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The 10-20mm is typical Sigma in design and build, and features the company's familiar matte black 'zen' finish. The lens feels solid and durable, with a metal mount and an overall impression of quality to the materials and construction; it also appears rather more rugged than Tamron's SP AF 10-24mm F3.5-4.5 Di-II. The layout is entirely conventional, with the focus ring to the front and the zoom ring to the rear, and a focus mode selection switch on the side of the barrel (Canon and Sigma mount versions).

On the camera

As is typical for a wideangle lens, this lens is rather broad and stubby, and as the length scarcely changes on zooming, it maintains its balance well at all focal lengths. It's perhaps most at home on slightly larger mid-range DSLRs, but is still sufficiently compact that it doesn't feel out of place on smaller cameras (such as the EOS 450D (above right). The zoom and focus rings fall readily to hand, and are perfectly easy to operate when shooting.

It's worth pointing out that this lens isn't terribly compatible with the on-board flashes found on DSLRs; most of these only cover an angle of view equivalent to using an 18mm lens. At wider angles, the flash will give uneven frame coverage with darkening towards the corners, coupled with shadowing from the lens itself in the lower centre of the frame. This is absolutely normal for a wideangle zoom; if you really want to use this lens with flash you'll need to invest in a suitable external unit.


The Canon, Nikon, Sigma and Four Thirds mount versions of this lens use Sigma's ultrasonic-type HyperSonic motor for focusing , and in real-world use it works very well, acquiring focus rapidly and near-silently. This particular system is also of the ring-type, which offers several advantages; the manual focus ring does not rotate during autofocus, and focus can also be tweaked manually with the lens set to AF. This is certainly a major plus for this lens over its competitors (in this class only Canon and Nikon's more expensive offerings feature something similar). The HSM motor also enables the lens to focus on Nikon's entry-level DSLR bodies (D40 / D40X / D60).

Sony and Pentax users, however, have to make do with screw-drive focusing driven from the camera body, however it's worth bearing in mind that the advantages offered by HSM are arguably rather less important on a wideangle lens than on a telephoto. As always, it must also be noted that focus speed and accuracy is dependent upon a number of variables, including the camera body used, subject contrast, and light levels.

Lens body elements

The lens comes in versions for Canon, Nikon, Pentax and Sony DSLRs. All of our images on this page show the Canon EF version, but note that the test data was acquired using a Nikon mount lens.
The filter thread is 77mm. It does not rotate on autofocusing, which should please filter users. Further good news is that normal 8mm-thick polarizers can be used perfectly happily without vignetting, and the slim-mount type is not required.
The petal-type lens hood is provided as standard, and fits positively onto the bayonet mount on the front of the lens. It's made of thick black plastic and features ribbed moldings on the inside to minimize reflections of stray light into the lens.

In trademark Sigma fashion, a series of markings on the outside of the hood aid alignment for mounting.
Unlike the Tamron 10-24mm F3.5-4.5 we reviewed recently, the lens hood reverses neatly to give a reasonably compact package. With its 95mm diameter, it should fit happily in most bags.
The zoom ring has a 13mm wide ribbed rubber grip, and the action is smooth and precise. It rotates 50 degrees clockwise from ultrawide to wide; the 'right' way for Nikon, Pentax and Sony users, but opposite to Canon and Olympus lenses.

The front element extends just 4mm on zooming from 10 to 20mm.
The 12mm wide focus ring rotates 120 degrees clockwise from infinity to 0.5m, this time matching Canon, Sony and Olympus lenses but opposite to Nikon and Pentax designs. It does not rotate during autofocus, and again the action is smooth and precise.

The HSM version of the lens features full-time manual focusing, allowing the user to tweak focus even in AF mode.
A basic distance scale is marked in feet and meters, and the focus ring travels slightly past the infinity position. There's no depth of field scale, however.

This window is absent from the non-HSM Pentax and Sony versions, replaced by a distance scale on the (now mechanically coupled) focus ring.
A large, positive switch on the side of the lens barrel is used for changing the focus mode between auto and manual on Canon and Sigma mount variants.

Reported aperture vs focal length

Here we show the maximum and minimum apertures reported by the camera at the marked focal lengths.

Focal length 10mm 12mm 17mm 17mm 20mm
Max aperture
Min aperture
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Total comments: 5

I have just got the 10-20 4-5.6 sigma lens. It is so far looking good and shooting well. Hope for great things with this lens.

Comment edited 1 minute after posting
Lars Lentz

I use this lens quite often on my Canon APS-C camera and it gives great results. At a 16-32 mm equivalent to the full frame camera versions, this lens lets me compose wide angle shots that are sometimes limited on APS-C cameras. Build quality is excellent and the compact design fits well in my case. The softness, aberration, and distortion is not as pronounced as you may think it is from the article, so I would not disqualify this lens based on that.

Ady Jo

I had this Sigma 10-20mm variable aperture lens for more than 3 years now and I love it. I do not get much time to shooting landscapes these days but whenever I do, I bring this beauty along. It performs very well and 10mm is really wide for nice landscape/cityscape shots. The wide angle makes a difference. I invariably put a circular polarizer on it.
The built quality is decent and although it has some distortion at its wide end, it is perfectly acceptable considering its wide angle and plus it can be corrected in post-processing.

Optical quality is good in the entire zoom range. Sharp in the middle throughout its zoom range. A bit soft near the edges though, but its not a deal breaker for me. Overall a very good lens for this price point.


Had mine for a while Imo while not great is good value and with modern digital advantage of Pshop etc any short failings are far from difficult to correct in post pro.
if used between 15-18mm the results are actually very good although obviously having a large filter requirement means decent filterers coast a fare bit


Took one out during our family vacation to Vegas and the Grand Canyon (actually, part of the reason I bought it along with a need for an extra wide for my Real Estate business). Apart from flare, a decent lens showing good contrast in daylight and "normal" conditions. A bit difficult to correct lines in DXO and a bit of sharpening needed but a good overall performer.

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Total comments: 5