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HP 8750 13"x19" nine color
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More than adequate output quality with much lower learning curve than Epson, but equally less flexibility. Cost of use is fairly high at avg $35 per 3-color cartridge. Works quite well with Kodak papers, which are high quality and very affordable.
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Micro 4/3 Minolta MD adaptor and F-mount adaptor
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Nikon 28/2.8 AIS
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Nikon 200/f4 AI
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Indestructible, utterly reliable, four years old and still a wonderful performer- I shoot salsa in a club atmosphere about twice a month and several tennis tournaments a year. I've also done several weddings and numerous portraits with it, much to my satisfaction. It is a bit heavy for hiking, but it has been on many a hike nevertheless (GH-1 replaces it there now). Approaching 100K clicks.
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Picked up a refurbished model from KEH in spring 2012 and have used it extensively since then, up to around 12K clikcks so far. Use it mainly for salsa dancing, some for action tennis. Love the image quality of the images and ability to shoot regularly above ISO 1600.
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Nikon SB-600 Flash
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Nikon SB-800 Flash
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Nissin Di 622 Flash for Nikon
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Picked up the OM-D EM-5 at Murphy's Camera in Louisville, KY in summer of 2012. Black with 12-50 kit lens. I have enjoyed using the camera, but since picking up the D700 in the springtime, have used the D700 much more. Unfortunately I am somewhat budget limited at present, but would love to add u4/3 lenses. In the meantime, two converters let me use some nice old MF lenses.
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This is a fine lens with the GH-1. It performs surprisingly well doing low-light video in a club atmosphere, as well.
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This is my most recent purchase. With an equivalent 200-600 mm FOV, I hope to use it eventually in some tennis shots, in addition to capturing some nearby eagles.
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Rokkor 35/2.8 MD
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Rokkor 135/2.8 MD
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Sigma 70-200 f/2.8
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This is an older design, not image-stabilized, but very solid and reliable. Due to its weight and lack of stabilization, I shoot with it strictly on a monopod, with which I am quite satisfied. Even the stabilized version is heavy enough to need the monopod. I've worn out the 1.4 TC, but continue to shoot a great deal of tennis action with the lens, to the tune of about 24K frames a year.
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Tamron SP 24-75 f/2.8
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This is a bullet-proof lens from a by-gone era, all metal and indestructible.
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This is my present walk-around lens and gets heavy use shooting salsa dancing in a club atmosphere. I've been very pleased with its performance and see no need for the stabilized version in my applications.
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Bought this lens in 2008 to take to Yellowstone- have never regretted it. I have not mastered wide angle work by any means, but am always impressed by the sharp results. This lens is quite heavy and bulky, though, so it is a chore to hike with, although I have done it.
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Vivitar 285 HV Flash
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