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Photographic Tests (continued)


Most wideangle primes exhibit some vignetting, and the XF14mm is no exception. If you shoot JPEG most of the time you probably won't notice, as the X system's built-in vignetting correction more-or-less eliminates any visible effect. However if you shoot RAW, then vignetting can become much more visible, depending on whether your preferred converter attempts to correct it or not. This is illustrated below, with an image shot at F2.8. We're comparing the out-of-camera JPEG with the corresponding RAW file processed using Capture One Pro 7.1.1, which doesn't apply vignetting correction by default.

JPEG (vignetting corrected) RAW + Capture One 7.1 (uncorrected)

Aside from the obvious difference in colour rendition, the RAW conversion shows substantially more vignetting than the camera's JPEG output. A key point, however, is that the relatively gradual drop-off in illumination across the frame is far less objectionable than the sudden darkening at the corners seen from some other lenses. Of course vignetting is also trivial to correct in almost any modern raw converter.

The rollover below illustrates more fully how vignetting changes across the aperture range, taken using a highly-diffusing Expodisc filter over the lens with focus set to infinity. Again we're comparing corrected out-of-camera JPEGs with what you'll see from uncorrected RAW conversions.

F2.8, corrected F4, corrected F5.6, corrected F8, corrected
F2.8, uncorrected F4, uncorrected F5.6, uncorrected F8, uncorrected

For those interested in the numbers, the drop in brightness at the extreme corners of the frame is shown in the graph below, comparing uncorrected files with corrected out-of-camera JPEGs across the full aperture range. Interestingly Fujifilm's in-camera processing doesn't entirely remove the vignetting, but instead reduces it to levels that you're unlikely to notice.

Specific image quality issues

As always, our studio tests are backed up by taking hundreds of photographs with the lens across a range of subjects, and examining them in detail. This allows us to confirm our studio observations, and identify any other issues which don't show up in the tests. The Fujifilm XF 14mm F2.8R puts in an extremely impressive showing, giving high quality images under a wide range of conditions.


The 14mm is, in general, extremely resistant to flare when the sun is in frame, giving high-contrast images with minimal veiling flare or ghosting. However it can occasionally run into problems when faced with light sources just outside the frame, shining obliquely onto the front element. This can result in a noticeable drop in contrast in parts of the image.

This is shown in the samples below. In the first, with the low winter sun directly in the frame, there's barely any negative effects at all. The second shows a different story though; with the sun just outside of the frame to the right, there's a significant loss of contrast at the centre of the frame. This effect is highly dependent upon the exact angle of the light - a couple of duplicate shots taken at the same time were better. But it's generally worth using the hood under such conditions to minimise the risk of flare.

X-Pro1, F11, sun in frame X-Pro1, F5.6, oblique light
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Total comments: 6

Just a correction... you said:

"One point worth knowing, though, is that there's no way of combining auto and manual focus"

If you shoot in manual mode with the AF-L button set to lock it it becomes a one touch AF button. One touch and the camera will focus and lock on whatever is in the focus point. The lens remains in manual focus though so you can correct, zoom in to check focus using the wheel etc without changing any settings. This is my preferred way of shooting with the Fuji cameras for all lenses.


What camera did you do this review with? When I attach my XF14mm to my X-T1, the focus distance display disappears from the camera's display. However, in your review, it is still present.


he used the fuji x-pro 1 as indicated in the gallery samples...


It may be good if DPreview would include the camera used in AF conclusion.
And also with the firmware version. The XE-1 used to be very sluggish in AF. But with the firmware made big improvements

Indulis Bernsteins

If there is one thing that anmnoys me with Fujifilm lenses it is the sloppy aperture clicks, which make it too easy to bump out of your setting. It would be an easy thing to fix, but each new lens has the same problem.

Stephen Scharf

Nice review. Though, I have to take exception with the slowish AF performance comment. I find that my XF14 is actually quite snappy with respect to AF performance, probably the fastest of all my XF lenses. For example, I've shot professional drag racing and Indy Car pit lane action with it on continuous focus at 6 FPS with excellent results.

Comment edited 30 seconds after posting
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Total comments: 6