audiobomber: You can't tell IQ or build quality from a photo. Ricoh says this lens is intended for people who want higher IQ than a kit lens. It's safe to say it will outperform the 18-55, 18-135 and the various superzooms.
The DA 18-135mm feels like a pro lens; it is tight, no creep, no rattles or looseness anywhere. It makes a Tamron superzoom feel like junk. I expect the 16-85mm will be the same build, and hopefully IQ will match my 16-45mm. If so, I'll sell the others and get this.
The problem is I'm not certain it will outperform the DA18-135, or the DA17-70 for that matter.
And the DA18-135 isn't that bad a lens, if you consider its purpose and price. Image Quality is often good or better, and f/3.5-5.6 is a lot more tolerable when your range goes from 18 to 135mm. More importantly, the DA18-135 costs only half what this lens does - potentially even less if you get it bundled with a camera. I could see myself using it as a travel lens.
But how could I choose a lens that's f/5.6 at 85mm (probably much sooner - perhaps at only 50mm?) for twice the price? The difference between 16 and 18mm is important, but it's not enough to tip the scales.
They would have been better off just re-releasing the DA17-70/4 with WR and an updated AF motor. That was a pretty good lens already.
citrontokyo: Love all the complainers here.
This is the perfect landscape lens. It's DC, not SDM. It's WR where the 17-70 is not. It's 16mm where the kit is 18. It's 85mm where the 16-45 is, well...
Anybody who claims it doesn't do this or that clearly isn't thinking.
But viking79, at this price a buyer should expect a little more. The pricing on the similar Nikon and Canon lenses is crazy too - that's probably why I've never paid any attention to them.
A constant f/4 lens is much more useful IMO - even if it costs a bit more.
I don't think those Canon and Nikon lenses are worth emulating in the first place - when you emulate the competition's mediocre products it makes you look like you don't know what you're doing.
I sure hope Pentax recovers soon and begins to design and build great lenses like they have in the past.
Nothing in this announcement suggests that's happened yet.
feilong: Where's the LCD =/
It doesn't need one. Everything's in the picture, including you!
"I like the look of full-frame sensors, and I like knowing that my lenses are true to their focal length."
Kind of a strange statement - MF lenses are true to their focal length, as are 8x10 lenses and Pentax Q lenses. This reveals a certain mentality - that Canon FF DSLRs are normal, and anything else is a deviation. Also, "the look of full-frame?" I understand what she means, more or less, but much of this "look" is simply her responsibility in properly adjusting the settings for a different sized sensor with the same lenses.
Otherwise this is a good opinion piece, although docking points because an APS-C camera has an APS-C sensor makes little sense.
What a shame. Apple just introduced two of the better products they've ever made, but they were largely overshadowed by being accompanied by two of the worst hardware "upgrades" they've ever released!
On the iPad Mini they added ONLY a touch ID sensor for the same price as the old model, and the new Mac Mini - on closer examination - is actually a DOWNGRADE in a major way (no more quad-core processors available at all!). This leaves such a bad taste in my mouth it's hard to see all the good they're doing. Combined with the lack of any sapphire screens, GT's bankruptcy, multiple products delayed until 2015, and recent iOS 8 troubles, it makes the CEO's statement that this year we'd see Apple's "best product pipeline in 25 years" sound rather foolhardy.
As good as the iPad Air 2 and Retina iMac may be, releasing only one new iPad model, a lone iMac, and two smartphones by mid-October hardly looks like a banner year!
Peter Gurdes: america... land of the free..... free to pay for permits and of course tax.
it´s a joke... and the biggest joke is that americans still believe in "land of the free". citizens in europe have much more freedom and rights.
land of the patriot act.... of the former bill of right.. that would fit.
Thanks for your helpful comment (sarc).
I understand Europeans lack many of the rights Americans still have. Maybe they've been denied these rights for so long they've forgotten how many freedoms they now lack.
Could you please provide a little more information in the article?
For example, how can one's future intent (to sell a print) be determined by the forest service at the time the photographer's on the grounds? Do they issue a fine after the print goes up for sale? And what about sales/licensing of digital files?
