marike6

Joined on Jul 29, 2011

Comments

Total: 2693, showing: 41 – 60
« First‹ Previous12345Next ›Last »
In reply to:

Raist3d: dpreview staff - the reason "all cameras are great now" is a statement that matters is that a lot of people are way too focused on the technology and even switching from perfectly capable cameras to another for no reason than being new.

i agree that differences matter for an individual purchase- to match ergonomics. to match particular preferences. But not to pretend to be a better photographer.

The statement of Ansel could use an iphone to shoot well is also valid- A reminder that its the photograpger that will create the photo- not the camera.

all equipment does is convenience or the ability to express using ones skill in a photographic domain. nothing more. so yes- if you are shooting a lot at night you will need a faster lens/and or better iso performance from a camera to be able to express in that domain. It will NOT make gou a better photographer.

you need a piano to play piano compositions. it will not make yiu by itself a better pianist

Totally agree with Raist3d. I play saxophone, I didn't start on a professional Selmer Paris alto saxophone, as a kid I had a student horn. Only long hours of practice improves skill, not the instrument you use. You can give an inexperienced grade schooler an expensive pro instrument they will sound just as bad as they do on their school rental student model. A student violinist with little skill will sound just as bad on a Stradivarius as they do on a student violin. This has been proven over and over again. Switching from my D7100 to my D800 doesn't magically improve my images. Only practice, good technique, careful thought about composition, good lighting and interesting subjects can do that.

Link | Posted on Jan 23, 2016 at 12:49 UTC

Camera choice is irrelevant provided that the brand in question offers good lenses in the focal lengths you need, and accessories like flashes. With endless lens and body talk, discussions about flashes, monolights, reflectors, scrims, stands, softboxes, etc are almost non-existent on the majority of these forums. With good light, camera choice becomes almost irrelevant.

Re: DPR recommendations, the idea that small cameras are inherently better is a major flaw with this website. Handling in the field is WAY more important than convenience of transport, but in review after review we keep reading the word "bulky", even in reference to pro-sumer DSLRs. Fast zooms and telephotos are large, it's physics. So a small NEX or D5500 camera body with a large lens hanging off the front makes handling in the field significantly worse.

Far too much attention is paid to bodies and way too little to lighting. For proof here is an iPhone 6s shoot.

https://www.youtube.com/watch?v=nT6eaBm82bQ

Link | Posted on Jan 23, 2016 at 12:33 UTC as 55th comment | 1 reply
On article GoPro's poor holiday sales lead to staff layoff (115 comments in total)

The GoPro CEO admitted that he priced the GoPro 4 Session too high at $399. So why didn't he fire himself?

Link | Posted on Jan 16, 2016 at 08:53 UTC as 37th comment | 1 reply
In reply to:

nerd2: 1699? Priced crazy high for aps camera.

Dramatically improved VF and sensor, price is the same as the X-Pro1. All metal body, Made In Japan, these things costs money.

Link | Posted on Jan 16, 2016 at 08:49 UTC
On article Retro through-and-through: Fujifilm X-Pro2 Review (2471 comments in total)
In reply to:

carlnor: I'm a Nikon/Fuji user, and I'm quite satisfied with both systems.
In Norway the X-PRO2 will cost only around US$ 60 less than the Nikon D750.
That does not make much sense to me. I think Fuji's gonna struggle getting this one off the shelves.

@carlnor Because the entire premise of your post is that it's an APS-C camera priced too close to a FF camera. But the D750 is almost two years old, it's been reduced from it's original price, and in most markets it's still $400 more expensive than the X-Pro2. And the X-Pro2 is an all metal, made in Japan camera with some expensive technology like the hybrid VF versus the made in Malaysia, more plastic D750. In some ways it's a question of do photographers want globalization's cheap labor to make made in china products with rock bottom prices the norm. Or are there still photographers who don't mind paying for true German or Japanese workmanship? And clearly a camera like this is a bit of a luxury item, but Fuji should be applauded for at least for keeping the price the same as the original X-Pro1. With the rising prices of lenses across brands, a dramatically improved camera priced the same as an older X-Pro1 is a win.

