TLD

TLD

Lives in New Zealand (Aotearoa) Marlborough, New Zealand (Aotearoa)
Works as a Commercial Photographer
Joined on Mar 18, 2006
About me:

Adobe Community Professional, living in Rapaura, New Zealand
Gear: Canon 1DsMK3, 1DMK4, G1X, XF300

Comments

Total: 90, showing: 1 – 20
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On article Nikon releases D500 4K UHD sample video (203 comments in total)
In reply to:

bluesrockfan: I've just bought a UHD (3840x2160) 4K monitor and although the footage is really detailed and high definition, it's jerky and keeps stopping to buffer all the time. Could it be that I need a better graphics card (got a 1 GB Asus Radeon R5 230 at the moment), a faster broadband connection (12MB at the moment, although it's slower during peak times), or both? Or could it be something else? It's even a bit jerky when played at 1080p, and obviously not as detailed. Thanks in advance for any replies from those more tech savvy than me ;o)

If you download the entire video with Free YouTube Downloader, you can play it from your hard drive eliminating your broadband connection as the cause of the jerky playback. The file is 146.68Mb and 1minute 43 seconds, so about 1.5Mb/s.

BTW with that with that sort of bitrate, you are not going to expect stellar video quality. Your DSLR records 1080P H.264 using about 4Mb/s. My broadcast quality 1080 camera is double that. YouTube has crushed four times the pixels per frame to one third of the file size of your DSLR 1080p file. Quality can't help but suffer.

Direct link | Posted on Jan 23, 2016 at 04:45 UTC
In reply to:

SmilerGrogan: With this camera coming out, I predict we'll see a surge of black-and-white sequences in upcoming movies. Cinematographers LOVE to intercut their color footage with b&w dream sequences, memory scenes, and horrible crimes.

I also foresee numerous black and white music videos and perfume commercials. This is a great time to be a fan or creator of moving pictures.

Exactly. Just think how much more believable Bobby Ewing's return to Dallas would have been if they had had one of these to film the 'it was all a dream' shower scene.

Direct link | Posted on Dec 14, 2015 at 21:53 UTC

I imagine the spring loaded bearing takes out any backlash in the focus ring by tensioning it in both directions. There is also what appears to be a 'park' position at the end of travel — assuming that the helicoid can can move into that position and is not already at the end of its travel. I have no idea what the purpose might be.

Direct link | Posted on Dec 11, 2015 at 18:37 UTC as 8th comment
On article SmugMug Films: Climbing Ice - The Iceland Trifecta (14 comments in total)
In reply to:

ThatCamFan: I would like to point out that off road driving as they are doing in the video is ILLEGAL here in Iceland, please do NOT do it, stick to roads. The fine if caught is going to be at least 2000-3000$

But what about all the TV programs we see of extreme 4X4 hill climbs, riding snowmobiles across water, and convoys of balloon tired trucks in the snow? Top Gear have done it more than once — I can remember the trick where they inflated a tire by squirting in lighter fuel, and igniting it ***BANG*** and the tire was back on the rim :-)

Direct link | Posted on Nov 16, 2015 at 20:53 UTC
On article SmugMug Films: Climbing Ice - The Iceland Trifecta (14 comments in total)

Carrying the weight of all their gear, and still banging in an ice axe, and pulling up with just one arm! That sort of upper body strength is difficult to get your head round. Superbly well filmed, and an awesome end product.

Direct link | Posted on Nov 14, 2015 at 19:07 UTC as 2nd comment
In reply to:

Jim Evidon: It looks like a nice little travel pod, but it would be nice if Manfrotto gave up its proprietary camera plate design and adopted the more universal Arca Swiss design. They might sell a few more tripods that way to people who have already invested in the Arca Swiss plates. As one of those people, I would never buy a Manfrotto tripod for that very reason.

I paid a bloody fortune recently, swapping the RC2 top plate on my Hydrostatic head to the Arca Swiss like MSQ6 top plate and QR plate. I'm talking NZ$200, and they actually had it listed for NZ$400 before I said WTF, and how can that be so expensive. Bottom line, is it was a complete waste of money. It is no more sturdy than the RC2 system, and is way less convenient to use.

I have a couple of Chinese knock off components with very similar plates, and they cost about a tenth of the Manfrotto item. Oh well... At least I never fell for paying good money for a Garry Fong Lightsphere :-)

Direct link | Posted on Nov 3, 2015 at 21:42 UTC
In reply to:

canonpro: ****To all those haters, who say his work is poor, etc. Your just out of touch, Cooper really is an innovator, the firey trash the dress shot for example is from 9 years ago, seriously think of photos 9 years old and show me something from then that was this well done. How many photographers out there have tried to immulate his trash the dress themes. To the haters, look at your photos from 2006, and post them, to show us how great your work was.

Nine years? From a digital viewpoint eleven years gets you the Canon 1DsMK2 and Hasselblad H1D. Before that you'd have to look at film, but large and medium format with reversal film (transparencies) could match today's IQ from many years back.

OK, I'll go stand in the corner with my Pedant Hat.

Direct link | Posted on Nov 2, 2015 at 17:53 UTC

The Lou Mana episode on the Studio Lighting dot Net podcast is one of the best sources of how to photograph food I have ever come across. I still use some of the little tips and tricks I picked up from that. Regarding this guide,, I was ready to be unimpressed from the image at the top of this page, but after downloading the guide, it has some very nicely lit food images.

