mrmut: Something is seriously wrong with this camera. You simply can't have banding on the camera of this price point, and I don't really get it why it should be any banding there. It is not that 24MP is a big deal today.
Now, apart from this banding issue (which is a complete dealbreaker), the camera produces nice images of excellent color, altho a bit too noisy. It is weird to see that much noise at ISO160. The lens are excellent tho.
When you charge something for premium price, better be sure it is good before you ship it, or the community will kill you.
I don't get what is the deal with Leica and their camera lineup. They have SIX systems. Why?
HowaboutRAW - That is a decent display, how it is possible you can't see banding on other images? It is not there on all of them, but definitely is when conditions meet.
For example image 35, take a look at lower bottom door box. There is pronounced banding. If need be, increase shadows or exposure a bit. Etc. Banding not there on all images, but on some definitely is.
Is this sole camera defective, or entire series doesn't mean much. Especially if you need to go this lengths to justify shortcomings of an extremely expensive and nascent proprietary system.
HowaboutRAW - I too checked the RAWs, in ACR, and got the same results. What kind of monitor do you use? I use calibrated Adobe RGB screen.
HowaboutRAW - The banding can be seen on a number of images in this gallery, in uniform/darker areas. Image 13 is an obvious example, buy there is also 31, 35, 44, etc. Others commented on this. Banding is predominantly horizontal, but there is also vertical banding present.
Something is seriously wrong with this camera. You simply can't have banding on the camera of this price point, and I don't really get it why it should be any banding there. It is not that 24MP is a big deal today.
Adobe makes fine products, but this cloud stuff is nonsense for the user, especially security-wise. It is virtually impossible to have completely safe storage of anything online.
Just from memory, Facebook, Linked In, Apple, Yandex (not to mention NSA) were hacked with all of their security, and now I need to trust yet _another_ company that they will be safe. Oh, yes, I forgot Adobe too was hacked.
And not to mention software subscriptions - today becomes harder and harder to just have something to work with, without constantly updating it. Hell, I have Power Mac PowerPC machines over ten years old, running Motorola-Mac software 30 years old without a problem.
It is irritating to see that wouldn't be possible with today's stuff.
Stunning lens. I have had Contact distagon T* 25mm F2.8, and that was a great lens too, however this one is brilliant. Flare handling, OOF, SHARPNESS, etc. - WOW.
Winning photo is stunning! :-)
Terrible photographs. Bad quality, and generally underwhelming, which I don't think it is due to camera.
Kim Letkeman: No PDAF ... same grip ... same OIS specs ... not that exciting.
High end video specs ... now that's exciting. Now we wait to see how good the codec is at any bandwidth ... and of course how long it can record before giving up ...
Actually, Kim is right. No PDAF is deal killer for professionals with many lenses with this camera. Other than that, it does look great. Quite similar to E4xx series.
Brilliant video! Thanks! :-)
The photograph is nice; the price is but a detail.
This looks phenomenal.
What is the pixel-level quality? This image is easily of fine-art quality.
Sdaniella: user programmable pixel level multi-iso (multi-gain) full res color zone-system full frame Ultra-HDR (DR 22+ EV) stills (video) real time capture FF 40mp+ (adjustable + previewable LIVE with Canon Final Image Simulation) with IQ with clean finest detail and 'no noise' (NR that doesn't distort details) in extreme lowest light (below 0.01 lux) dual-pixel PDAF (full-frame) ... and throw in global shutter, too ... (sensor that runs much cooler than any todate; DiG!C #?) ... and up to 240fps+ (intended for HDR flexibility) ... H.265 for video 4k/8k and 2k/1080p ... and ... tri-mode evf-ovf hybrid VF with a top hinged modular VASS (vari-angle swivel screen) ... touch screen wifi remote ...
(\ /)( o.o) ---( hehehehe ... )o(")(")
as for medium format ... they'd have to create a whole bunch of EOS E-MF lenses ... unlikely (not impossible)
Made my day :-)
Really great. X100 is on my wish list for a while now. Pity DxO Optics doesn't support new sensor, would buy 100T this instant.
mrmut: This is rude. I would sue, and request reparations.
The same situation is if a remote IR trigger is set, which would result in a photo when an animal snap it. If not for a photographer, the image would not exist.
I came to think that the monkey had a hidden agenda.
Easycass: A simplified view...
Definition: To 'take' a photo means 'initiate the exposure', regardless of where the camera is mounted, what is in the frame, who or what is holding the camera, how much lugging it took to get there, how much expense, how much post-processing was done, who posted it, or where it was posted. Agreed?
Copyright: If a person initiates an exposure, whether a single shot, a self-timed, remote-released or trigger-released shot, creating a single exposure, sequence of exposures or video sequence, then, unless the person waives their rights in some written agreement, they own the copyright. Agreed?
Scenario 1: If a person is not holding the camera, but initiates the exposure(s) then copyright is theirs.
Scenario 2: If a person is not holding the camera, and does not initiate the exposure(s) then copyright is not theirs. If the exposure was initiated by another human, copyright belongs to that other person. If not initiated by a human, there is no copyright.
It is simple, really - the photographer did initiate the exposure, by giving the camera to monkey.
If he had handed a bomb to monkey, and monkey activated it, would anyone blame the monkey?
This is rude. I would sue, and request reparations.
NeilJones: 12mp is only really good for posting on Facebook. Looks like most photogs out there will be fine! Doh.
Good one. :-)
mrmut: Viewing war photos during exhibitions often makes me wander how in the world a photographer got out of that alive AND take a picture.
I am not sure if we should mourn war photographers, given that they accepted their faith in advance; mourning them seems a bit disrespectful. It makes much more sense just to appreciate photographer's work.
Apart from that, Afghanistan was not a very smart move for a woman photographer. Her presence there was insulting to locals on many levels (regardless of how that can be perceived by westerners - it is Afghans' country).
Just as an update - took a look at the documentary, but it didn't impress me. OTOH I personally met an talked extensively with some of the actual war photographers, all in all, it seemed to me that they all carry deep wounds that make them do what they do.