My Canon glass isn't so hot on the 1Ds Mk. III...

Started Feb 2, 2013 | Discussions
Joachim Gerstl
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Re: My Canon glass isn't so hot on the 1Ds Mk. III...
In reply to brightcolours, Feb 10, 2013

Have you ever touched one of this lenses?

35L and the Sigma 85 are miles ahead the two cheap Canons and not only because they are one stop faster or offer vastly better Bokeh.

They 70-200 IS L is by far better regarding sharpness and contrast.

Instead of saying nonsense to my comments you should gain some experience. "Second hand knowledge" is the main problem in forums.

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Limburger
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Re: My Canon glass isn't so hot on the 1Ds Mk. III...
In reply to CanonKen, Feb 10, 2013

FF is much less forgiving than crop.

Basicly you say your 1Ds MkIII is working propperly.

You changed the bottleneck in your system.

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Cheers Mike

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brightcolours
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Re: My Canon glass isn't so hot on the 1Ds Mk. III...
In reply to Joachim Gerstl, Feb 10, 2013

Joachim Gerstl wrote:

Have you ever touched one of this lenses?

35L and the Sigma 85 are miles ahead the two cheap Canons and not only because they are one stop faster or offer vastly better Bokeh.

So then in what way are they "miles ahead"? The 35mm f1.4 L USM does not have great bokeh, so that can't really be it. Nor is it vastly more sharp.

Then there is the Sigma 85mm f1.4. How does it have better bokeh than the Canon 85mm f1.8 USM? In fact, the Sigma can have so-so to nasty bokeh:

http://www.alanabramsphotography.com/2010/10/sigma-85mm1-4-ex-dg-hsm-lens-review-part-1/

It is fair to say that the Sigma 85mm f1.4 is nothing special regarding bokeh. It's only real plusses are the extra 2/3rds of a stop compared to the 85mm f1.8 and the lower price compared to the 85mm f1.2 L.

It is an ok lens, obviously, and not better than the Canon EF 85mm f1.8 USM. Side by side, the Canon EF 85mm f1.8 USM has nicer bokeh.

They 70-200 IS L is by far better regarding sharpness and contrast.

The* 70-200mm f4 L IS USM is a bit better regarding sharpness (but not all that much, the 70-200mm f4 L USM is no slouch), and worse regarding MFD work and bokeh. It's other plusses are weather sealing and IS. The non-IS is a fine lens in its own right, and (lack of) contrast is not one of its problems.

Instead of saying nonsense to my comments you should gain some experience. "Second hand knowledge" is the main problem in forums.

Instead of pretending to have knowledge, it is better to gain some.

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Joachim Gerstl
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Re: My Canon glass isn't so hot on the 1Ds Mk. III...
In reply to brightcolours, Feb 10, 2013

brightcolours wrote:

Joachim Gerstl wrote:

Have you ever touched one of this lenses?

35L and the Sigma 85 are miles ahead the two cheap Canons and not only because they are one stop faster or offer vastly better Bokeh.

So then in what way are they "miles ahead"? The 35mm f1.4 L USM does not have great bokeh, so that can't really be it. Nor is it vastly more sharp.

Then there is the Sigma 85mm f1.4. How does it have better bokeh than the Canon 85mm f1.8 USM? In fact, the Sigma can have so-so to nasty bokeh:

http://www.alanabramsphotography.com/2010/10/sigma-85mm1-4-ex-dg-hsm-lens-review-part-1/

It is fair to say that the Sigma 85mm f1.4 is nothing special regarding bokeh. It's only real plusses are the extra 2/3rds of a stop compared to the 85mm f1.8 and the lower price compared to the 85mm f1.2 L.

It is an ok lens, obviously, and not better than the Canon EF 85mm f1.8 USM. Side by side, the Canon EF 85mm f1.8 USM has nicer bokeh.

They 70-200 IS L is by far better regarding sharpness and contrast.

The* 70-200mm f4 L IS USM is a bit better regarding sharpness (but not all that much, the 70-200mm f4 L USM is no slouch), and worse regarding MFD work and bokeh. It's other plusses are weather sealing and IS. The non-IS is a fine lens in its own right, and (lack of) contrast is not one of its problems.

Instead of saying nonsense to my comments you should gain some experience. "Second hand knowledge" is the main problem in forums.

Instead of pretending to have knowledge, it is better to gain some.

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Unless your real name is Alan Abrams you just proofed my point. You don't own and most likely never touched one of those lenses though you feel the need to comment. Sad.

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brightcolours
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Re: My Canon glass isn't so hot on the 1Ds Mk. III...
In reply to Joachim Gerstl, Feb 10, 2013

Joachim Gerstl wrote:

brightcolours wrote:

Joachim Gerstl wrote:

Have you ever touched one of this lenses?

35L and the Sigma 85 are miles ahead the two cheap Canons and not only because they are one stop faster or offer vastly better Bokeh.

So then in what way are they "miles ahead"? The 35mm f1.4 L USM does not have great bokeh, so that can't really be it. Nor is it vastly more sharp.

