Matewka: Nikon Df announcement: Nov 5, 2013 (3 weeks ago)Pentax K-3 announcement: Oct 7, 2013 (7,5 weeks ago)
So far...Df review includes: first impressions + full ISO range studio testK-3 review includes: first impressions + worthless sample gallery
Either I'm overreacting or some brands are favoured by DPR.
Since the K-3 has this unique "software AA filter" feature, I guess many people (not only Pentax die-hards) are extremely curious what this baby can do. Not mentioning that overall Pentax IQ and NR in recent models are outstanding, even beating some FFs.
And it's fair enough that they'd prioritise a camera that has garnered more interest over one that hasn't. I'm sure it makes sense to (most) users.
People will still complain though.
carrigman: "For anyone simply looking for the best image quality from a compact, the RX100 II is the answer." You can stop reading after that. IQ is what it's all about and the RX100 (versions 1 and 11) delivers that in spades. I have the original RX100 and I am constantly amazed at the quality it delivers.
In a way, you're right. Personally, I'd rather have the GM1 than the RX100, but if you buy a GM1 and NEVER intend on buying an additional lens, then the RX100 is also a great choice. I'd choose the GM1 only because I can build on the m4/3 "system". If I had no intention to, I would probably go with the RX100-II.
The RX100's lens starts at f/1.8, which would be quite useful in low-light shooting conditions. The m4/3 cameras have a larger sensor, but at the widest angle, you could be shooting at f/1.8 and ISO 1600 while a m4/3 camera would be shooting at f/3.5 and ISO 6400 for the same shutter speed. Meh.The image quality in good light seems great for both cameras.
mpgxsvcd: I agree with every recommendation they gave.
I was a little bit confused about the camera categories, but some cameras are difficult to categorise without placing them in two groups.
AshMills: Cor. anyone would think this site was owned by a major online retailer. Not that content has been changed recently in the runup to christmas....
If the advice and reviews were being steered by guys in suits who didn't give a poo about objectivity, then I'd agree.
However, I don't because the quality of the content hasn't decreased in the 10 years I've visited this site, even after Amazon bought it and Phil left. If they link to a place you can buy the camera, then by all means go ahead.
Amazon paid good money for this website. They may as well monetize it somehow.
Richard Murdey: This is a nice looking and nicely engineered camera. Not really Fuji's fault that this is the ultimate hipster camera. But hipsterific it is, much to the detriment of the community.
flickr groups devoted to the X100 are filled with, in no particular order
1. selfies taken in the bathroom mirror2. shots of expresso, latte, and other cafe beverages3. moody black and white shots of uninteresting and random cityscape.4. shots of the the X100 itself, in various expensive cases, taken with a camera that is not the X100
Do you know what a "hipster" is?
No? Okay then....
Stitzer23: Strange intro to the article. Dpr says it doesnt have enough time to review everything that lands in it office, yet here they are revisiting gear that has been reviewed.
This type of article doesn't take long to write.
An in-depth review takes them months.
It's all relative.
jioupahn: Just wanted to share my personal journey here - I own (still do) a Nikon D300s and an X100s.
I also have an assortment of Nikon lenses. Before I bought the X100s, I spent about 8 months using the D300s + 20mm F2.8 lens combo exclusively. Why? I wanted to see if I can "survive" with only a fixed lens camera.
I did and I bought an X100s in April 2013. I simply LOVE it!
I owned a D300 and my favourite lens was the Sigma 30 mm. Nikon didn't make anything that competed with this lens at the time, which is weird because I find it to be such a great combo. My love for this lens convinced me that I can "survive" with only a single lens.
I sold all my Nikon gear before the X100 was even released. I just had this feeling that the X100 was going to work out well, and it has. :)
eljamoquio: Is Fuji still lying about it's ISO, so people who don't do in-depth tests are fooled?
Because the ISO setting is 1-stop incorrect.
This issue DOES show up in real use. Whether YOU know or not is another issue entirely.
If someone reads a DPR review and compares ISO performance, and bases their buying decision partly on the ISO performance test, then they're being fooled.
Personally, I still love my X100 (original, not "S"), and my X-Pro 1, but eljamoquio has raised a valid point.
wlad: ..and comparing 100% crops from sensors with different resolutions makes sense because .... ?
Correct. It makes absolutely no sense. It's like comparing a 3" square cut out from a 6x9 photo to a 3" square cut out from a billboard.
A 100% crop would make sense only if you downsampled all pictures to 13MP - ie the resolution of the sensor with the lowest resolution in test.
Not sure I agree with that. Comparing at 100% crop does show the quality of the details captured at the pixel level. I think a comparison at the same resolution is also good, but that would be even less useful than a 100% crop, because nobody shoots with the Nokia 1020 and gets a 13 MP photo every time!! Based on what you've said, you'd be better off letting every camera produce images at their native resolution, while the Nokia ouputs to 5 MP, and then comparing images that way, whether at 100% crop or not.
Also, the 100% crops on page 3 are weird? In some of the eye photos, the 100% crop of the Sony and Samsung photos result in the eyes being a very similar size, but in the first one, they Sony is more similar to the 1020.
Did the camera-to-subject distance vary between shots? It would have been nice for this to not change so that we can see how much additional detail the 1020's 38 MP images capture.