Link | Posted on Jan 16, 2016 at 08:40 UTC
On article Retro through-and-through: Fujifilm X-Pro2 Review (2471 comments in total)
In reply to:

carlnor: I'm a Nikon/Fuji user, and I'm quite satisfied with both systems.
In Norway the X-PRO2 will cost only around US$ 60 less than the Nikon D750.
That does not make much sense to me. I think Fuji's gonna struggle getting this one off the shelves.

@carlnor And? So what, you can always find a two year old camera that is less expensive than the brand new release. Heck you can buy a Canon 5D for $300. Should all mirrorless vendors make certain to stay below that $300 mark even for their top of the line cameras? Of course not. Fuji managed to improve an already great camera and they didn't raise the price one penny. That is a win for photographers. If it's not in your budget, wait a year.

Link | Posted on Jan 15, 2016 at 16:09 UTC
In reply to:

Raist3d: I am beginning to think the whole OVF thing is a mistake. It raises the price of the camera and EVF's particular Fuji's own have come a long way.

Makes me wonder how big is the niche of photographers that really want an OVF... considering more so all the lenses that won't quite fit/be usable here...

What? If you are trying to capture the "decisive moment" the last thing you want is a VF that blacks out between shots. Thought that was obvious. And because rangefinder style OVF gives a much wider view than a typical EVF or DSLR OVF, you are able to anticipate action at the edges of the frame before you trip the shutter. That's where it at.

Here a little post from Eric Kim if you don't believe me:

http://digital-photography-school.com/5-reasons-why-shooting-with-a-rangefinder-will-make-you-a-better-street-photographe/

Link | Posted on Jan 15, 2016 at 16:05 UTC
In reply to:

marike6: Good eye and superb IQ for a well done gallery. The "Provia" sim is near and dear to my heart, beautifully subtle colors without cartoonish over-saturation.

Like I said "without cartoonish over-saturation". That is a good thing in my book, you'd probably prefer Velvia, also quite an awesome slide film.

Link | Posted on Jan 15, 2016 at 15:53 UTC
On article Hands-on with the Fujifilm X70 (266 comments in total)
In reply to:

R Thornton: Fuji must have seen the huge success of Nikon Coolpix A and Ricoh GR and Leica Q and their massive sales numbers, and they decided to go the same way. I am so thrilled. Way to go Fuji, iPhone developers must be rolling on the floor...

@BobsHere I understood what he meant (that's the sad part), but this is a website for enthusiast photographers not my kid sister and her Instagram friends.

Link | Posted on Jan 15, 2016 at 15:48 UTC
On article Hands-on with the Fujifilm X70 (266 comments in total)
In reply to:

scott_mcleod: Why would Fuji do this?

- no viewfinder (so you have to hold it at arms' length)
- 1-stop slower lens than the X100
- same generic 28mm FOV as a phone
- no IS...

If it was a couple of hundred $ cheaper and used a standard Bayer sensor then I could almost see the sense in it. Almost.

:(

If you like shooting with a normal lens, it's perfectly understandable. But for the market that Fuji is going for with this camera, a wider lens makes more sense. Wider lenses are much easier to focus, DOF is deeper, they usually focus very close, can be shot at slower shutter speeds, and are better for interacting with subjects up close. In the narrow streets of many European cities or in Manhattan, for example, a wide is where it's at because you are not backing up all of the time. Cheers.

Link | Posted on Jan 15, 2016 at 15:43 UTC
In reply to:

ijustloveshooting: only thing fancy is the uber super overkill price .. other features have just arrived to the competition.
no 4K, no ibis, no fast video,,,no true iso100/80 .
No ibis is a big missing point, XF56 and XF90 definitely requires stabilisation.Eve n XF1655 needs stabilisation in so so lightning conditions.
i hope it has true iso ratings and dont cheat with this one.
and i hope it has 1 full stop better DR and noise performance than previous sensor.Otherwise, it's just a 24mp camera.

