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Roel, re-orient! :-)
In reply to RoelHendrickx,
3 months ago
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RoelHendrickx wrote:
I would expect the distortions of a normal fisheye lens to look different.
And how the walls and ceiling relate to the floor is disorienting for me.
The strong shape of the perfect circle, composed of little slabs of wood (?) is just simply beautiful: I would expect this to be a top-down view on a bowl of some sorts, not a view on something mounted on a wall.
It's a photographer's photograph: showing an angle on the world that normal eyes would never see.
(I'd be interested to view a "normal" photo of this setting, because really I cannot figure out completely how to look at it.)
--
Roel Hendrickx
lots of images: www.roelh.zenfolio.com
my E-3 user field report from Tunisian Sahara: http://www.biofos.com/ukpsg/roel.html
Roel,
Here are views of the art, "Waking from His Dream" by Leo Saul Berk, seen in a recent exhibit in the Frye Art Museum, Seattle. Both were taken with the same lens set-up; I don't have a view with a different lens, and the exhibit has ended.
The fisheye converter used with 16mm lens on NEX-5N yields a 180-degree angle of view and is equivalent to a 15mm lens on a FF camera, according to mfr's literature.
When I took the picture, I'd recently read that fisheye distortion increases with distance from the center. So, I carefully tried to line up with the center of the "bowl." Sure enough, it doesn't look at all distorted compared to the floor and walls. Although the perimeter of the bowl must have some distortion, because the object is circular I don't know how any distortion could be noticeable.
I like to imagine that intrinsic artistic qualities of the piece might be so powerful that a force field is created which warps the immediate environment.
The second picture is uncropped.


--
Zin
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