Stefan M: Sorry. Can't hear it anymore. There is no such thing as equivalent to APS/FF/m43...whatever. Hence this lens is exclusively for APS it's even more absurd talking about any FF equivalency. A 18-35mm F1.8 lens will always be a 18-35mm F1.8 lens.
I guess a lot of people will enjoy this lens.
"The lens has a 50 mm focal length, or approximately a 35 mm equivalent focal length on an APS-C DSLR."
JDThomas: One thing I have to disagree with is two of the "cons"
"restricted zoom range". How can the zoom range be considered restrictive? Maybe if you compare it to a STANDARD zoom. But this is NOT a standard zoom. It's in a class of it's own. It's a super-fast zoom. You don't buy this lens for range. You buy it for low-light capability. If you look at it from that point of view it's not restricted. If you are going to lump it in the standard zoom category then ALL f/2.8 zooms must now have in the Cons column "restricted aperture setting"
"physically large for a standard zoom". Again, this lens is NOT a standard zoom. If you want speed you need big glass. To be perfectly honest. This lens a actually SMALL considering what it does.
"Limited zoom range"being a con is a laugh. That's a "pro" of this lens. That's why people would buy this lens!!
It's not an 18-250 mm lens, but that was never the point. Do reviews of prime lenses all say "limited zoom range" as a con?
I agree with Stefan M.
In fact, there are so many digital shooters using cameras with an APS-C camera that it would be better to move forward by just stating focal lengths for APS-C sensored cameras. People are used to APS-C sensors, and the view that an 18 mm lens will give them on such a DSLR. There's no need for so many people to convert everything to full-frame equivalency when the majority of DSLR and mirrorless camera shooter aren't shooting FF.
I know some people will disagree, since the history of 35 mm film goes back decades, and SLRs have existed well before the advent of digital. However, I read that there are currently a far greater number of active DSLR users today than there were SLR in the decade before digital.
We don't state equivalent focal lengths and apertures in terms of medium format, and that used to be "full frame". I don't know why we treat 35 mm as some sort of standard, especially when those people who use the smaller sensor far outweigh FF users.
Dominick101: The writer kept praising its large sensor and kept re-emphasizing how downsampling helped in improving quality but made no mention of the comparative results against its predecessor which did better in all these aspects. Funny thing is that the 808 is being shown on the first page and the ending word kinda' implies that the 1020 is a better camera than the 808 without even a single comparative shot -- they are clearly trying to downplay the 808 without even a single proof that the 1020 can do better. Without a doubt, this article is biased and DP has lost its credibility as of late.
I wouldn't see the point of comparing to the 808 anyway. As a consumer, it's not like I can choose between the 808 and the Lumia 1020. A comparison to the 808 would be "cute", but not relevant to the significant majority of people who want to make a purchase today.
iae aa eia: OK, it's a great phone, but I can't believe this is the successor of the 808 PureView.
No, I agree that this is the successor to the 808 PureView.
How could the 920/925 possibly be the "successors" to the iPhone 5 and S4? Different companies. Besides, the 920 came out at around the same time as the iPhone 5, while the 925 came out at around the same time as the S4 (and no, a few months here and there doesn't matter).
Yavor: I think is pointless to show 5MP samples for 41MP camera. Or the logic is "you have 41MP, so you can take good 5MP photos".
No, the 41 MP sensor in this phone isn't so that you can take 41 MP photos. The entire point was that you can get better 5 MP photos from this camera than the 8 MP camera from an iPhone, a 13 MP photo from an S4, etc.
The ability to keep the 41 MP image from the camera is nice, but not really the point. It's not like the Nikon D800, where your high MP camera is meant for photographers who need 38 (?) MP.
Frank_BR: Certainly it was not for lack of film that the downfall of Kodak was not well documented.
It's a Kodak Moment.
KariIceland: Only amateurs do the dutch angle, not professionals.
Rigid people = rigid photographers.
These types of people are rarely creative.
Octane: I would visit 'connect' more often if there was actual journalism, not this. Once again, a quickly thrown together page using a subject that hopefully getting a discussion/controversy going, trying to generate some traffic here.
Which sites? Also, which one of them do you not leave comments on?
Those ones are worth checking out.
jcmarfilph: Yawn... yet another iPhone-on-the-header article...
He does have a hobby: being that annoying guy.
Zvonimir Tosic: I don't understand Olympus. Why they issue an E-Px camera, then also an E-PLx camera which is basically bastardised and cheap E-Px? Why they follow the logic, or the lack of it, of the DSLR manufacturers? For example, why they don't keep the value and the appeal of the E-Px cameras by issuing a separate line of fixed, quality retractable lens cameras with the same sensor and in the similar design (but a camera category that is more like the Coolpix A and Ricoh GR, or even Fuji X100s)? The small form factor of the mirrorless offer would really show its truer potential, and would not devaluate the appeal of the Pen camera. (And then on top those two lines, have an OM-D like offer too). In retrospect, by now they could practically own the market which Fujifilm, Sigma, Nikon ad Ricoh try to create and establish themselves with their fixed-lens, large sensor enthusiast cameras.I appreciate your answers.
Why do people who have no idea how to successfully operate a corporation believe that they can run a corporation so easily?
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