The D800, a case for the higher resolution

Started 3 months ago | Discussion thread
plevyadophy
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The Eco system gets huge and it places demand on technique Re: The D800, a case for the higher res
In reply to Chad Gladstone, 3 months ago

Chad Gladstone wrote:

I am a long time Nikon shooter and I (self admittedly) try an capture the best technical images I can. I agonize over every lens and body trying to capture the the most I can with the equipment I can afford. I read the lens reviews and compare the resolving potential of each lens and make painful compromises in balancing sharpness, bokeh, contrast, flare resistance, CA, focus acquisition speed, distortions, price and the like in lens purchases, and likewise, hypothetical sensor performance, dynamic range, moire management, feature set, price, etc., in body purchases and readily accept that all acquisitions represent a series of compromises. Once in a while, however, a revolutionary product is revealed that dramatically alters the long held benchmarks and accustomed industry standards. Enter the much maligned D800 and its polarizing 36mp sensor.

I have been reading threads here for a couple of weeks now where many experienced photographers have been promoting the idea the shooting a D800 is not advantageous and bodies with less resolving power would be better tailored for a given set of shooting circumstance or shooter mandated criteria. I am having some serious difficulty assimilating how such guidance could be accurate (with respect to sensor performance), given both the empirical evidence the appears to contradict these assertions (DXO labs,etc) and my own quixotic observations that likewise suggest that whether upsizing or downsizing, the sensor capable of resolving more lines of resolutions will always provide a qualitatively superior starting point, as a blank canvas, to begin the journey from initial capture, to the artist's vision of what the image could become. For the sake of academic discussion, I am proposing to deliberately throw out the miscalibrated AF issues that could skew the data exhibited by some early adopters of the D800 and "focus" on why anyone would deliberately desire to capture less information from their image than what they otherwise could with a higher capacity sensor.

Many here have advocated purchasing bodies with less resolution in their native raw files are desirable over the higher capacity D800. They refer to workflow efficiency and file management and other well reasoned and articulate arguments in support of their conclusions, but I contend that, in an era where processing power and memory is so nominally accessible, compromising detail and flexibility in their original captures is extremely short sighted.

I would love other thoughts on this as I marvel at the possibilities the D800 files promise to provide, Even if, for now, I am only scratching the surface of what is possible with versatility of what the sensor is capable of providing.

The question remains why would anyone recommend a body that delivers less native resolution? I would like to know because it seems so counterintuative to me when we spend our resources so freely in acquiring the finest optics we can afford. To then deliberately compromise the lenses available resolution by electing to use bodies incapable of taxing their potential for substantially greater performance appears self negating.

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Chad Gladstone

If you follow the comments of some folks, like Nikon guru Thom Hogan, essentially it boils down to two things:

1. The Eco System

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Once you get this camera, PROVIDED YOU WISH TO MAXIMISE ITS POTENTIAL, you will have to

~ buy the best performing, and this often means the VERY expensive, lenses compatible with the camera AND at all the focal lengths you are likely to use, if you don't own them already. This creates a massive financial burden. And note that Nikon went to great lengths to publish a list of recommended lenses for this camera, which is something I don't think they did for any of their previous cams (correct me if I am wrong);

~ buy a new computer, or at least an upgrade to some components; this will be needed if your current one isn't up to the job of processing the large Nikon D800 files as fast as your current lower res files can be processed;

~ buy a new backup system to store the huge archive you will now have;

~ buy a new printer to print larger prints, or perhaps there will be an increase in printing costs if you usually send your images off to be printed;

~ consider whether your current tripod is up to the job

2. Technical Demands on the Photographer

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~ if like me, you hate using a tripod, well you ain't gonna be a happy chappy with this Nikon resolution monster, because any flaws in stabilizing your camera will be shown up for all the world to see which follows on from the above criterion of considering whether or not your tripod (if you have one) is up to the job of keeping a 36Mp camera steady enough;

~ So now that you have got a tripod, you are now going to have to invoke all the other techniques to ensure max image quality e.g. mirror lock-up, lowest ISO etc

~ If you were a JPEG shooter before, you will probably have to become a raw shooter (handling massive files) unless the D800 has a Canon-like Reduced Raw option.

~ If you like to "spray and pray" you won't be able to do that with the D800 because it's frame rate ain't exactly fast at it's optimum quality settings.

The result of all this

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is that if one is currently using X camera hand held and printing on W x H paper and using AB computer and is happy with the results they are obtaining, the Nikon D800, for the sake of buying the latest and the greatest, is going to cause a lot of misery and will be under-performing in one's hands.

However, the point you raise that having the D800 gives you a better starting point is a valid one and I guess that one can always "grow into" the camera. I guess, those folks who warn against buying the D800 are simply trying to warn folks of the "problems" they face when buying the camera; it's not simply a matter of popping down to the shops and buying a shiny new camera as there are a lot of other factors to take into account when buying the D800 camera (in essence, the camera is "medium format" in all but name and requires the same shooting discipline and considerations that medium format does).

That then is my take on the matter.

A good thread/discussion (and I don't even shoot or like (the ergonomics of) Nikon cameras)

Regards,

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