All of Fujifilm lenses above 90mm have OIS, why on earth would you need IBIS??? For shorter focal lengths, in most common situations, IBIS is not needed. It just isn't. To argue that two large aperture portrait lenses need OIS as the OP states above is totally ludicrous. In most portrait session you'll be shooting with strobes with shutter speeds in the X-sync range where IBIS is not needed at all. In low light, if a photo enthusiast can't be bothered with a tripod or is not comfortable using the great high ISO abilities of the Fuji X system, I wonder if some less expensive P&S or m43 type walk around camera wouldn't be more appropriate.

Link | Posted on Jan 15, 2016 at 15:31 UTC
On article Retro through-and-through: Fujifilm X-Pro2 Review (2471 comments in total)
In reply to:

carlnor: I'm a Nikon/Fuji user, and I'm quite satisfied with both systems.
In Norway the X-PRO2 will cost only around US$ 60 less than the Nikon D750.
That does not make much sense to me. I think Fuji's gonna struggle getting this one off the shelves.

You can buy a D7100 for $700 or less. That info is essentially meaningless to someone already shooting Fuji or to mirrorless fans.
In the US the D750 was released in 2014 for a price of $2399 and has since dropped down to $1995, still $300 more than the X-Pro2. That and the D750 is almost a full 400 grams heavier, it doesn't mount Fuji glass and it's not a rangefinder style mirrorless camera. The X-Pro1 released at $1,699, the exact same price as the X-Pro2. With the X-Pro2 you are on paper getting a MUCH better camera and Fujifilm managed to keep prices competitive. I'm a huge X-Pro1 fan and a Nikon DSLR shooter, I don't see anything at all to complain about here.

Link | Posted on Jan 15, 2016 at 15:02 UTC

Good eye and superb IQ for a well done gallery. The "Provia" sim is near and dear to my heart, beautifully subtle colors without cartoonish over-saturation.

Link | Posted on Jan 15, 2016 at 12:58 UTC as 25th comment | 3 replies
On article Hands-on with the Fujifilm X70 (266 comments in total)
In reply to:

scott_mcleod: Why would Fuji do this?

- no viewfinder (so you have to hold it at arms' length)
- 1-stop slower lens than the X100
- same generic 28mm FOV as a phone
- no IS...

If it was a couple of hundred $ cheaper and used a standard Bayer sensor then I could almost see the sense in it. Almost.

:(

28mm is the classical street photography focal length popularized by the legendary Ricoh GR. 28mm is wide enough street and travel shooting, but not as generic as 35mm or 50mm. People complaining about this FOV have likely not used the Ricoh GR, an incredibly versatile camera. The wider you go, the more people appear to have huge heads and tiny feet or vice versa. Since I loathe shooting with my phone and don't even consider it a camera, I don't get the comparison at all.

Link | Posted on Jan 15, 2016 at 12:29 UTC
On article Hands-on with the Fujifilm X70 (266 comments in total)
In reply to:

R Thornton: Fuji must have seen the huge success of Nikon Coolpix A and Ricoh GR and Leica Q and their massive sales numbers, and they decided to go the same way. I am so thrilled. Way to go Fuji, iPhone developers must be rolling on the floor...

Your equating an iPhone with its brutal shutter lag and minuscule sensor to proper cameras like the Coolpix A, Ricoh GR, Leica Q or Fuji X70 almost had me rolling on the floor.

Link | Posted on Jan 15, 2016 at 12:19 UTC
In reply to:

ijustloveshooting: only thing fancy is the uber super overkill price .. other features have just arrived to the competition.
no 4K, no ibis, no fast video,,,no true iso100/80 .
No ibis is a big missing point, XF56 and XF90 definitely requires stabilisation.Eve n XF1655 needs stabilisation in so so lightning conditions.
i hope it has true iso ratings and dont cheat with this one.
and i hope it has 1 full stop better DR and noise performance than previous sensor.Otherwise, it's just a 24mp camera.

