PhotoKhan

PhotoKhan

Lives in Portugal Cascais, Portugal
Works as a Airline pilot
Joined on Mar 22, 2003
About me:

A good photograph shows what you saw.
A superior ones conveys what you felt.

Comments

Total: 406, showing: 101 – 120
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On Medium well done: Two takes on the Pentax 645Z article (245 comments in total)
In reply to:

Cooleator: I can see the logical differences compared to lower mp FF, however I'm pretty sure a 30mp+ FF Foveon sensor would trounce this 50mp MF sensor at low ISO...

...sure...as long as you don't mind having whatever colors it decides to reproduce instead of the actual scene ones.

Direct link | Posted on Dec 9, 2014 at 19:11 UTC
On WaterWeight rethinks the sandbag approach to stability article (77 comments in total)

(deleted)

Direct link | Posted on Dec 9, 2014 at 09:49 UTC as 37th comment
On High-end full frame roundup (2014) article (599 comments in total)

"We recommend: Nikon D750"

I am a Canon user and I endorse this recommendation.

Direct link | Posted on Dec 8, 2014 at 21:19 UTC as 49th comment | 8 replies
On All-in-one: Ona Capri bag review article (168 comments in total)
In reply to:

Cane: That's a woman's purse.

Really...!?
Purses must be useless then...

Direct link | Posted on Dec 8, 2014 at 07:25 UTC
On Behind the Shot: Dali's Dream article (102 comments in total)
In reply to:

Mal69: I miss the days when people just took photographs, now its all about who can do the best job using Photoshop applications, it feels a little like cheating to me as i never know if the photograph is natural or heavily changed using the computer.

I have news for you.

Remember all those gorgeous coffee-table book photos from film days?

They were all manipulated to some extent after been registered.

If you never saw the dodging-spill around the brims of Georgia O'Keeffe's and Orville Cox's hats from pushing the shadows under the hats in that famous photo, you must have been severely distracted.

Every time someone makes the statement you made about the use of Photoshop in the same scope of when previous lab-only techniques were used, I only consider 2 possible explanations:

1. The statement is a snob one.

or,

2. The person making the statement does not know how to aptly use Photoshop and resents it.

Direct link | Posted on Dec 7, 2014 at 19:17 UTC
On Behind the Shot: Dali's Dream article (102 comments in total)
In reply to:

PhotoKhan: I loved Erez's Kolmanskop series when they were posted and found this explanation extremely useful for the community.

I would just like to point out that, although the A7 (...and specially the A7II, it seems...) are a technology"tour-de-force", the mirrorless "to go to" at the moment, this is an instance where the praise to it's impressive DR capabilities is a displaced one, since the final photo was created through multiple exposures.

Notwithstanding resolution, I could as easily have created this with my EOSM2.

My point, again...

Once you use a shooting solution based on multiple exposures (as was elected here, for a diferent purpose) all considerations about sensor DR become a moot point.

For all practice purposes, at 100ISO (as used in this photo) AND multiple shutter time exposures to cater for highlights and shadows, there would be no discernible difference (except for resolution) between an image made with the A7 and one taken with many other mirrorless cameras, EOSM2 included.

Superior DR helps in a multiple exposure composed photo as much has 12FPS helps in a posed photo.

Direct link | Posted on Dec 7, 2014 at 14:14 UTC
On Behind the Shot: Dali's Dream article (102 comments in total)
In reply to:

PhotoKhan: I loved Erez's Kolmanskop series when they were posted and found this explanation extremely useful for the community.

I would just like to point out that, although the A7 (...and specially the A7II, it seems...) are a technology"tour-de-force", the mirrorless "to go to" at the moment, this is an instance where the praise to it's impressive DR capabilities is a displaced one, since the final photo was created through multiple exposures.

Notwithstanding resolution, I could as easily have created this with my EOSM2.

Ok.

Direct link | Posted on Dec 7, 2014 at 12:49 UTC
On Behind the Shot: Dali's Dream article (102 comments in total)
In reply to:

PhotoKhan: I loved Erez's Kolmanskop series when they were posted and found this explanation extremely useful for the community.

I would just like to point out that, although the A7 (...and specially the A7II, it seems...) are a technology"tour-de-force", the mirrorless "to go to" at the moment, this is an instance where the praise to it's impressive DR capabilities is a displaced one, since the final photo was created through multiple exposures.

Notwithstanding resolution, I could as easily have created this with my EOSM2.

Errr...You DO know that, once we lift shadows, as Erez so aptly did ("I boosted the shadows to the limit") we ARE doing a kind of HDR, right?

