Inspiring next lens (for trip to Vietnam)

Started 4 months ago | Questions thread
Dave Sanders
Regular MemberPosts: 260
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Re: one lens, different visions
In reply to tedolf, 4 months ago

tedolf wrote:

Dave Sanders wrote:

hoosh wrote:

This is very insightful. Thanks for your thoughts. Your thought of 'seeing' in telephoto makes me realise that sometimes I do too and I'd never heard it expressed like that (I usually see the usual banter about taking photos from far away etc.)

One of the most rewarding days of photography I've ever had was on a trip to Turkey in 2007. I was shooting a Canon XTi APS-C for the trip. I had a 10-22 UWA, 50/1.4 and 85/1.8 in my bag. I was in Istanbul and positively taken with the crowded rush of the city and the layers upon layers of imagery. I was shooting with the 10-22 and just not getting anything I was particularly pleased with. I said "Eff this" and put on my 85 and left it on, around f/4 I think. For the next 4 hours or so I was happily working with a 135mm FOV as a walkaround and took some of the best photos of the trip, focusing on details, portraits, layered street scenes, etc. I finally felt as if I was beginning to capture the city as I was feeling it...or 'seeing' it, if you will. The compression effect of using a telephoto and focusing on isolating details really brought out what I was seeing and feeling around me.

Personally, I can't function without a mid telephoto. I had a similar experience on a recent trip to Berlin; my photos weren't conveying the sense of Berlin that I was getting. Put my 50/1.8G on my D2X (75mm FOV) and left my bag at home...didn't take it off for the final two or three days and got my most pleasing photos. I'm a telephoto guy. I've tried my best with UWA, including the outstanding Nikon 14-24. I just don't think I see the world that broadly.

That is why my favorite lens on u 4/3 is a 40mm f/2.0.

It is very close to what I initially visualze in my head.



Oooohhhhh...a Minolta M-Rokkor 40/2! How do you like it? As an old Minolta film shooter, I still have a deep affection for the old Rokkors and a good knowledge of which ones are 'winners'. To me, they always rendered beautifully, not quite as warm or high contrast as is favoured these days. Leica-like, one could say. Digital post production has made such distinctions a bit obsolete but I still love the old glass. I think my next m4/3 adapter will be a Minolta. So, good lens?



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Dave Sanders

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