@Ademeion Not against VR or IBIS per se, the point is it is only really useful when shooting long telephotos handheld or for video. For photography, the desire for IBIS on short focal lengths (from 14mm to 85mm) is misguided as the reciprocal rule and the great high ISO abilities of modern cameras makes getting fast enough shutter speeds child's play. Olympus m43 fans (often the ultimate brand warriors) started this almost nonsensical idea that all bodies need IBIS. IBIS is just another spec of limited usefulness and marginal significance that allows vendors to pad spec sheets and charge more money for their cameras.

Link | Posted on Jan 15, 2016 at 12:05 UTC
In reply to:

Raist3d: I am beginning to think the whole OVF thing is a mistake. It raises the price of the camera and EVF's particular Fuji's own have come a long way.

Makes me wonder how big is the niche of photographers that really want an OVF... considering more so all the lenses that won't quite fit/be usable here...

The majority of pro shooters use cameras with an OVF. Fuji's Hybrid VF is one of THE selling points of this camera and a VF that doesn't black out of one reason street shooters overwhelmingly prefer rangefinders. That and EVFs suck. :-)

Link | Posted on Jan 15, 2016 at 10:41 UTC
In reply to:

ijustloveshooting: only thing fancy is the uber super overkill price .. other features have just arrived to the competition.
no 4K, no ibis, no fast video,,,no true iso100/80 .
No ibis is a big missing point, XF56 and XF90 definitely requires stabilisation.Eve n XF1655 needs stabilisation in so so lightning conditions.
i hope it has true iso ratings and dont cheat with this one.
and i hope it has 1 full stop better DR and noise performance than previous sensor.Otherwise, it's just a 24mp camera.

If you are shooting living, breathing subjects in natural light, 1/40 is going to be too slow to freeze motion anyway. If you are shooting stationary subjects like landscapes, you should be using a tripod anyway so you can shoot ISO 100 and small aperture for max DOF.

IBIS is the new thing that brand warriors complain about. It doesn't seem to occur to anyone that people have been making great images for over 100 years without IBIS. And that was when you were lucky if you could shoot ISO 400 film.

Link | Posted on Jan 15, 2016 at 10:35 UTC
In reply to:

ogl: B&W photos made in DXO or Photoshop from RAW colours photos from cameras without AA filter are much better. Better tonality, better shades of gray and black. DXO has very good simulation of B&W films. The result is outstanding. If you add some PP, it would be sweet spot.

@HowaboutRAW Not a Leica hater, but the ISO 6400 shots are absolutely not noise free and the banding is absolutely brutal.

Link | Posted on Jan 13, 2016 at 20:14 UTC
On article Nikon's New D5 and D500 Push the Boundaries of DSLR (737 comments in total)
In reply to:

ThePhilips: "Push the Boundaries" - or more of the same.

Frankly, after the NX1 and the 7D2 I have expected more from the D500.

@technoworld As I said, the NX1 seems like a nice camera if one is willing to buy into the somewhat weak Samsung system of lenses and accessories. As far as the 7D Mk II seeming "old", I couldn't care less about the mirrorless fan storyline that mirrorless cameras are new, cutting edge technology while DSLRs are "old". lol. Technology is supposed to improve upon previous generations of cameras, but IMO, mirrorless cameras absolutely don't do that because EVFs simply are not as pleasant to use as bright pentaprism VFs, contrast detect AF systems cannot compete Nikon and Canon's predictive AF systems, and focus by wire lenses absolutely suck for manual focus. That coupled with the fact that no mirrorless camera vendor has anywhere near the complete lens and accessory systems are Canikon and that mirrorless lenses are mostly wildly expensive compared to DSLR lenses (think Fuji or Sony).

Link | Posted on Jan 13, 2016 at 12:55 UTC
Total: 2693, showing: 41 – 60
« First‹ Previous12345Next ›Last »