Direct link | Posted on Dec 7, 2014 at 12:03 UTC
On Behind the Shot: Dali's Dream article (102 comments in total)
In reply to:

PhotoKhan: I loved Erez's Kolmanskop series when they were posted and found this explanation extremely useful for the community.

I would just like to point out that, although the A7 (...and specially the A7II, it seems...) are a technology"tour-de-force", the mirrorless "to go to" at the moment, this is an instance where the praise to it's impressive DR capabilities is a displaced one, since the final photo was created through multiple exposures.

Notwithstanding resolution, I could as easily have created this with my EOSM2.

Errr...of course.

...but, once you elect to use a multiple exposures technique for a specific shot, as it so aptly was in this case, the DR advantage becomes a moot point, since you might as well change the exposure solution as many times as you want.

That was my point.

Direct link | Posted on Dec 7, 2014 at 11:54 UTC
On Behind the Shot: Dali's Dream article (102 comments in total)

I loved Erez's Kolmanskop series when they were posted and found this explanation extremely useful for the community.

I would just like to point out that, although the A7 (...and specially the A7II, it seems...) are a technology"tour-de-force", the mirrorless "to go to" at the moment, this is an instance where the praise to it's impressive DR capabilities is a displaced one, since the final photo was created through multiple exposures.

Notwithstanding resolution, I could as easily have created this with my EOSM2.

Direct link | Posted on Dec 7, 2014 at 11:06 UTC as 30th comment | 8 replies
On All-in-one: Ona Capri bag review article (168 comments in total)
In reply to:

Cane: That's a woman's purse.

@Marty4650

And, yet, it is simple to understand...

The reason some women buy "thousands dollars" purses is the very same reason why many of us buy "thousand dollars" lenses.

Direct link | Posted on Dec 6, 2014 at 22:37 UTC
In reply to:

Edgar_in_Indy: Kinda sounds like a gimmick at first blush, but some home theater projectors have been using a similar method with their LCD panels in recent years to simulate 4K resolution, and apparently it actually works to some degree in producing a sharper projected image that approaches 4K. It'll be interesting to see how it works in a camera.

This technology may also be another nail in the coffin of the Canon/Nikon IBIS embargo.

IBIS has allowed such features as sensor cleaning, horizon correction, composition adjustment (in Pentax DSLR's), star/celestial tracking (again, Pentax), and now dual mode IBIS/optical stabilization in Sony A7 II. And Sony has shown that it can even be implemented in a FF sensor in a small body.

Now we just need Canon and Nikon customers to stop telling themselves that they don't need sensor stabilization.

Again, don't try to pick up a fight that is not there.
Just read and understand.
Happy Xmas!

Direct link | Posted on Dec 6, 2014 at 22:27 UTC
In reply to:

Edgar_in_Indy: Kinda sounds like a gimmick at first blush, but some home theater projectors have been using a similar method with their LCD panels in recent years to simulate 4K resolution, and apparently it actually works to some degree in producing a sharper projected image that approaches 4K. It'll be interesting to see how it works in a camera.

This technology may also be another nail in the coffin of the Canon/Nikon IBIS embargo.

IBIS has allowed such features as sensor cleaning, horizon correction, composition adjustment (in Pentax DSLR's), star/celestial tracking (again, Pentax), and now dual mode IBIS/optical stabilization in Sony A7 II. And Sony has shown that it can even be implemented in a FF sensor in a small body.

Now we just need Canon and Nikon customers to stop telling themselves that they don't need sensor stabilization.

You REALLY should ready what I actually wrote...You're trying to pick up a fight that is simply not there.

If IBIS closes the mind to such an extent, it might not be as beneficial as I thought it was.

Direct link | Posted on Dec 6, 2014 at 22:03 UTC

I've got a concept for an entry.

It will be called "What The World's Best Spineless Rooms Are Made of".

It will feature a conference room full of Phase One's executives, all dully dressed in their Suit&Tie corporate fatigues, too afraid of losing their jobs as to call "What a douchbaggy, shitty-cretin, FU concept!" as the Marketing Director proposes this kamikaze contest.

It's in the bag...

Direct link | Posted on Dec 6, 2014 at 11:29 UTC as 27th comment | 1 reply
In reply to:

Edgar_in_Indy: Kinda sounds like a gimmick at first blush, but some home theater projectors have been using a similar method with their LCD panels in recent years to simulate 4K resolution, and apparently it actually works to some degree in producing a sharper projected image that approaches 4K. It'll be interesting to see how it works in a camera.

This technology may also be another nail in the coffin of the Canon/Nikon IBIS embargo.

IBIS has allowed such features as sensor cleaning, horizon correction, composition adjustment (in Pentax DSLR's), star/celestial tracking (again, Pentax), and now dual mode IBIS/optical stabilization in Sony A7 II. And Sony has shown that it can even be implemented in a FF sensor in a small body.

