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I really can't see why someone would buy one of these over an E-M5, which is a sure-enough awesome device.
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Distortion and longitudinal chromatic aberration are two aberrations that are pretty easy to fix without much degradation. On MFT, are there any lenses that vignette that much?
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Noise reduction *is* an intractable problem. There is a thing called quantum shot noise which is always going to be present and (in many situations) is the dominant contributor to image noise --...
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Isn't this just deconvolution, and doesn't this have the drawback that it greatly increases image noise?
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One thing that's really been true since the beginning of Four Thirds (not Micro, the old SLR system), and really back to the OM days: when Olympus sets out to make a truly exceptional lens, they...
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What sort of animals are you mostly shooting? If it's insects, you want the Olympus 60mm macro. If it's birds, shy mammals, etc., you want the Panasonic 100-300mm -- maybe also lizards and such.
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Differences in sensor-based image quality are pretty trivial these days. In the Smithsonian there's a gallery full of wildlife shots printed six feet tall, with full EXIF. A bunch of them were...
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The sensor size between APS-C and FX makes remarkably little difference. I shoot with Nikon APS-C now. I used to shoot with Olympus 4/3. (I switched because Nikon made the lens I wanted and Olympus...
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It's not actually a f/5.6 lens; you are still getting the brightness of a f/2.8 lens shining on the sensor. But you'll get the depth of field of a f/5.6 lens.
m4/3, because of the crop factor,...
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Is this much better than the E-M5? I rented one for a weekend and found it to be basically this good. (This is no insult to the E-M1, but a compliment to the E-M5.)
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How does the size compare to the 50-200? You can get one of those for 40% of the price these days, and other than the wonky bokeh it's a great piece of glass.
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Why would that make him more credible? He's testing cameras, not lenses. Besides, one of the big deals about the EM1 is that it can autofocus 4/3 lenses well, so why not use one of them?
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For wildlife, if you get the E-M1 you have the option of all of the (very nice) Four Thirds lenses. There is a 50-200 f/2.8-3.5 zoom which is awfully good, and a 150 f/2 prime which is just stunning.
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I was there, but took relatively few pictures as it was my first DragonCon, and I was there to enjoy myself.
I did see an E-M5 at one of the concourse concerts (of Crystal Bright, who was...
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I've never used mine with a tripod. For bird photography at least, the VR is good enough that subject motion becomes a problem before uncompensated camera shake. For very still birds (owls, say) or...
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I find DxO's lens reviews to be very suspect. They're generally pretty good with sensors, but their lens reviews? They say the Zuiko 35/3.5 is garbage, when it's stunningly sharp ... *even with a...
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@BJL: Compact superzoom/EVF cameras have looked like SLR's for a long while, and for reasonable reasons: a lens at the front, a viewfinder at the back, a grip to hold it by, etc. It's not a vanity...
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Panasonic has done that from the beginning. The G1, the very first m4/3 camera, looked like a DSLR and tried its best to act like one. Nothing wrong with that.
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The difference will depend far more on the f/numbers of the lenses used than on the formats. f/1.8 on Micro Four Thirds will look roughly the same as f/1.8 on APS-C -- there's a little difference...
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If Olympus made a decent telephoto (not the overpriced slow 75-300 that sacrifices everything for size), it's not a bad idea, although 16MP on Four Thirds is almost the same density as 24MP on DX....
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