mediasorcerer: 24 to 3 or 400 max at the long end would have been fine? What were they thinking?A telescope with a sensor on it lol.Maybe the ufo/aliens crowd are the target market?
the optics is already old, used in previous model.Actually, works quite well. Compensates to some degree for the fact that there is no RAW, and the jpegs are smeared, so you can't crop as well as one might expect from an 18Mp sensor.
Eleson: If optical steady shot means 'in-lens' then I don't understand 5-axis stabilization?
at timur born.I think it's a combination of sensor and optical stabilisation. that's why you get five axis.
TFD: Just wondering if they image the whole sensor. Sony's other18M cameras have a 19M total sensor this email one has a 21M sensor. This makes wonder if they reduced the image area slightly to allow them to shrink the lens. Smaller image area smaller lens.
Interesting point, I noticed this as well. However, it may also be used for shake correction, i.e. in one of the night modes, where multiple images are taken, they have then same extra space at the edges to line up images. Also, their specs list electronic stabilisation in video, so they must have an buffer edge to capture shifted images. Surely, in the past they cropped, that's why the focal length in video was always smaller than for still picture. maybe with a more buffer edge , you get wider video now
how boring, the airplane flying by is missing, and the highest parachute jump should be floating by as well. Well, next time .... ;-)
At least the bicycle should have jumped across the sickle
photonius: i just found the Kodak Wratten Carbon Neutral Density gel filters. Looking at their transmission curves that you find at Kodak, they seem indeed very color neutral, they also cut the IR, so indeed the magenta cast may be of the past.
Yes, as I mentioned in another reply earlier, most filters, also B+W, singh ray, and others don't filter in the IR, thus leading to color casts with high ND filters. Thus it is nice to see that this issues is finally being noticed. In film days not an issue but it seems it took manufacturers a while to address it with the filters.
i just found the Kodak Wratten Carbon Neutral Density gel filters. Looking at their transmission curves that you find at Kodak, they seem indeed very color neutral, they also cut the IR, so indeed the magenta cast may be of the past.
jtan163: What would an IR cut filter be used for?I was under the impresion most digital sensors had one on board (with some exceptions, Leica M8?).Would these be used to allow the specialist astro cameras (e.g. D810a and the Canon whtaever it is a) to be used in more normal photography?
most of the strong ND filters give a color cast, because - despite the IR filter in the camera - IR will leak through and cause these color casts. The ND filters have normally no filtering capacity in the IR range, although they reduce the transmission in the visible light. Because the visible light is reduced, the IR that gets through has a stronger effect than normally. The simple way to prevent this is to extend the wavelengths that are filtered into the IR.
Mike Jacoubowsky: My prediction- The T6s lives a long and happy life and becomes a "Canon to remember." The T6i goes away fairly quickly, replaced by an "SL" version (smaller & lighter, same IQ but enough fewer features to strongly differentiate from the T6s). Give the T6i a year or so.
The one HUGE feature the T6s holds for me? The level. There are some of us (raising both hands on this one!) that have trouble getting shots level, and frequently need to adjust rotation by up to 1.75 degrees or so. Having that level will both decrease time in Photoshop and likely get faster & better shots.
I agree about the level. It should really be in all cameras, as it would also be a good feature for beginners, many P&S cameras have that. I don't have any particular problem holding the camera steady, but looking through the small Rebel viewfinder while taking a UWA shot, it's not so trivial to get it exactly straight. I have to test my camera seriously once, I suspect the viewfinder is not quite straight either.
It may be a way to suppress opposition and protests. The Hungarian government at present is very right wing and has run already into problems with the EU (of which it is a member) about continuously eroding civil liberties and suppressing opposition. The law may well be mostly applied during demonstrations so authorities can confiscate cameras, mobiles etc. that document abuse.
well, the sensor is only 16 bit. "This new sensor is a 19-Mpix, 30.7 x 15.8mm Bayer pattern 16-bit CMOS sensor ... ", so obviously some processing.
" Sales for the Rebel SL1 have not been as great as we expected in America". I guess everything has to be supersize there.... ;-) But surely, with the obesity pandemic, small controls won't work.
I thought they use a trick to have multiple exposures at different sensitivities?
no GPS in the bigger models? why
Abaregi: Why the small sensors in these new ones from Fuji, isn't the point of stepping up from a cellphone or compact camera to get higher image quality indoors and in darker days/nights?
Simplified: Big sensor = big lens So, either dSLRs for big sensors, or a compromise like Sony RX100. A compact all in one with large zoom range, that's what these cameras are. If you want big sensor go for the X FUJIFILM System X-E2 etc.
(unknown member): Fujifilm...wake up.You've been stuck on 16MP since the F500EXR like 5 years ago.There's smartphones with more megapixel than these!And what's with the slooooooooooooooooooowwwww lens on pinhead sized sensors? It's the era of the Full Frame, baby!
I guess that was ironic. You know of course how big a 1200mm lens is on FF : http://www.bhphotovideo.com/c/find/newsLetter/Mother-of-All-L-Lenses.jspAnd that at f5.6 diffraction on that size sensors limits resolution to about 3MPs...
Hopefully this will bring some movement into the long tele zoom market, if it achieves similar quality as the Tamron 70-300 VC. In Canon land, nothing really beats the aging 100-400 L so far, the cheaper Sigmas being worse and heavier.
picture 9, the church. Is that staged? must be, can't believe there would be dead bodies sitting there. so, in all pictures, how much is staged, versus real?
too bad they didn't put the GPS in there that can be found in their smaller cameras. For traveling, it's nice to sometimes tag photos in remote areas.
abortabort: Seriously? The 16-28mm is a great lens, but 5 TIMES the price?! Samyang's cine versions are something like $50 more, if that. I suppose this will still be cheaper than the competition though.
I don't think they will make substantial better quality control on this lens - certainly not the way Roger suggests that cinema lenses need to be highly calibrated in his blog. The optical specs are the same as the normal lens, it's really just the barrel which is different. I think they look at it as a niche product, selling few copies to pros that can afford it.
CarVac: They may have reworked some of the mechanisms to provide for parfocal zooming. That would certainly account for an increased price.
based on the optical diagram, they are the same.