Now we just need Canon and Nikon customers to stop telling themselves that they don't need sensor stabilization.

I don't agree on 2 accounts.

Firstly, I don't know of many Canon user who are replacing IS lenses based on new IS interactions only.

What is happening is that the new lenses from Canon are significantly better in optical terms the the ones they replace (...and miles away from competition, in the case of long tele primes and zooms). That the IS on the new models is also better than previous generations that is is only a bonus, not a decisive "buy-factor".

Secondly, in-sensor stabilization is only a threat to IS lenses if it is offered as a substitute. If it is presented and implemented as a coordinated supplement to in-lens stabilization (...as Sony so cleverly is doing...) people will react accordingly.

Never underestimated the power of Canon... ;)

Direct link | Posted on Dec 5, 2014 at 15:43 UTC
In reply to:

Edgar_in_Indy: Kinda sounds like a gimmick at first blush, but some home theater projectors have been using a similar method with their LCD panels in recent years to simulate 4K resolution, and apparently it actually works to some degree in producing a sharper projected image that approaches 4K. It'll be interesting to see how it works in a camera.

This technology may also be another nail in the coffin of the Canon/Nikon IBIS embargo.

IBIS has allowed such features as sensor cleaning, horizon correction, composition adjustment (in Pentax DSLR's), star/celestial tracking (again, Pentax), and now dual mode IBIS/optical stabilization in Sony A7 II. And Sony has shown that it can even be implemented in a FF sensor in a small body.

Now we just need Canon and Nikon customers to stop telling themselves that they don't need sensor stabilization.

We, Canonites, don't say "we don't need sensor stabilization"

(...as for Nikonites, I don't know...they DID say they didn't need full format sensors, so...)

What we DO say is that current Canon lens stabilization technology is nothing short of amazing.

Given the pedigree, technical expertize and resources of Canon we might very well be surprised one of these days with in-sensor stabilization that can be combined with in-lens one, like Sony did with the A7II.

If it happens, one thing is for sure: It will rule.

Direct link | Posted on Dec 5, 2014 at 14:21 UTC
In reply to:

PhotoKhan: I am having trouble navigating this new wonderful, media-imposed, intelligent-devoided bubbly world.

...So, it is not sexism if it is commercial, right?

I don't know, Eric...do you think I think only men can be complex...?

(Good try but we have a saying in Portuguese, dear Eric: "Vinhas tu para cá a pé, já eu ia para lá de patins". Have fun trying to translate it.)

Direct link | Posted on Dec 4, 2014 at 23:12 UTC
In reply to:

PhotoKhan: I am having trouble navigating this new wonderful, media-imposed, intelligent-devoided bubbly world.

...So, it is not sexism if it is commercial, right?

(continued)

Revealing, because it denotes a tendency for a "political correctness" activism that, most surely, would have, at least, her face frowning if anyone attempted to start an intelligent talk about the actual physical and behavioral differences between men and woman, a frown that, from my experience, would quickly turn into "sexist" judgments, as quickly as one would say "PMS".

My ironic comment relates to how, when a commercial venture is at play (...ah, green, the pragmatic color...) all the "sexist" considerations are relegated to where they truly belong - actual instances of unacceptable discrimination based on sex differences - and, suddenly, the earth comes back to its immutable spin-axis from the "modernish-thinking" one and it is quickly and rationally admitted that men and women DO have impacting differences.

Direct link | Posted on Dec 4, 2014 at 10:38 UTC
In reply to:

PhotoKhan: I am having trouble navigating this new wonderful, media-imposed, intelligent-devoided bubbly world.

...So, it is not sexism if it is commercial, right?

Of course.

You might have noticed, I was being ironic.

The designer and proposer of this bag is a woman. She seems to be a accomplished one and is a very interesting photographer (www.wrightfoto.com.au)

And yet, one of the first things she feels the need to say on her Kickstart video, at 00:20, is that "You don't want to be separated, just because you're a female. I don't want my work to be judged only because I am a female."

This is, at one time, both baffling and revealing.

Baffling, because why would she "don't want" something that, when it is done, only reveals the idiocy of those interacting with her or considering her work? Idiocy should be ignored not fueled by displaced militant assertions.

(continues)

Direct link | Posted on Dec 4, 2014 at 10:37 UTC

I am having trouble navigating this new wonderful, media-imposed, intelligent-devoided bubbly world.

...So, it is not sexism if it is commercial, right?

Direct link | Posted on Dec 4, 2014 at 09:01 UTC as 8th comment | 7 replies
Total: 406, showing: 101 – 120
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