terence_boylen

terence_boylen

Lives in Australia Australia
Works as a Photographer
Has a website at http://www.photowest.com.au
Joined on May 31, 2011

Comments

Total: 14, showing: 1 – 14
On Yongnuo creates near-clone of Canon EF 35mm f/2 article (165 comments in total)
In reply to:

jukeboxjohnnie: I don't understand the market for this lens you choose a great brand like Canon or Nikon to enjoy the best optics or flash they produce and then go for a cheapo copy inferior accessory like this? I wouldn't have this for free....

Sure, but if Yongnuo introduced a top-of-the-range 70-200 and charged $2000+ dollars for it then NOONE would buy it. They have to gain a reputation before they can compete in the big money market.

Look at what they've done with flashes. They started small and now there best flashes are easily competitive with Canon/Nikons.

Direct link | Posted on Apr 24, 2015 at 00:39 UTC
On Yongnuo creates near-clone of Canon EF 35mm f/2 article (165 comments in total)
In reply to:

Lapkonium: Do photographers who use copied gear have a moral right to prevent copying of their work? I'd say no.

Drills, hammers, saws, etc... The design is always copied. It doesn't prevent you from building something that is protected by your intellectual property rights.

Direct link | Posted on Apr 24, 2015 at 00:37 UTC

Timelapse Pro should be called Pro-lapse.

Direct link | Posted on Apr 3, 2015 at 09:09 UTC as 11th comment
On Phase One's Capture One Pro 8.2 software now available article (84 comments in total)
In reply to:

refusenik: As a Capture One Pro 8 user, I submitted a support request to PhaseOne for some new lens profiles back in January, yet they don't seem to have made it in this release.

I don't really think that refusenik was complaining that much, as much as commenting.

However, as a paying customer you generally have a right to make feature requests. And this isn't even that - It's reasonable to expect the big RAW editors to pick up new lenses and cameras pretty soon after release. While there may be hundreds of lenses coming out, there aren't that many from the big players.

Direct link | Posted on Mar 26, 2015 at 12:53 UTC
On Phase One's Capture One Pro 8.2 software now available article (84 comments in total)
In reply to:

refusenik: As a Capture One Pro 8 user, I submitted a support request to PhaseOne for some new lens profiles back in January, yet they don't seem to have made it in this release.

Which lenses?

Direct link | Posted on Mar 25, 2015 at 15:48 UTC
In reply to:

Papi61: Why would GoPro be afraid of a cheap knockoff? Call me when Xiaomi releases something capable of taking 4K video and/or 240 fps @ FHD.

Oh, and BTW, stop with the thinly-veiled anti-Chinese racism: every tech company steals ideas from others. You don't think Apple invented the phablet, now did they?

Maybe you should familiarise yourself with the current GoPro line-up. The GoPro Hero reported as being sold out earlier this year (around Christmas) and is an incredibly popular item.

Direct link | Posted on Mar 5, 2015 at 07:11 UTC

Could someone explain why this is a big deal (no sarcasm)? Does DPP do anything better than Lightroom/DxO/whatever?

Direct link | Posted on Dec 18, 2014 at 15:12 UTC as 13th comment | 3 replies
In reply to:

beckmarc: I am not sure why there are so many negative posts. Most photographers complain about photography being under valued. Here is a concrete example of someone valuing a photograph and being willing to part with a serious amount of cash to buy a print. On one level this is a boost to all photographers. Our hobby/business is worth while. Photographers are appreciated.

Also he is a fellow Ozzie.

When the tide comes in all the boats rise :)

Direct link | Posted on Dec 12, 2014 at 09:49 UTC
In reply to:

munro harrap: Surely if somebody WANTS to lose that much money on an artwork, they require psychiatric assessment?
Personally I would not pay more for a bunch of real sunflowers than I would for a painting of them in a vase, or should that be the other way around?

I am satisfied however to see crazy people valuing images of the real world-our sole actual asset- as much as they do daubs of paint etc, but it is however disheartening when they dont go the whole hog and pay as much for the same thing in colour- as created.

Why this denial of God's creation by all and very serpentine means continues
I have no idea, except to say how sad it is that we are still rooted in an incomplete and Oedipal infancy.

Reality Itself is just so much more FUN!

Would it help if you thought of it as an investment? Personally, I would not like to own a retail store - I'm not interested in retail. But owning stocks in one, which may then accrue value might be worth something.

Direct link | Posted on Dec 12, 2014 at 09:48 UTC

This is a beautiful photo - no doubt about it. But I wonder if it is worth anywhere near that amount.

This looks like an art landscape from at least 20 years ago - nothing like what is currently winning the top comps. Beautiful photos will always attract a few hundred, if not some thousands. But this photos is just that - beautiful. It pushes no boundaries and tries nothing new.

If this was a limited run print I'd personally look at $800-1500, depending on size.

Direct link | Posted on Dec 12, 2014 at 07:55 UTC as 116th comment | 1 reply
In reply to:

photo_rb: This is a little off topic, but how many think that black and white photography is only valid when it is done with b/w film, or perhaps a monochrome sensor?

I do, but only in a general sense. When you're shooting with BW film you're actively visualising - in the Ansel Adams sense - the finished product in BW. Those people who hit the BW button in Lightroom and go, "hmm, that's nice" aren't showing the same degree of mastery.

I may be wrong, but I believe that the effort that goes into capturing a shot adds to its value, and therefore the photo that serendipitously looks better in BW is worth less.

However, for the photographer who shoots digital with the intent to process in BW, their work has as much value as a film shooter.

Personally, I like to shoot BW JPEG and RAW. I really like the BW rendition that Canon automagically produces, and it gives me a much better idea of whether the final photo is a keeper.

Direct link | Posted on Dec 12, 2014 at 07:49 UTC
On Cold War camera: 1950s Berlin in color (part 1) article (120 comments in total)

Someone forgot to correct their parallels :)

Direct link | Posted on Oct 1, 2014 at 11:29 UTC as 4th comment
On The story of a picture - Sydney Harbour Bridge article (29 comments in total)
In reply to:

Geoff Helliwell: Carrying out professional photography in public places in many major city centres/places of interest very often requires a licence and fees to be paid if a crew/props/models/interuption to free movement by others etc are involved. Walking around with a camera round your neck (as a rule) does not. It would be completely un-enforcable as hundreds of thousands of tourists do it all the time. For the same reason, I can't see how anyone could claim copyright on a location. (JimBob has got it right, I think)

Should qualify - this 'general' location. I agree with Jimbob. However, I remember reading at some stage that the public presentation of a building may be copyrighted. Haven't ever come across an instance though.

Direct link | Posted on Oct 4, 2011 at 08:30 UTC
On The story of a picture - Sydney Harbour Bridge article (29 comments in total)
In reply to:

Geoff Helliwell: Carrying out professional photography in public places in many major city centres/places of interest very often requires a licence and fees to be paid if a crew/props/models/interuption to free movement by others etc are involved. Walking around with a camera round your neck (as a rule) does not. It would be completely un-enforcable as hundreds of thousands of tourists do it all the time. For the same reason, I can't see how anyone could claim copyright on a location. (JimBob has got it right, I think)

Australian pro here. In Australia, copyright is enforceable for this particular location. It is qualified under the Sydney Harbour Foreshore Authority Regulations 1999 Legislation. It restricts commercial photography unless sanctioned by the Sydney Harbour Foreshore Authority. It applies to the use of a camera in a public area.

Direct link | Posted on Oct 4, 2011 at 08:26 UTC
Total: 14, showing: 1 – 14