terence_boylen: So... I've downloaded it and am trying it out now. I took it for a 30 second walk around the kitchen and it prepared the hyperlapse pretty quickly. This is important because I have a relatively low-spec winphone.
You can record a new video or select a video off your phone. If anyone expresses interest I'll upload some GoPro content and try it with that.
Update: It has started to crash. A lot.
@Eske - you have the option of how many times you speed it up. You slide a little slider from 2 up to whatever, and you can re-encode at different frame rates to see the difference.
So... I've downloaded it and am trying it out now. I took it for a 30 second walk around the kitchen and it prepared the hyperlapse pretty quickly. This is important because I have a relatively low-spec winphone.
halfwaythere: Having just found a mint 50/1.8 mark 1 I'm happy Canon updated the mark 2 since it was a step backwards compared to the original.
I don't know why they haven't added IS for a few bucks extra since it would've made this a very nice lenses indeed.
Isn't Sony's IS done in-camera?
blah blah blah
Canon's DR sucks
Seriously though, this is good news. The cheap 50s from all the big players are great for people wanting to experience 'fast glass' and the sharpness of primes. The mkii had some of the lowest aberration of any Canon lens I've used. This can only be a step in the right direction.
And its good for everyone as it puts pressure on the competition to make them improve too.
jukeboxjohnnie: I don't understand the market for this lens you choose a great brand like Canon or Nikon to enjoy the best optics or flash they produce and then go for a cheapo copy inferior accessory like this? I wouldn't have this for free....
Sure, but if Yongnuo introduced a top-of-the-range 70-200 and charged $2000+ dollars for it then NOONE would buy it. They have to gain a reputation before they can compete in the big money market.
Look at what they've done with flashes. They started small and now there best flashes are easily competitive with Canon/Nikons.
Lapkonium: Do photographers who use copied gear have a moral right to prevent copying of their work? I'd say no.
Drills, hammers, saws, etc... The design is always copied. It doesn't prevent you from building something that is protected by your intellectual property rights.
Timelapse Pro should be called Pro-lapse.
refusenik: As a Capture One Pro 8 user, I submitted a support request to PhaseOne for some new lens profiles back in January, yet they don't seem to have made it in this release.
I don't really think that refusenik was complaining that much, as much as commenting.
However, as a paying customer you generally have a right to make feature requests. And this isn't even that - It's reasonable to expect the big RAW editors to pick up new lenses and cameras pretty soon after release. While there may be hundreds of lenses coming out, there aren't that many from the big players.
Papi61: Why would GoPro be afraid of a cheap knockoff? Call me when Xiaomi releases something capable of taking 4K video and/or 240 fps @ FHD.
Oh, and BTW, stop with the thinly-veiled anti-Chinese racism: every tech company steals ideas from others. You don't think Apple invented the phablet, now did they?
Maybe you should familiarise yourself with the current GoPro line-up. The GoPro Hero reported as being sold out earlier this year (around Christmas) and is an incredibly popular item.
Could someone explain why this is a big deal (no sarcasm)? Does DPP do anything better than Lightroom/DxO/whatever?
beckmarc: I am not sure why there are so many negative posts. Most photographers complain about photography being under valued. Here is a concrete example of someone valuing a photograph and being willing to part with a serious amount of cash to buy a print. On one level this is a boost to all photographers. Our hobby/business is worth while. Photographers are appreciated.
Also he is a fellow Ozzie.
When the tide comes in all the boats rise :)
munro harrap: Surely if somebody WANTS to lose that much money on an artwork, they require psychiatric assessment?Personally I would not pay more for a bunch of real sunflowers than I would for a painting of them in a vase, or should that be the other way around?
I am satisfied however to see crazy people valuing images of the real world-our sole actual asset- as much as they do daubs of paint etc, but it is however disheartening when they dont go the whole hog and pay as much for the same thing in colour- as created.
Why this denial of God's creation by all and very serpentine means continuesI have no idea, except to say how sad it is that we are still rooted in an incomplete and Oedipal infancy.
Reality Itself is just so much more FUN!
Would it help if you thought of it as an investment? Personally, I would not like to own a retail store - I'm not interested in retail. But owning stocks in one, which may then accrue value might be worth something.
This is a beautiful photo - no doubt about it. But I wonder if it is worth anywhere near that amount.
This looks like an art landscape from at least 20 years ago - nothing like what is currently winning the top comps. Beautiful photos will always attract a few hundred, if not some thousands. But this photos is just that - beautiful. It pushes no boundaries and tries nothing new.
If this was a limited run print I'd personally look at $800-1500, depending on size.
photo_rb: This is a little off topic, but how many think that black and white photography is only valid when it is done with b/w film, or perhaps a monochrome sensor?
I do, but only in a general sense. When you're shooting with BW film you're actively visualising - in the Ansel Adams sense - the finished product in BW. Those people who hit the BW button in Lightroom and go, "hmm, that's nice" aren't showing the same degree of mastery.
I may be wrong, but I believe that the effort that goes into capturing a shot adds to its value, and therefore the photo that serendipitously looks better in BW is worth less.
However, for the photographer who shoots digital with the intent to process in BW, their work has as much value as a film shooter.
Personally, I like to shoot BW JPEG and RAW. I really like the BW rendition that Canon automagically produces, and it gives me a much better idea of whether the final photo is a keeper.
Someone forgot to correct their parallels :)
Geoff Helliwell: Carrying out professional photography in public places in many major city centres/places of interest very often requires a licence and fees to be paid if a crew/props/models/interuption to free movement by others etc are involved. Walking around with a camera round your neck (as a rule) does not. It would be completely un-enforcable as hundreds of thousands of tourists do it all the time. For the same reason, I can't see how anyone could claim copyright on a location. (JimBob has got it right, I think)
Should qualify - this 'general' location. I agree with Jimbob. However, I remember reading at some stage that the public presentation of a building may be copyrighted. Haven't ever come across an instance though.
Australian pro here. In Australia, copyright is enforceable for this particular location. It is qualified under the Sydney Harbour Foreshore Authority Regulations 1999 Legislation. It restricts commercial photography unless sanctioned by the Sydney Harbour Foreshore Authority. It applies to the use of a camera in a public area.