooden planks - whether the likes of Sandy would have been anything like so much of a problem.
Sure - but every few days in early Spring, we watch videos of tiny F1 tordanos destroying houses in Kansaas that would have simply brushed off the twister if built to the standards of any West-Coast UK house. Heck, over the years, I've lost two garden sheds, and several wood-slat fences to the wind. Personally, I have chosen NEVER to live in a house built in the same style.
Can't help wondering if the Merkins built their houses on proper foundations, a sensible distance above sea level, out of bricks rather than wooden planks - whether the likes of Sandy would have been anything like so much of a problem.
FINALLY a possible reason to switch to the OM-D EM-1 ... I would be happy to walk around all day and night with this piece of glass as my "standard" zoom.
Fantastic image of an amazing aircraft! Well done!
This is 100% the fault of the lens manufacturer: the lens design should allow clearance between the front lens element and the base of the filter screw thread. It's a poor design that lets the front element protrude into the same plane as the threads.
I love prime lenses. I love wide apertures. And for nearly 10 years I've been living with a zoom that maxes out at about F3.5. My next DSLR *will* live with prime lenses only. BUT ...
... over $1500 for an F1.4 lens with the same focal length as the Helios F2 that came with my original Zenit E? When I could buy a Zeiss Planar T* F1.4 50mm for my Contax S2 for a mere $500 or so just a few years ago? This is NUTS!
Noct[ilux] suggests F1.0 to me, not the bog-standard F1.4 we all used to enjoy before the Age of Zoom hit us!