Then there is the Sigma 85mm f1.4. How does it have better bokeh than the Canon 85mm f1.8 USM? In fact, the Sigma can have so-so to nasty bokeh:

http://www.alanabramsphotography.com/2010/10/sigma-85mm1-4-ex-dg-hsm-lens-review-part-1/

It is fair to say that the Sigma 85mm f1.4 is nothing special regarding bokeh. It's only real plusses are the extra 2/3rds of a stop compared to the 85mm f1.8 and the lower price compared to the 85mm f1.2 L.

It is an ok lens, obviously, and not better than the Canon EF 85mm f1.8 USM. Side by side, the Canon EF 85mm f1.8 USM has nicer bokeh.

They 70-200 IS L is by far better regarding sharpness and contrast.

The* 70-200mm f4 L IS USM is a bit better regarding sharpness (but not all that much, the 70-200mm f4 L USM is no slouch), and worse regarding MFD work and bokeh. It's other plusses are weather sealing and IS. The non-IS is a fine lens in its own right, and (lack of) contrast is not one of its problems.

Instead of saying nonsense to my comments you should gain some experience. "Second hand knowledge" is the main problem in forums.

Instead of pretending to have knowledge, it is better to gain some.

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Unless your real name is Alan Abrams you just proofed my point. You don't own and most likely never touched one of those lenses though you feel the need to comment. Sad.

So what you are saying is that you feel the need to defend your own purchases, do I have that correct?

Or is your point that one can't see how a lens performs in a photo unless one has made the photo oneself? I suggest you think about that for a little...

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photosen
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Another way of looking at it...
In reply to CanonKen, Feb 10, 2013

I am a fellow happy user of a 30D with a 35mm f2, 70-200 f4 (+10-22 and 50mm f1.4). While "full frame" certainly has several advantages I think what is lost in the consumption rush is that "crop" cameras have some advantages too, like using "the best part" of a lens. Instead of agonizing over details (I mean things like a an extra step of dynamic range, not your newly discovered soft corners) we should be a little more grateful for what this technology lets us do.

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plantdoc
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My take
In reply to CanonKen, Feb 11, 2013

Your new camera has more megapixels (resolution) than your 30D. Assuming AF etc is working fine, more resolution is like looking at a larger print when you pixel peep at 100% view. I notice the same thing when I use a lens on my 40D (10 megapixels) vs a Rebel t2i with 18 megapixels. However, if I look at a pic from the 2ti at 50% view it looks just fine. For example, a camera/lens combo with adequate megapixels, but not the greatest lens, may make a great 5x7 but only a fair 11x14. Perhaps, this is a simplistic explanation, but it works for what I see.

Greg

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Donald Duck
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Re: Samples of what I see (apples-to-apples):
In reply to CanonKen, Feb 11, 2013

CanonKen wrote:

Here is the same shot at f/2. While you cannot see it, the center of the image is in focus, and the brightness is the same as the f/11 image (with is, the same brightness across the board). My question is, for a lens like this, wide open on a FF body, is this what I should expect? It is OK if the answer is yes. I'm just surprised it is THAT severe. I'm really not trying to pixel-peep, I just want to make sure my expectations are in line.

It looks bad, indeed, but do you have a 22/1.2 lens which does better wide open on your crop body, at 21mp?

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Donald Duck
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Re: Another way of looking at it...
In reply to photosen, Feb 11, 2013

photosen wrote:

I am a fellow happy user of a 30D with a 35mm f2, 70-200 f4 (+10-22 and 50mm f1.4). While "full frame" certainly has several advantages I think what is lost in the consumption rush is that "crop" cameras have some advantages too, like using "the best part" of a lens.

This is a myth. The only case that I know of is the 17-40 in the corners at 17mm (but sill better than the 10-22). You forget that the comparisons make sense only at equivalent settings.

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Forrest
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Re: Wide open map photo??
In reply to brightcolours, Feb 12, 2013
Your expectations may be a bit off. I can not imagine one wanting to photograph a framed map with a 35mm f2 lens at f2. Not something one would use a shallow DOF setting for!

Think about it for a moment.  A map is flat.  It doesn't need gobs of depth of field if you're shooting it dead on.  There's no background to be out of focus!

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brightcolours
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Re: Wide open map photo??
In reply to Forrest, Feb 12, 2013

Forrest wrote:

Your expectations may be a bit off. I can not imagine one wanting to photograph a framed map with a 35mm f2 lens at f2. Not something one would use a shallow DOF setting for!

Think about it for a moment. A map is flat. It doesn't need gobs of depth of field if you're shooting it dead on. There's no background to be out of focus!

Think about it for a moment. A map is flat. There are no DOF preferences playing, no need at all for a shallow DOF. Yet, all the more problems if the focus plane is just a fraction curved. Also, softer corners wide open will show up, while it is not in any way logical to shoot wide open. And then there is the sensor induced heavy vignetting with FF sensors with big apertures and wide angles, which in a normal scene will not stand out as much as with a photo of a framed map hanging on a white wall.

Pretty odd, then, to shoot that with a 35mm f2 at f2.

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