Yet another "prints-darker-than-screen" but with a twist...!

Started 3 months ago | Discussion thread
NewsyL
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Re: Yet another "prints-darker-than-screen" but with a twist...!
In reply to Taurus43, 3 months ago

Taurus43 wrote:

NewsyL wrote:

Have you tried the "paper" test for brightness as yet? It's a good way to get close to your ideal brightness.

Paper Eyeball Technique
A rough method of setting brightness is to grab a sheaf of white printer paper (several pages thick) and hold it up next to your monitor while it is displaying a white screen (full screen Notepad works well) and while the room has its' typical lighting used while you edit. If the paper looks brighter than your monitor, then your monitor is too dark. If the paper is darker, then the monitor is too bright or perhaps you need to increase the ambient lighting of the room.

While I agree with the concept her I am not at all sure about the method. It's true that the "brightness" of the paper should match the brightness of the screen, but the brightness of the paper should be checked under viewing conditions, not under editing conditions. If your editing environment is at the recommended level of about 50 lux the paper will never look as bright as the monitor. To achieve equal brightness the print needs to be viewed with an illuminance of about 500 lux - the kind of level you find in a supermarket.

Better to use a more objective method to compare the monitor to the paper. You can do it with your camera using the method described here. It also gives you a pretty good idea of the luminance of your monitor in cd/m2

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In a 10x12 office with a single 800 lumen bulb, the light level in the room should be between 90-120 cd/m2 in which case the paper method would get into the ballpark.  Like I said... a rough method, quick and easy.

Yes, the camera method is more accurate in low light and all around.

That said, I don't understand why anyone would edit in a room that is so dark that the monitor has to be below 80 cd/m2 much less 100 cd/m2.

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