Direct link | Posted on Oct 22, 2015 at 19:24 UTC as 5th comment | 1 reply
In reply to:

Tom Goodman: First rule. Hire the best stylist.

True of several genre. Clothes are a good example. A stylist can make un-modelled clothes come to life.

Direct link | Posted on Oct 22, 2015 at 19:21 UTC

Just read through the comments again. In case anyone is confused, the mobile apps are free to anyone regardless of whether you have a CC subscription, but you do have to register with a CC account. AFAICT, that's no different to registering to the many forums we all use.

Direct link | Posted on Oct 5, 2015 at 19:49 UTC as 11th comment

I really like the existing mobile apps, and I'm happy to see more. Color CC, for instance brings Kuler to your smart phone, and improves the functionality of Kuler by orders of magnitude (in that I use it a lot now, and rarely before).

The Mobile Apps would be pointless without CC Libraries, but Libraries are one of the best aspects of Creative Cloud IMO. I love how I can drag an object in from one app, and use it in another, and the same applies to the Mobile apps. They are genuinely useful tools and extend the capability of your CC subscription.

I really must try and get to MAX next year.

Direct link | Posted on Oct 5, 2015 at 19:45 UTC as 12th comment
In reply to:

Zoomer52: No mention is made on their site about how to adjust for the nodal point when you change lenses (or zoom to a different focal length). This is very important when trying to create seamless panos. And there should be precise etched markings (at least) to allow you to record the position for a particular focal length and return to it quickly and accurately. No mention is made of this at all, nor do any of the photos show etched markings.

I had the same thought from the pictures, but the video has a plate with a slot to handle the No Parallax Point. It all looks very DIY though.

Direct link | Posted on Sep 30, 2015 at 03:09 UTC
In reply to:

Peter K Burian: The photo lab where I get oversized prints does use a wide format Epson printer. Fabulous print quality and archival (fade resistant for 100 years on the paper I choose)

And you didn't need to shell out $5000, and half of a room taken over by the giant printer. Yes, that gets my vote as well.

Direct link | Posted on Sep 28, 2015 at 18:22 UTC

Not exactly hot of the press. PetaPixel did this story three months ago

http://petapixel.com/2015/06/14/photographer-captures-the-ruins-of-the-soviet-space-shuttle-program/

Direct link | Posted on Sep 22, 2015 at 11:38 UTC as 8th comment | 1 reply

What's a typical time frame from this sort of announcement to a camera on the shop shelves? Is this the long (very long) awaited replacement for the 1DsMK3? Will it be stupid expensive, or 1Dx sort of cost?

Direct link | Posted on Sep 9, 2015 at 18:02 UTC as 72nd comment | 1 reply
On article Corel releases ParticleShop brush plugin for Photoshop (83 comments in total)
In reply to:

TLD: There is no information about what the 11 brushes in the initial plugin are, and it looks very much like some of the most interesting effects from the video are not included. Fabric Fantasy for instance.

On the plus side, it does have some good ideas, and I have been trying to duplicate some of the effects with brush presets, and getting close. Combining brush presets with Lazy Nezumi Pro distortion presets, gives some interesting results.

I managed to get usable results, and posted to this thread on the Adobe forums:

https://forums.adobe.com/thread/1924478

Direct link | Posted on Aug 13, 2015 at 02:38 UTC
On article Corel releases ParticleShop brush plugin for Photoshop (83 comments in total)

There is no information about what the 11 brushes in the initial plugin are, and it looks very much like some of the most interesting effects from the video are not included. Fabric Fantasy for instance.

On the plus side, it does have some good ideas, and I have been trying to duplicate some of the effects with brush presets, and getting close. Combining brush presets with Lazy Nezumi Pro distortion presets, gives some interesting results.

Direct link | Posted on Aug 12, 2015 at 22:03 UTC as 31st comment | 2 replies

Hmmm... As others have said, it is hardly original, and far from the best example of the genre. Check out Mattijn Franssen on flickr for instance.

Blimey. I just paid his stream a visit and he seems to want to take his kit off for most of his recent composites. Still worth a look-see, and not quite warranting an NSW warning, but not far off either!

https://www.flickr.com/photos/mattijn/

Direct link | Posted on Jul 18, 2015 at 20:37 UTC as 33rd comment
In reply to:

cfh25: Nice to see DPR catching up with the news:

http://www.dpreview.com/forums/post/56042125

Yes I thought this was old news. PetaPixel blogged it on 20th June.

http://petapixel.com/2015/06/20/alert-freedom-of-panorama-under-threat-in-europe/

Direct link | Posted on Jul 4, 2015 at 20:36 UTC
On article Manfrotto adds friction arms to its accessory lineup (11 comments in total)
In reply to:

Matthew Miller: Nice. The price seems high, but the convenience and utility will totally be worth it. I have the Manfrotto Flex Arm in both the heavy duty and the lightweight versions, and the heavy duty one is too hard to move and not flexible enough, and the lightweight version won't stay in place and can't support more than its own weight. Basically, interesting idea, didn't work out. This seems a lot better.

I was about to agree whole heartedly about them being expensive, because I thought my similar kit from Tilta was less than half the price, but I just checked and there isn't much in it. I think I do have some cheaper Chinese rig gear (yes I know Tilta is also made in China) but you do seem to get what you pay for. My Tilta arms will hold a heavyish monitor, where the cheaper arms are only OK for flags — very useful though, and way easier to carry around than a full on Mattebox.

Direct link | Posted on Jul 3, 2015 at 09:04 UTC
Total: 90, showing: 1 – 20
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