LR5 hates Minolta ?
Has anyone had success establishing a workmanlike preset in LR5
that doesn't murder all things Minolta ?
With the same RAW shot for example,
AftershotPro produces 31665 colours
LR5 only 27312, both with sliders zeroed.
The LR5 JPEG look it too, bland, with all punch missing in the colours.
Try to fiddle an LR5 preset to correct it and the blues start complaining.
Correct the LR5 JPEG manually (say with Faststone) with some saturation and contrast
and the count goes back up to 30860 colours and starts to look pretty close.
I'm using the @57 profile in both packages
but the LR one seems to be just plain wrong;
how's your mileage ?