Also, could you please provide a little more background on what "harm" is currently being caused? I can understand the need to get a permit before a Hollywood film crew moves in, but it's not obvious to me what problems still photographers could be (or are) causing.
I'd say run - don't walk - away from that 18-135 if you want high IQ.
OTOH, that 16-35/4 looks like it may be pretty good - I'd like to see more.
DStudio: Oh my goodness - maybe I'll finally stop seeing so many action photos with lousy composition! At least one can hope!
Or will we suddenly need to use the "dual" cross-type AF point to get acceptable focus? After all, it now takes 5 in-line razor blades to properly shave my beard in the morning. I used to be such an ignorant simpleton - I actually had the nerve to believe I could shave with only 1 or 2 blades!
If the AF works properly and the high-ISO performance in acceptable, there's nothing to complain about with this camera - Canon has really hit the mark. That is, if people decide to use it properly!
Darko, the Canon 7D was NEVER a general purpose tool designed to satisfy everyone - it was designed to be the best tool for a certain demographic. Why should they change that now? There are plenty of other cameras you can buy to do what you describe, but NO other ~affordable camera satisfies the needs of pro and prosumer action shooters the way this one promises to do.
Contrary to your remark, this camera was designed for those who actually understand the need for the technology it contains. Remember, the problem with ignorance is it never recognizes itself. Perhaps the "old school" people who will buy this camera aren't actually the stupid souls you portray them as.
Oh my goodness - maybe I'll finally stop seeing so many action photos with lousy composition! At least one can hope!
Ian SS: It is too little too late, obviously Canon is protecting their higher end cameras, we will see how good it sells. For me I am seriously thinking about leaving Canon.
I hope you know where you're going!
Obviously you either don't have much of a lens collection, or you don't like it that much.
Since monkeys are smart enough to design and build cameras, they should be able to hold a copyright.
But wait ... they're not giving the copyright to anyone - they're just denying it to the obvious rightful owner. This isn't upholding anyone's rights, but merely taking them away. Just a tiny bit more freedom is lost - once again.
DStudio: Indonesia, Hmm...
It seems all photos from Indonesia have 100% true and accurate stories about them told by the photographer. Must be something in the air ...
While the ruling by the copyright office sets a ridiculous precedent, in this particular case Mr. Slater may have got exactly what he deserved.
After reading more about the situation, his story sounds plausible. So now I'm going to presume he's being accurate, unless I hear strong evidence to the contrary.
Either way, this ruling by the copyright office still sets a ridiculous precedent, and it must not be allowed to stand.
Bokeh Monk: As a Canadian, I find this offensive! I would have thought that the RCMP would have set up a sting operation or something… but now that the the Federal Gov. has told all these Canada Post workers their all out of a job, it's almost what you'd expect to see, workers 'saving for their retirement!
Monk, you do realize the irony in your statement, don't you? The thieves have decided that capitol matters more than people.
DStudio: Are my eyes too tired, or is the late afternoon glare too much on my monitor (even though I closed the semi-opaque shade)?
I came here to compliment Leica. I wanted to use them as an example of excellence, despite pedestrian specifications. But I just don't see it. I can't give them that compliment. In fact, what I have to say is they're not Fuji. And they're certainly not Zeiss Touit. To say Leica is in a class far below is an insult, but unfortunately it's true in this case!
Oh, no, I hope I wake up tomorrow and find it was all a bad dream - that with fresh eyes and soft morning light it's truly a fantastic lens.
I certainly hope so ...
I think you need to start focusing on lenses. Leica has made some of the best, most beautiful image-rendering lenses ever. This won't be counted among them. Such a shame - at this price point I expected *some* kind of special quality (like Zeiss and Fuji deliver), but alas, I don't see it.
JPEG or RAW has nothing to do with it. Neither you nor the camera can simulate what the lens failed to pick up in the first place. This can't be fixed. Lecia has already tried in their JPEG engine, but to no avail.
You need to learn some things about photography.
I'm sorry to hear you haven't learned to discern the quality coming out of a camera or lens without RAW files.
That's the point - I never said I had DNGs.