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Not so sure about that. The X-a1 still has very noticeable halos at the transitions between the Enfamil images and the gold background. Plus, the X-m1 still retains more detail and realistic...
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I've tested my 15, 45 and 95MB/s cards (nothing scientific, just timing how long it takes to write a filled buffer) and there's a night and day difference with my XP1. My 95 cards are almost twice...
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At screen rez, the differences are barely noticeable. At 100% the XM1 is clearly better. You don't have any halos around the letters, the really fine details come out a bit better and you have...
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Over all it's all very minor and nit picky, but it's still there even with modern FF sensors. It just depends on how much of a pixel peeper you are. In practice it really doesn't make much of a...
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Some people like innovative products, some like to stick with the tried and true tech. With most new innovations, there is a period where the tech has to mature. If no one stuck their neck out and...
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They are all good sensors, but if I had to choose it would depend on a number of other features. As of now I like the X-trans but it has it's drawbacks. Some of which I think would be solved with a...
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I was in Iceland a year or two back and I just took my X100. Worked brilliantly. Yes, it was a bit wide for the Puffins, but Puffin Is. isn't nearly the most spectacular view there. Tons of...
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Don't worry about losing the lens. Think of it as just a great body with a free lens attached. There are benefits you get from a fixed lens camera that you can't get with an ILC. Omitting the mount...
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Two very different cameras. I could go down the feature list, but I'm sure you already know those. We're talking a large sensor, fixed lens, premium mirrorless with a hybrid viewfinder vs. a P&S...
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I agree that the Xtrans has a tendency to smudge very fine details, but this image isn't typical of the results the majority of actual users experience. The results are similar to what I get if my...
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I think the X-trans is slightly OOF in this sample. Here's a shot of my bookshelf and the copy all comes out just fine. Fine lines break down a little bit when it's against red, but it's minor....
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From these images I'd say both cameras have their strong and weak points. If you look at the "Grey Scale #14" you can plainly see that the X-trans comes out with cleaner sharper text without halos...
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Before my Fuji, I used to lug my 5D and a couple lenses around. Love the IQ, but I was also tired of the size and weight. I tried a G10 and a GF1 before the X100 came out. Neither camera really...
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I paint a painting, you snap a photo of it and then sell it?
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It wasn't the FW, it was having the focus assist light on at such a close distance. I think it blew out all the shadows and the camera couldn't lock. The focus assist light on the Fuji is quite...
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Check out this
http://stepheneastwood.com/tutorials/lensdistortion/strippage.htm
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Still, you will get a lot of raised eyebrows from many "serious pro portraitists". Platon & Hurley regularly use a 120mm on their Hassy's for headshots. That'll give you a FOV in line with an 85mm....
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A good friend of mine who's a photojournalist shoots with a Leica. Absolutely brilliant photographer. I often here that Leica's are now just the toys of doctors, lawyers and dentists, and I agree...
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That's pretty harsh! The 85mm (or a lens with a similar angle of view) is the classic portrait lens used by thousands of professional portrait photographers every day. You'd get some funny looks...
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mr moonlight has not added any gear yet.
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